Tales of the Jazz Age. Francis Scott Fitzgerald

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style="font-size:15px;">      "Stole my luck, you did." She was nodding her head sagely.

      Jim swept up the last check and putting it with the others tore them into confetti and scattered them on the floor. Someone started singing and Nancy kicking her chair backward rose to her feet.

      "Ladies and gentlemen," she announced, "Ladies – that's you Marylyn. I want to tell the world that Mr. Jim Powell, who is a well-known Jelly-bean of this city, is an exception to the great rule – 'lucky in dice – unlucky in love.' He's lucky in dice, and as matter of fact I – I love him. Ladies and gentlemen, Nancy Lamar, famous dark-haired beauty often featured in the Herald as one the most popular members of younger set as other girls are often featured in this particular case; Wish to announce – wish to announce, anyway, Gentlemen – " She tipped suddenly. Clark caught her and restored her balance.

      "My error," she laughed, "she – stoops to – stoops to – anyways – We'll drink to Jelly-bean … Mr. Jim Powell, King of the Jelly-beans."

      And a few minutes later as Jim waited hat in hand for Clark in the darkness of that same corner of the porch where she had come searching for gasolene, she appeared suddenly beside him.

      "Jelly-bean," she said, "are you here, Jelly-bean? I think – " and her slight unsteadiness seemed part of an enchanted dream – "I think you deserve one of my sweetest kisses for that, Jelly-bean."

      For an instant her arms were around his neck – her lips were pressed to his.

      "I'm a wild part of the world, Jelly-bean, but you did me a good turn."

      Then she was gone, down the porch, over the cricket-loud lawn. Jim saw Merritt come out the front door and say something to her angrily – saw her laugh and, turning away, walk with averted eyes to his car.

      Marylyn and Joe followed, singing a drowsy song about a Jazz baby.

      Clark came out and joined Jim on the steps. "All pretty lit, I guess," he yawned. "Merritt's in a mean mood. He's certainly off Nancy."

      Over east along the golf course a faint rug of gray spread itself across the feet of the night. The party in the car began to chant a chorus as the engine warmed up.

      "Good-night everybody," called Clark.

      "Good-night, Clark."

      "Good-night."

      There was a pause, and then a soft, happy voice added,

      "Good-night, Jelly-bean."

      The car drove off to a burst of singing. A rooster on a farm across the way took up a solitary mournful crow, and behind them, a last negro waiter turned out the porch light, Jim and Clark strolled over toward the Ford, their shoes crunching raucously on the gravel drive.

      "Oh boy!" sighed Clark softly, "how you can set those dice!"

      It was still too dark for him to see the flush on Jim's thin cheeks – or to know that it was a flush of unfamiliar shame.

      IV

      Over Tilly's garage a bleak room echoed all day to the rumble and snorting down-stairs and the singing of the negro washers as they turned the hose on the cars outside. It was a cheerless square of a room, punctuated with a bed and a battered table on which lay half a dozen books – Joe Miller's "Slow Train thru Arkansas," "Lucille," in an old edition very much annotated in an old-fashioned hand; "The Eyes of the World," by Harold Bell Wright, and an ancient prayer-book of the Church of England with the name Alice Powell and the date 1831 written on the fly-leaf.

      The East, gray when Jelly-bean entered the garage, became a rich and vivid blue as he turned on his solitary electric light. He snapped it out again, and going to the window rested his elbows on the sill and stared into the deepening morning. With the awakening of his emotions, his first perception was a sense of futility, a dull ache at the utter grayness of his life. A wall had sprung up suddenly around him hedging him in, a wall as definite and tangible as the white wall of his bare room. And with his perception of this wall all that had been the romance of his existence, the casualness, the light-hearted improvidence, the miraculous open-handedness of life faded out. The Jelly-bean strolling up Jackson Street humming a lazy song, known at every shop and street stand, cropful of easy greeting and local wit, sad sometimes for only the sake of sadness and the flight of time – that Jelly-bean was suddenly vanished. The very name was a reproach, a triviality. With a flood of insight he knew that Merritt must despise him, that even Nancy's kiss in the dawn would have awakened not jealousy but only a contempt for Nancy's so lowering herself. And on his part the Jelly-bean had used for her a dingy subterfuge learned from the garage. He had been her moral laundry; the stains were his.

      As the gray became blue, brightened and filled the room, he crossed to his bed and threw himself down on it, gripping the edges fiercely.

      "I love her," he cried aloud, "God!"

      As he said this something gave way within him like a lump melting in his throat. The air cleared and became radiant with dawn, and turning over on his face he began to sob dully into the pillow.

      In the sunshine of three o'clock Clark Darrow chugging painfully along Jackson Street was hailed by the Jelly-bean, who stood on the curb with his fingers in his vest pockets.

      "Hi!" called Clark, bringing his Ford to an astonishing stop alongside. "Just get up?"

      The Jelly-bean shook his head.

      "Never did go to bed. Felt sorta restless, so I took a long walk this morning out in the country. Just got into town this minute."

      "Should think you would feel restless. I been feeling thataway all day – "

      "I'm thinkin' of leavin' town" continued the Jelly-bean, absorbed by his own thoughts. "Been thinkin' of goin' up on the farm, and takin' a little that work off Uncle Dun. Reckin I been bummin' too long."

      Clark was silent and the Jelly-bean continued:

      "I reckin maybe after Aunt Mamie dies I could sink that money of mine in the farm and make somethin' out of it. All my people originally came from that part up there. Had a big place."

      Clark looked at him curiously.

      "That's funny," he said. "This – this sort of affected me the same way."

      The Jelly-bean hesitated.

      "I don't know," he began slowly, "somethin' about – about that girl last night talkin' about a lady named Diana Manners – an English lady, sorta got me thinkin'!" He drew himself up and looked oddly at Clark, "I had a family once," he said defiantly.

      Clark nodded.

      "I know."

      "And I'm the last of 'em," continued the Jelly-bean his voice rising slightly, "and I ain't worth shucks. Name they call me by means jelly – weak and wobbly like. People who weren't nothin' when my folks was a lot turn up their noses when they pass me on the street."

      Again Clark was silent.

      "So I'm through, I'm goin' to-day. And when I come back to this town it's going to be like a gentleman."

      Clark took out his handkerchief and wiped his damp brow.

      "Reckon you're not the only one it shook up," he admitted gloomily. "All this thing of girls going

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