The Essays of Arthur Schopenhauer; Counsels and Maxims. Артур Шопенгауэр

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mentioned is observed, and a plan of life is adopted which proceeds by avoiding pain – in other words, by taking measures of precaution against want, sickness, and distress in all its forms, the aim is a real one, and something may be achieved which will be great in proportion as the plan is not disturbed by striving after the chimera of positive happiness. This agrees with the opinion expressed by Goethe in the Elective Affinities, and there put into the mouth of Mittler – the man who is always trying to make other people happy: To desire to get rid of an evil is a definite object, but to desire a better fortune than one has is blind folly. The same truth is contained in that fine French proverb: le mieux est l'ennemi du bien– leave well alone. And, as I have remarked in my chief work,4 this is the leading thought underlying the philosophical system of the Cynics. For what was it led the Cynics to repudiate pleasure in every form, if it was not the fact that pain is, in a greater or less degree, always bound up with pleasure? To go out of the way of pain seemed to them so much easier than to secure pleasure. Deeply impressed as they were by the negative nature of pleasure and the positive nature of pain, they consistently devoted all their efforts to the avoidance of pain. The first step to that end was, in their opinion, a complete and deliberate repudiation of pleasure, as something which served only to entrap the victim in order that he might be delivered over to pain.

      We are all born, as Schiller says, in Arcadia. In other words, we come into the world full of claims to happiness and pleasure, and we cherish the fond hope of making them good. But, as a rule, Fate soon teaches us, in a rough and ready way that we really possess nothing at all, but that everything in the world is at its command, in virtue of an unassailable right, not only to all we have or acquire, to wife or child, but even to our very limbs, our arms, legs, eyes and ears, nay, even to the nose in the middle of our face. And in any case, after some little time, we learn by experience that happiness and pleasure are a fata morgana, which, visible from afar, vanish as we approach; that, on the other hand, suffering and pain are a reality, which makes its presence felt without any intermediary, and for its effect, stands in no need of illusion or the play of false hope.

      If the teaching of experience bears fruit in us, we soon give up the pursuit of pleasure and happiness, and think much more about making ourselves secure against the attacks of pain and suffering. We see that the best the world has to offer is an existence free from pain – a quiet, tolerable life; and we confine our claims to this, as to something we can more surely hope to achieve. For the safest way of not being very miserable is not to expect to be very happy. Merck, the friend of Goethe's youth, was conscious of this truth when he wrote: It is the wretched way people have of setting up a claim to happinessand, that to, in a measure corresponding with their desiresthat ruins everything in this world. A man will make progress if he can get rid of this claim,5 and desire nothing but what he sees before him. Accordingly it is advisable to put very moderate limits upon our expectations of pleasure, possessions, rank, honor and so on; because it is just this striving and struggling to be happy, to dazzle the world, to lead a life full of pleasure, which entail great misfortune. It is prudent and wise, I say, to reduce one's claims, if only for the reason that it is extremely easy to be very unhappy; while to be very happy is not indeed difficult, but quite impossible. With justice sings the poet of life's wisdom:

       Auream quisquis mediocritatem

      Diligit, tutus caret obsoleti

      Sordibus tecti, caret invidenda

      Sobrius aula.

      Savius ventis agitatur ingens

      Pinus: et celsae graviori casu

      Decidunt turres; feriuntque summos

      Fulgura monies. 6

      – the golden mean is best – to live free from the squalor of a mean abode, and yet not be a mark for envy. It is the tall pine which is cruelly shaken by the wind, the highest summits that are struck in the storm, and the lofty towers that fall so heavily.

      He who has taken to heart the teaching of my philosophy – who knows, therefore, that our whole existence is something which had better not have been, and that to disown and disclaim it is the highest wisdom – he will have no great expectations from anything or any condition in life: he will spend passion upon nothing in the world, nor lament over-much if he fails in any of his undertakings. He will feel the deep truth of what Plato7 says: [Greek: oute ti ton anthropinon haxion on megalaes spondaes] – nothing in human affairs is worth any great anxiety; or, as the Persian poet has it,

       Though from thy grasp all worldly things should flee,

      Grieve not for them, for they are nothing worth:

      And though a world in thy possession be, J

      oy not, for worthless are the things of earth.

      Since to that better world 'tis given to thee

      To pass, speed on, for this is nothing worth. 8

      The chief obstacle to our arriving at these salutary views is that hypocrisy of the world to which I have already alluded – an hypocrisy which should be early revealed to the young. Most of the glories of the world are mere outward show, like the scenes on a stage: there is nothing real about them. Ships festooned and hung with pennants, firing of cannon, illuminations, beating of drums and blowing of trumpets, shouting and applauding – these are all the outward sign, the pretence and suggestion, – as it were the hieroglyphic, – of joy: but just there, joy is, as a rule, not to be found; it is the only guest who has declined to be present at the festival. Where this guest may really be found, he comes generally without invitation; he is not formerly announced, but slips in quietly by himself sans facon; often making his appearance under the most unimportant and trivial circumstances, and in the commonest company – anywhere, in short, but where the society is brilliant and distinguished. Joy is like the gold in the Australian mines – found only now and then, as it were, by the caprice of chance, and according to no rule or law; oftenest in very little grains, and very seldom in heaps. All that outward show which I have described, is only an attempt to make people believe that it is really joy which has come to the festival; and to produce this impression upon the spectators is, in fact, the whole object of it.

      With mourning it is just the same. That long funeral procession, moving up so slowly; how melancholy it looks! what an endless row of carriages! But look into them – they are all empty; the coachmen of the whole town are the sole escort the dead man has to his grave. Eloquent picture of the friendship and esteem of the world! This is the falsehood, the hollowness, the hypocrisy of human affairs!

      Take another example – a roomful of guests in full dress, being received with great ceremony. You could almost believe that this is a noble and distinguished company; but, as a matter of fact, it is compulsion, pain and boredom who are the real guests. For where many are invited, it is a rabble – even if they all wear stars. Really good society is everywhere of necessity very small. In brilliant festivals and noisy entertainments, there is always, at bottom, a sense of emptiness prevalent. A false tone is there: such gatherings are in strange contrast with the misery and barrenness of our existence. The contrast brings the true condition into greater relief. Still, these gatherings are effective from the outside; and that is just their purpose. Chamfort9 makes the excellent remark that societyles cercles, les salons, ce qu'on appelle le monde– is like a miserable play, or a bad opera, without any interest in itself, but supported for a time by mechanical aid, costumes and scenery.

      And so, too, with academies and chairs of philosophy. You have a kind of sign-board hung out to show the apparent abode of wisdom: but wisdom is another guest who declines the invitation; she is to be found elsewhere. The chiming

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<p>4</p>

Welt als Wille und Vorstellung, vol. ii., ch. 16.

<p>5</p>

Letters to and from Merck.

<p>6</p>

Horace. Odes II. x.

<p>7</p>

Republic, x. 604.

<p>8</p>

Translator's Note. From the Anvár-i Suhailí —TheLights of Canopus– being the Persian version of the Table ofBidpai. Translated by E.B. Eastwick, ch. iii. Story vi., p. 289.

<p>9</p>

Translator's Note. Nicholas "Chamfort" (1741-94), a French miscellaneous writer, whose brilliant conversation, power of sarcasm, and epigrammic force, coupled with an extraordinary career, render him one of the most interesting and remarkable men of his time. Schopenhauer undoubtedly owed much to this writer, to whom he constantly refers.