Seamless. Sorman-Nilsson Anders
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The horizontal 8 symbol of infinity, in turn, comes from the mathematical infinity symbol (sometimes called the ‘lemniscate') which is credited to John Wallis, who in turn was inspired by a variant of the Roman numeral for 1000 (originally
). In modern mysticism the infinity symbol has become fused with the variation of the ‘ouroboros', an ancient image of a snake eating its own tail, representing life reborn. The infinity symbol can be drawn in one continuous movement, with the loops potentially signifying the balance of opposites – male and female, day and night, dark and light, and who knows? Maybe analogue and digital (see figure I.3). The convergent point may symbolise union and two things becoming one. With all these layers of meaning, the symbol stands for wholeness, integration and completion.Figure I.3 : the infinite movement between the ordinary, analogue, world and the extraordinary, digital, world
But we can draw out the connections between these symbols even further. The term ‘lemniscate', used in algebraic geometry, comes from the Latin lēmniscātus, which means ‘decorated with ribbons', which in turn may have originated on the ancient Greek island of Lemnos, where ribbons were worn as decorations, much as sartorial men (and, of course, some women) wear bow ties, another form of ribbons.
You see, even the etymological heritage of the infinity symbol and the meanings attached to butterflies and bow ties are mythically intertwined, seamlessly and infinitely. Who knows? Maybe there is only one story, a monomyth behind this. And the seamless symbol of the hero's journey is aptly the infinity sign, endless, enduring and transformative as it, as well as the butterfly and the bow tie. And within this, the convergent point – the point where the infinity symbol crosses itself, where the ‘wings' of the butterfly and the bow tie come together (see figure I.4, overleaf) – becomes the seamless interplay between ordinary and extraordinary worlds, and in our case the dynamics between the analogue and the digital in the context of digital adaptation and human transformation.
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