of temper. She had three sons and one daughter. Two of the sons went utterly to ruin, and reduced their mother to poverty. The third went to India, a slim, delicate lad, and passed so wholly from the knowledge of his relatives that he was thought to be long dead. Years later, when his sister was living in Genoa, a red-bearded man of great strength and stature, tanned by years in India, and his hands covered with barbaric gems, entered the room unannounced, as she was playing the piano, lifted her from her seat, and kissed her. It was her brother, suddenly returned out of a past that was never very clearly understood, with the rank of general, many strange gems, many cloudy stories of adventure, and next his heart, the daguerreotype of an Indian prince with whom he had mixed blood.
The last of this wild family, the daughter, Henrietta Camilla, became the wife of the midshipman Charles, and the mother of the subject of this notice, Fleeming Jenkin. She was a woman of parts and courage. Not beautiful, she had a far higher gift, the art of seeming so; played the part of a belle in society, while far lovelier women were left unattended; and up to old age had much of both the exigency and the charm that mark that character. She drew naturally, for she had no training, with unusual skill; and it was from her, and not from the two naval artists, that Fleeming inherited his eye and hand. She played on the harp and sang with something beyond the talent of an amateur. At the age of seventeen, she heard Pasta in Paris; flew up in a fire of youthful enthusiasm; and the next morning, all alone and without introduction, found her way into the presence of the prima donna and begged for lessons. Pasta made her sing, kissed her when she had done, and though she refused to be her mistress, placed her in the hands of a friend. Nor was this all, for when Pasta returned to Paris, she sent for the girl (once at least) to test her progress. But Mrs. Jenkin’s talents were not so remarkable as her fortitude and strength of will; and it was in an art for which she had no natural taste (the art of literature) that she appeared before the public. Her novels, though they attained and merited a certain popularity both in France and England, are a measure only of her courage. They were a task, not a beloved task; they were written for money in days of poverty, and they served their end. In the least thing as well as in the greatest, in every province of life as well as in her novels, she displayed the same capacity of taking infinite pains, which descended to her son. When she was about forty (as near as her age was known) she lost her voice; set herself at once to learn the piano, working eight hours a day; and attained to such proficiency that her collaboration in chamber music was courted by professionals. And more than twenty years later, the old lady might have been seen dauntlessly beginning the study of Hebrew. This is the more ethereal part of courage; nor was she wanting in the more material. Once when a neighbouring groom, a married man, had seduced her maid, Mrs. Jenkin mounted her horse, rode over to the stable entrance and horsewhipped the man with her own hand.
How a match came about between this talented and spirited girl and the young midshipman, is not very I easy to conceive. Charles Jenkin was one of the finest creatures breathing; loyalty, devotion, simple natural piety, boyish cheerfulness, tender and manly sentiment in the old sailor fashion, were in him inherent and inextinguishable either by age, suffering, or injustice. He looked, as he was, every inch a gentleman; he must have been everywhere notable, even among handsome men, both for his face and his gallant bearing; not so much that of a sailor, you would have said, as like one of those gentle and graceful soldiers that, to this day, are the most pleasant of Englishmen to see. But though he was in these ways noble, the dunce scholar of Northiam was to the end no genius. Upon all points that a man must understand to be a gentleman, to be upright, gallant, affectionate and dead to self, Captain Jenkin was more knowing than one among a thousand; outside of that, his mind was very largely blank. He had indeed a simplicity that came near to vacancy; and in the first forty years of his married life, this want grew more accentuated. In both families imprudent marriages had been the rule; but neither Jenkin nor Campbell had ever entered into a more unequal union. It was the captain’s good looks, we may suppose, that gained for him this elevation; and in some ways and for many years of his life, he had to pay the penalty. His wife, impatient of his incapacity and surrounded by brilliant friends, used him with a certain contempt. She was the managing partner; the life was hers, not his; after his retirement they lived much abroad, where the poor captain, who could never learn any language but his own, sat in the corner mumchance; and even his son, carried away by his bright mother, did not recognise for long the treasures of simple chivalry that lay buried in the heart of his father. Yet it would be an error to regard this marriage as unfortunate. It not only lasted long enough to justify itself in a beautiful and touching epilogue, but it gave to the world the scientific work and what (while time was) were of far greater value, the delightful qualities of Fleeming Jenkin. The Kentish-Welsh family, facile, extravagant, generous to a fault and far from brilliant, had given the father, an extreme example of its humble virtues. On the other side, the wild, cruel, proud, and somewhat blackguard stock of the Scotch Campbell-Jacksons, had put forth, in the person of the mother all its force and courage.
