them shadows gathered faster,And as the firelight fell,
He read aloud the book wherein the Master
Had writ of “Little Nell.”
Perhaps ’twas boyish fancy, – for the reader
Was youngest of them all, —
But as he read, from clustering pine and cedar
A silence seemed to fall;
The fir-trees, gathering closer in the shadows,
Listened in every spray,
While the whole camp with “Nell” on English meadows
Wandered, and lost their way.
And so, in mountain solitudes, o’ertaken
As by some spell divine —
Their cares drop from them, like the needles shaken
From out the gusty pine.
Lost is that camp, and wasted all its fire; —
And he who wrought that spell?
Ah, towering pine and stately Kentish spire,
Ye have one tale to tell!
Lost is that camp! but let its fragrant story
Blend with the breath that thrills
With hop-vines’ incense all the pensive glory
That fills the Kentish hills.
And on that grave where English oak and holly
And laurel wreaths entwine,
Deem it not all a too presumptuous folly,
This spray of Western pine!
HOME THEY BROUGHT HER WARRIOR
Home they brought her warrior dead:
She nor swoon’d, nor utter’d cry:
All her maidens, watching, said,
“She must weep or she will die.”
Then they praised him, soft and low,
Call’d him worthy to be loved,
Truest friend and noblest foe;
Yet she neither spoke nor moved.
Stole a maiden from her place,
Lightly to the warrior stept,
Took the face-cloth from the face;
Yet she neither moved nor wept.
Rose a nurse of ninety years,
Set his child upon her knee —
Like summer tempest came her tears —
“Sweet my child, I live for thee.”
The world goes up and the world goes down,
And the sunshine follows the rain;
And yesterday’s sneer and yesterday’s frown
Can never come over again.
THE LOCKSMITH OF THE GOLDEN KEY
From the workshop of the Golden Key there issued forth a tinkling sound, so merry and good-humored that it suggested the idea of some one working blithely, and made quite pleasant music. Tink, tink, tink– clear as a silver bell, and audible at every pause of the street’s harsher noises, as though it said, “I don’t care; nothing puts me out; I am resolved to be happy.”
Women scolded, children squalled, heavy carts went rumbling by, horrible cries proceeded from the lungs of hawkers. Still it struck in again, no higher, no lower, no louder, no softer; not thrusting itself on people’s notice a bit the more for having been outdone by louder sounds —tink, tink, tink, tink, tink.
It was a perfect embodiment of the still small voice, free from all cold, hoarseness, huskiness, or unhealthiness of any kind. Foot-passengers slackened their pace, and were disposed to linger near it. Neighbors who had got up splenetic that morning felt good-humor stealing on them as they heard it, and by degrees became quite sprightly. Mothers danced their babies to its ringing – still the same magical tink, tink, tink, came gayly from the workshop of the Golden Key.
Who but the locksmith could have made such music? A gleam of sun, shining through the unsashed window, and checkering the dark workshop with a broad patch of light, fell full upon him, as though attracted by his sunny heart. There he stood, working at his anvil, his face radiant with exercise and gladness – the easiest, freest, happiest man in all the world.
Beside him sat a sleek cat, purring and winking in the light, and falling every now and then into an idle doze, as from excess of comfort. The very locks that hung around had something jovial in their rust, and seemed like gouty old gentlemen of hearty natures, disposed to joke on their infirmities.
There was nothing surly or severe in the whole scene. It seemed impossible that any one of the innumerable keys could fit a churlish strong-box or a prison-door. Store-houses of good things, rooms where there were fires, books, gossip, and cheering laughter – these were their proper sphere of action. Places of distrust and cruelty and restraint they would have quadruple locked forever.
Tink, tink, tink. No man who hammered on at a dull, monotonous duty could have brought such cheerful notes from steel and iron; none but a chirping, healthy, honest-hearted fellow, who made the best of everything, and felt kindly towards everybody, could have done it for an instant. He might have been a coppersmith, and still been musical. If he had sat on a jolting wagon, full of rods of iron, it seemed as if he would have brought some harmony out of it. – Charles Dickens.
TUBAL CAIN
Old Tubal Cain was a man of might,
In the days when earth was young;
By the fierce red light of his furnace bright,
The strokes of his hammer rung:
And he lifted high his brawny hand
On the iron glowing clear,
Till the sparks rushed out in scarlet showers,
As he fashioned the sword and the spear.
And he sang: “Hurrah for my handiwork!
Hurrah for the spear and the sword!
Hurrah for the hand that shall wield them well,
For he shall be king and lord!”
To Tubal Cain came many a one,
As he wrought by his roaring fire;
And each one prayed for a strong steel blade
As the crown of his desire.
And he made them weapons sharp and strong,
Till they shouted loud for glee;
And gave him gifts of pearls and gold,
And spoils of the forest free.
And they sang: “Hurrah for Tubal Cain,
Who hath given us strength anew!
Hurrah for the smith, hurrah for the fire,
And hurrah for the metal true!”
But a sudden change came o’er his heart,
Ere the setting of the sun;
And Tubal Cain was filled with
