fill the house with tumultuous applause. Her husband loves not to see his wife a play-actress. He hisses. The wife is deaf to every sound but that one piercing note of reproach. In the midst of resounding triumph she retires overwhelmed with sorrow and tears.
Suddenly the vision changes. The dark hours of the monarchy have come. The people, ragged, beggared, desperate, have thundered at the doors of the palace, declaring that they will starve no longer to support kings and nobles in such splendor. Poor Maria, educated in the palace, is amazed that the people should be so unreasonable and so insolent. She had supposed that as the horse is made to bear his rider, and the cow to give milk to her owner, so the people were created to provide kings with luxury and splendor. But the maddened populace have lost all sense of mercy. They burn the chateaus of the nobles and hang their inmates at the lamp-posts. The high civil and military officers of the king rally at Versailles to protect the royal family. In this very theatre they hold a banquet to pledge to each other undying support. In the midst of their festivities, when chivalrous enthusiasm is at its height, the door opens, and Maria enters, pale, wan, and woe-stricken. The sight inflames the wine-excited enthusiasts to frenzy. The hall is filled with shoutings and with weeping; with acclamations and with oaths of allegiance. But we must no longer linger here. The hours are fast passing and there are hundreds of rooms, gorgeous with paintings and statues, and crowded with historical associations, yet to explore. We must not, however, forget to mention, in illustration of the atrocious extravagance of these kings, that the expense of every grand opera performed in that theatre was twenty-five thousand dollars.
There were two grand suites of apartments, one facing the gardens on the north, belonging to the king, the other facing the south, belonging to the queen. The king's apartments, vast in dimensions and with lofty ceilings decorated with the most exquisite and voluptuous paintings, are encrusted with marble and embellished with a profusion of the richest works of the pencil and the chisel. The queen's rooms are all tastefully draped in white, and glitter with gold. Upon this gorgeous couch of purple and of fine linen, she placed her aching head and aching heart, seeking in vain that repose which the defrauded peasants found, but which fled from the pillow of the queen. Let society be as corrupt as it may, in a nominally Christian land, no woman can be happy when she is but the prominent slave in the harem of her husband. The paramours of Louis XIV. and Louis XV. trod proudly the halls of Versailles; their favor was courted even more than that of their queen, and the neglected wife and mother knew well the secret passages through which her husband passed to the society of youth, and beauty, and infamy.
The statues and the paintings which adorn these rooms seem to have been inspired by that one all-powerful passion, which, properly regulated, fills the heart with joy, and which unregulated is the most direful source of wretchedness which can desolate human homes. It is said that art is in possession of a delicacy which rises above the instinctive modesty of ordinary life. France has adopted this philosophy, and it is undeniable that France, with all her refinement and politeness, has become an indelicate nation. The evidence is astounding and revolting. No gentleman, no lady, from other lands can long reside in Paris without being amazed at the scenes which Paris exhibits. The human frame in its nudity is so familiar to every eye, that it has lost all its sacredness. In all the places of public amusement, the almost undraped forms of living men and women pass before the spectators, and all the modesties of nature are profaned. The pen can not detail particulars, for we may not even record in America that which is done in France. The connection is plain. The effect comes legitimately from the cause. No lady can visit Versailles without having her sense of delicacy wounded. It is said that "to the pure all things are pure." But alas for humanity! a fleeting thought will sully the soul. There is much, very much in France to admire. The cordiality and the courtesy of the French are worthy of all praise. But the delicacy of France has received a wound, deplorable in the extreme, and a wound from which it can not soon recover.
The grand banqueting room of Versailles is perhaps the most magnificent apartment in the world, extending along the whole central façade of the palace, and measuring 242 feet in length, 35 feet in width, and 43 feet in height. It is lighted by 17 large arched windows, with corresponding mirrors upon the opposite wall. The ceiling is painted with the most costly creations of art. Statues of Venus and Adonis, and of every form of male and female beauty, embellish the niches. Here Louis XIV. displayed all the grandeur of royalty, and this vast gallery was often filled to its utmost capacity with the brilliant throng of lords and ladies, whom the people here supported, Versailles was the Royal alms-house of the kingdom. The French Revolution, in its terrible reprisals, was caused by strong provocatives.
The cabinet of the king, a very beautiful room, is near. Here is a large round table in the centre of the saloon. History informs us that one day Louis XV. was sitting at this table, with a packet of letters before him. The petted favorite, Madame du Barri, came in, and suspecting that the package was from a rival, she snatched it from the king's hand. He rose indignantly, and pursued her. She ran around the table, chased by the angry monarch, till finding herself in danger of being caught, she threw the letters into the glowing fire of the grate. The fascinating and guilty beauty perished in the Revolution. She was condemned by the revolutionary tribunal. Her long hair was shorn, that the knife of the guillotine might more keenly cut its way. But clustering ringlets, in beautiful profusion, fell over her brow and temples, and vailing her voluptuous features reposed upon her bosom, from which the executioner had brutally torn the dress. The yells of the maddened populace, deriding her exposure and her agony of terror, filled the air. The drunken mob danced exultingly around the aristocratic courtesan as the cart dragged her to the block. But the shrieks of the appalled victim pierced through the uproar which surrounded her. "Life – life – life!" she screamed, frantic with fright; "O, save me, save me!" The mob laughed and shouted, and taunted her with coarse witticisms upon the soft pillow of the guillotine, upon which her head would soon repose. The coarse executioners, with rude violence, bound her graceful, struggling limbs to the plank, the slide fell, and her shrieks were hushed in death.
And here is the room in which her royal lover died. It was midnight, the 10th of May, 1774. The small-pox, in its most loathsome form, had swollen his frame into the mockery of humanity. The courtiers had fled in consternation from the monarch whom they hated and despised. In his gorgeous palace the king of thirty millions of people was left, to struggle with death, unpitied and alone. An old woman sat unconcerned in an adjoining room, waiting till he should be dead. Occasionally she rose and walked to his bedside to see if he still breathed, and, disappointed that he lived so long, returned again to her chair. A lamp flickers at the window, a signal to the courtiers, at a safe distance, that the king is not yet dead. They watch impatiently through the hours of the night the glimmer of that dim torch. Suddenly it is extinguished, and gladness fills all hearts.
"So live, that sinking in thy last long sleep,
Smiles may be thine, while all around thee weep."
And here is the gorgeous couch upon which the monarch who reared these walls expired. It was the 30th of August, 1715. The gray-haired king, emaciate with remorse and physical suffering, reclined upon the regal bed, whose velvet hangings were looped back with heavy tassels and ropes of gold. The vast apartment was thronged with princes and courtiers in the magnificent costume of the times. Ladies sunk upon their knees around the bed where the proudest monarch of France was painfully gasping in the agonies of death. His soul was harrowed with anguish, as he reflected upon the bitter past, and anticipated the dread future. Publicly he avowed with gushing tears his regret, in view of the scenes of guilt through which he had passed. "Gentlemen," said the dying king, in a faltering voice to those around him, "I implore your pardon for the bad example I have set you. Forgive me. I trust that you will sometimes think of me when I am gone." Then exclaiming, "Oh, my God, come to my aid, and hasten to help me," he fell back insensible upon his pillow, and soon expired.
As he breathed his last, one of the high officers of the household approached the window of the state apartment, which opened upon the great balcony, and threw it back. A vast crowd was assembled in the court-yard below, awaiting the tidings which they knew could not long be delayed. Raising his truncheon above his head, he broke it in the centre, and throwing the pieces among the crowd exclaimed,