The marriage fell in evil days. In 1823, the bubble of the Golden Aunt’s inheritance had burst. She died holding the hand of the nephew she had so wantonly deceived; at the last she drew him down and seemed to bless him, surely with some remorseful feeling; for when the will was opened, there was not found so much as the mention of his name. He was deeply in debt; in debt even to the estate of his deceiver, so that he had to sell a piece of land to clear himself. ‘My dear boy,’ he said to Charles, ‘there will be nothing left for you. I am a ruined man.’ And here follows for me the strangest part of this story. From the death of the treacherous aunt, Charles Jenkin, senior, had still some nine years to live; it was perhaps too late for him to turn to saving, and perhaps his affairs were past restoration. But his family at least had all this while to prepare; they were still young men, and knew what they had to look for at their father’s death; and yet when that happened in September, 1831, the heir was still apathetically waiting. Poor John, the days of his whips and spurs, and Yeomanry dinners, were quite over; and with that incredible softness of the Jenkin nature, he settled down for the rest of a long life, into something not far removed above a peasant. The mill farm at Stowting had been saved out of the wreck; and here he built himself a house on the Mexican model, and made the two ends meet with rustic thrift, gathering dung with his own hands upon the road and not at all abashed at his employment. In dress, voice, and manner, he fell into mere country plainness; lived without the least care for appearances, the least regret for the past or discontentment with the present; and when he came to die, died with Stoic cheerfulness, announcing that he had had a comfortable time and was yet well pleased to go. One would think there was little active virtue to be inherited from such a race; and yet in this same voluntary peasant, the special gift of Fleeming Jenkin was already half developed. The old man to the end was perpetually inventing; his strange, ill-spelled, unpunctuated correspondence is full (when he does not drop into cookery receipts) of pumps, road engines, steam-diggers, steam-ploughs, and steam-threshing machines; and I have it on Fleeming’s word that what he did was full of ingenuity – only, as if by some cross destiny, useless. These disappointments he not only took with imperturbable good humour, but rejoiced with a particular relish over his nephew’s success in the same field. ‘I glory in the professor,’ he wrote to his brother; and to Fleeming himself, with a touch of simple drollery, ‘I was much pleased with your lecture, but why did you hit me so hard with Conisure’s’ (connoisseur’s, quasi amateur’s) ‘engineering? Oh, what presumption! – either of you or myself!’ A quaint, pathetic figure, this of uncle John, with his dung cart and his inventions; and the romantic fancy of his Mexican house; and his craze about the Lost Tribes which seemed to the worthy man the key of all perplexities; and his quiet conscience, looking back on a life not altogether vain, for he was a good son to his father while his father lived, and when evil days approached, he had proved himself a cheerful Stoic.
It followed from John’s inertia, that the duty of winding up the estate fell into the hands of Charles. He managed it with no more skill than might be expected of a sailor ashore, saved a bare livelihood for John and nothing for the rest. Eight months later, he married Miss Jackson; and with her money, bought in some two-thirds of Stowting. In the beginning of the little family history which I have been following to so great an extent, the Captain mentions, with a delightful pride: ‘A Court Baron and Court Leet are regularly held by the Lady of the Manor, Mrs. Henrietta Camilla Jenkin’; and indeed
