quotation from an old play, in which the lover sees his mistress, who had swooned, or was in a deathlike sleep: —
At the first sight I did believe her dead —
Yet in that state so awful she appeared,
That I approached her with as much respect
As if the soul had animated still
That body which, though dead, scarce mortal seemed.
But as the sun from our horizon gone,
His beams do leave a tincture on the skies,
Which shows it was not long since he withdrew;
So in her lovely face there still appeared
Some scattered streaks of those vermilion beams
Which used t'irradiate that bright firmament.
Thus did I find that distressed miracle,
Able to wound a heart, as if alive —
Incapable to cure it, as if dead."
Thus is there sympathy between our hearts and nature – a sympathy, the secret of taste, which, above all, the sketcher should cultivate as the source of his pleasure, and (may it not be added?) of his improvement.
I will not proceed further with description of scenes; Lynmouth will be long remembered. I scarcely know a better spot for the study of close scenery. On reviewing my former impressions with the present, I should not say that Lynmouth has lost, but I have certainly gained some knowledge, and, I think, improved my sympathies with nature; and if I have not enjoyed so enthusiastically as I did sixteen years ago, I have enlarged my sight and extended my power. I am practically a better sketcher. The hand and the eye, work together; the improvement of one advances the other.
I know no better method of sketching than the mixture of transparent and semi-opaque colouring. It best represents the variety and the power of nature; and as it more nearly resembles in its working the practice of oil-painting, so is it the more likely to improve the painter. I have remarked that, even in depth of colour, the semi-opaque is very much more powerful than the transparent, however rich; for the one has, besides its more varied colour, the solidity of nature; whereas the most transparent has ever an unsubstantial look – you see through to the paper or the canvass. Semi-opaque, (or degrees of opacity, till it borders on the transparent,) as it hides the material, and throws into every part the charm of atmosphere, so it will ever bestow upon the sketch the gift of truth.
I did not begin this paper on Lynmouth Revisited with any intention of entering upon the technicalities of art; so I will refrain from any further remarks tending that way, which leads to far too wide a field for present discussion.
WHAT HAS REVOLUTIONISING GERMANY ATTAINED?
It is now rather more than a year since we asked, "What would revolutionising Germany be at?" A full year has passed over the dreamy, theorising, restless, and excited head of Germany, then confused and staggering, like "a giant drunken with new wine," but loudly vaunting that its strong dose of revolution had strengthened and not fuddled it, and that it was about to work out of its troubled brains a wondrous system of German Unity, which was to bring it infinite and permanent happiness; and now we would once more ask, What is the result of the attempted application of German revolutionising theory to practice? In fact, what has revolutionising Germany attained? Our first question we asked without being able to resolve an answer. The problem was stated: an attempt was made to arrive at something like a solution out of the distracting hurly-burly of supposed purposes and so-called intentions; but, after every effort to make out our "sum" in any reasonable manner, we were obliged to give it up, as a task impossible to any political mathematician, not of German mould; to declare any definite solution for the present hopeless, – and to end our amount of calculation by arriving only in a cercle vicieux at the statement of the problem with which we started, and asking, as despairingly as a tired schoolboy with a seemingly impracticable equation before him, "What, indeed, would revolutionising Germany be at?" Are we any further advanced now? We will not attempt the difficult sum again, or we might find ourselves obliged to avow ourselves as much deficient in the study of German political mathematics as before. But we may at least try to undertake a mere sum of addition, endeavour to cast up the amount of figures the Germans themselves have laid before us, and make out, as well as we can, what, after a year's hard – and how hard! – work, revolutionising Germany has attained. The species of sum-total, as far as the addition can yet go, to which we may arrive, may be still a very confused and unsatisfactory one; but in asking, "What has revolutionising Germany attained?" we will not take it entirely to our own charge, if the answer attempted to be made is thus confused and unsatisfactory. German political sums are all too puzzling for English heads.
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