of ruins; while these light cane fabrics yield to the shock, and when it has passed resume their places, with little apparent injury; and even if demolished they do not occasion that fearful peril of life which results from the overthrow of more stable fabrics.
There are few places the inhabitants of which present so great a diversity of complexion and physiognomy as in Lima. There is every gradation and intermixture of race, from the fair Creoles of unmixed European descent, who pride themselves upon the purity of their Spanish blood, to the jet black negro of Congo, whose unmitigated ebony hue bears testimony equally unequivocal to his pure African lineage. Between these two extremes is an almost innumerable variety of mixed races, each having its own peculiar designation, indicating the precise proportion of European, Indian, and negro blood in their veins, each marked with its own peculiar physical, intellectual, and moral characteristics; and each finding its chief boast in the nearness of its relation to the white race, and looking down with contempt upon those a shade darker than its own.
In 1836, when the population of the city was a little more than 54,000, it was composed of about the following proportion of the different races: white Creoles, all of European, and mostly of Spanish descent, 20,000; Negroes, 10,000; of whom a little less than one half were slaves; Indians, 5000; mixed races, 19,000; these are of every shade of complexion, from the Mestizo, the child of a white father and an Indian mother, whom only a keen and practiced eye can distinguish from a White, and to whom no higher compliment can be paid than to inquire whether he is not a Spaniard, to the Zambo who can only show claim to a portion of white blood, on the ground that to all the vices of the negro race, he adds others peculiar to the Whites.
The white Creoles are of slender figure, and of middling height, with features strongly marked, fair complexion, and black hair. Like the descendants of the Spanish race throughout all the Western World, they have degenerated from the parent stock. The males have even in youth a look of premature age; as though the powers of nature were exhausted, and insufficient to develop a vigorous manhood. Indolence is their predominant characteristic. They are utterly indisposed to any continuous exertion, whether of body or of mind. If poverty compels them to pursue an occupation for a livelihood, they select some petty traffic, in which, if the gains are small, there is ample leisure to gossip and smoke their perpetual cigars. Those who are able abandon themselves to idleness, lounging about the streets or in the shops, at the coffee-houses or the gaming-table. The education of the Creole of Lima is very defective; the system of instruction pursued does little to develop his powers, and his innate indolence presents an insuperable bar to any efforts at self-cultivation. Riding is a universal custom, and almost every person keeps one or more horses; these are trained by the chalanes or professional horse-breakers to perform feats of every kind; one to which great value is attached, is to turn around upon the hind legs rapidly, when in full gallop. Tschudi, a recent German traveler, relates an instance which came under his own observation, which shows the certainty and dexterity with which the feat is performed. A friend of his rode full gallop up to the city wall, which at the spot is about nine feet broad, leaped his horse upon it, and made him describe a segment of a circle with his fore feet beyond the edge of the wall, while standing balanced upon his hind feet. The feat was performed a number of times in rapid succession.
The riding costume of a Peruvian cavalier is extremely picturesque and convenient. Its most striking feature is the poncho. This is a large fringed shawl with an opening in the centre, through which the head of the wearer passes; it then hangs gracefully over the shoulder, and falls nearly to the knee, leaving the hands and arms less embarrassed than any other species of cloak. These ponchos frequently display great brilliancy and variety; the color is often a snowy white, sometimes it is richly and fancifully embroidered; but the prevailing taste is for broad stripes of brilliant colors, such as orange, scarlet, blue, green, rose color, or combinations of all hues intermingled and diversified in every conceivable manner. The spurs used by the Peruvians are of enormous magnitude; old custom ordains that they should contain a pound and a half of silver; the rowels sometimes stand out four or five inches from the heel, with spikes of one or two inches in length, or even more. A broad-brimmed sombrero of fine Guayaquil grass is usually worn by equestrians. The trappings of the horses are often of a very costly description. Head-gear, bridle, and crupper are sometimes seen formed of finely-wrought silver rings linked into each other. The stirrups are massy blocks of wood of a triangular shape, quaintly carved, and ornamented with silver. The saddle is frequently adorned with rich embroidery in gold, and the holster inlaid with the same precious metal.
A cigar is the almost unvarying accompaniment of a Peruvian of any class. Basil Hall relates an odd expedient made use of to reconcile the free-and-easy habit of smoking in public places, with the stately requirements of Spanish etiquette of olden time, in the presence of the representatives of royalty. In the days when Peru was a Spanish colony, the vice-regal box at the theatre projected out somewhat into the pit, in full view of the Commonalty of the City of the Kings. As soon as the curtain fell between the acts of the piece, the viceroy was in the habit of retiring from the front to the rear of the box. No sooner was his back turned than, by a very convenient figure of thought, he was considered to be constructively absent. Every man in the pit would then draw forth his flint and steel (this was long before the days of Lucifers and loco-focos), light his cigar, and "improve" the time by puffing away at the fragrant weed. At the tinkling of the bell which announced the rising of the curtain, the representative of royalty returned to the front of the box, his constructive absence was ended, and every smoker paused in mid-puff.
Nothing indicates the decadence of a race more unerringly and decisively than the progressive change which comes over its tastes in its modes of amusement. Indolence and brutality go together. Displays of skill and courage cease to afford excitement to the jaded sensibilities; the stronger stimulus of suffering must be supplied. Thus as the Roman race declined, the shows of the arena grew more and more brutal. Cock-fights and bull-fights are the favorite amusements of the Limanians. A fondness for the latter is characteristic of the Spanish race every where; but in Peru the chief attraction is not the dexterity and courage of the performers, but the agony of the victims. Bull-fights in Spain may almost be characterized as humane exhibitions compared with those of Lima. At one witnessed by Hall in 1821, the matador, who should have given the death-stroke to an animal of extraordinary strength and courage, missed the mortal spot, and merely buried his sword in the body of the bull; in an instant he was tossed, apparently dead, into the air, by the maddened beast, who turned upon a horseman, whom he dismounted, goring the horse so that his bowels hung upon the ground. All this threw the spectators into an agony of delight; which was still further enhanced when the sinews of the bull, having been cut from behind by a crescent-shaped instrument fixed to a long pole, the poor beast dragged himself around the arena upon his mutilated stumps. But their ecstasy amounted to frenzy when a man mounted upon the back of the bull and spurred him around the arena with strokes of a dagger, until he fell exhausted by loss of blood.
Bull-fights are only an occasional luxury, but cock-fights are a daily standing dish. The cock-pit (coliseo de gallos) is a very handsome building; here cock-fights take place every day. The natural weapons of the fowls are not sufficiently deadly to satisfy the Limanian spectators; and in place of the spur of the right foot, which is cut off, is put a sharp curved blade of steel or gaff. Whatever else may be lacking, Lima can justly boast the finest amphitheatre in the world for the purpose of cock-fighting.
In Lima, as throughout the whole of Spanish America, the females are, both intellectually and physically, far superior to the males. All visitors at Lima speak in terms of warm admiration of the Limeñas, as the most charming and graceful women of South America. In figure they are usually slender, and somewhat above the middle height, with fair complexions, destitute of color, large, dark brilliant eyes, and abundant black hair. The charming Spanish epithet hechicera, by which they are designated, belongs to them in the full extent of its significance, not only on account of their rare personal beauty, but also by reason of the captivating grace of their deportment, and the natural amiability of their dispositions.
The first thing which attracts one's regard in Lima, is the singular and picturesque costume of the females. This
