is as closely built, but the streets are narrow, the houses generally are smaller, and although it swarms with people, and contains the cathedral, the old Spanish buildings, Jackson Square, the French Market, the French Opera-house, and other theatres, the Mint, the Custom-house, the old Ursuline convent (now the residence of the archbishop), old banks, and scores of houses of historic celebrity, it is a city of the past, and specially interesting in its picturesque decay. Beyond this, eastward and northward extend interminable streets of small houses, with now and then a flowery court or a pretty rose garden, occupied mainly by people of French and Spanish descent. The African pervades all parts of the town, except the new residence portion of the American quarter. This, which occupies the vast area in the bend of the river west of the business blocks as far as Carrollton, is in character a great village rather than a city. Not all its broad avenues and handsome streets are paved (and those that are not are in some seasons impassable), its houses are nearly all of wood, most of them detached, with plots of ground and gardens, and as the quarter is very well shaded, the effect is bright and agreeable. In it are many stately residences, occupying a square or half a square, and embowered in foliage and flowers. Care has been given lately to turf-culture, and one sees here thick-set and handsome lawns. The broad Esplanade Street, with its elegant old-fashioned houses, and double rows of shade trees, which has long been the rural pride of the French quarter, has now rivals in respectability and style on the American side.
New Orleans is said to be delightful in the late fall months, before the winter rains set in, but I believe it looks its best in March and April. This is owing to the roses. If the town was not attached to the name of the Crescent City, it might very well adopt the title of the City of Roses. So kind are climate and soil that the magnificent varieties of this queen of flowers, which at the North bloom only in hot-houses, or with great care are planted out-doors in the heat of our summer, thrive here in the open air in prodigal abundance and beauty. In April the town is literally embowered in them; they fill door-yards and gardens, they overrun the porches, they climb the sides of the houses, they spread over the trees, they take possession of trellises and fences and walls, perfuming the air and entrancing the heart with color. In the outlying parks, like that of the Jockey Club, and the florists’ gardens at Carrollton, there are fields of them, acres of the finest sorts waving in the spring wind. Alas! can beauty ever satisfy? This wonderful spectacle fills one with I know not what exquisite longing. These flowers pervade the town, old women on the street corners sit behind banks of them, the florists’ windows blush with them, friends despatch to each other great baskets of them, the favorites at the theatre and the amateur performers stand behind high barricades of roses which the good-humored audience piles upon the stage, everybody carries roses and wears roses, and the houses overflow with them. In this passion for flowers you may read a prominent trait of the people. For myself I like to see a spot on this earth where beauty is enjoyed for itself and let to run to waste, but if ever the industrial spirit of the French-Italians should prevail along the littoral of Louisiana and Mississippi, the raising of flowers for the manufacture of perfumes would become a most profitable industry.
New Orleans is the most cosmopolitan of provincial cities. Its comparative isolation has secured the development of provincial traits and manners, has preserved the individuality of the many races that give it color, morals, and character, while its close relations with France—an affiliation and sympathy which the late war has not altogether broken—and the constant influx of Northern men of business and affairs have given it the air of a metropolis. To the Northern stranger the aspect and the manners of the city are foreign, but if he remains long enough he is sure to yield to its fascinations, and become a partisan of it. It is not altogether the soft and somewhat enervating and occasionally treacherous climate that beguiles him, but quite as much the easy terms on which life can be lived. There is a human as well as a climatic amiability that wins him. No doubt it is better for a man to be always braced up, but no doubt also there is an attraction in a complaisance that indulges his inclinations.
Socially as well as commercially New Orleans is in a transitive state. The change from river to railway transportation has made her levees vacant; the shipment of cotton by rail and its direct transfer to ocean carriage have nearly destroyed a large middle-men industry; a large part of the agricultural tribute of the South-west has been diverted; plantations have either not recovered from the effects of the war or have not adjusted themselves to new productions, and the city waits the rather blind developments of the new era. The falling off of law business, which I should like to attribute to the growth of common-sense and good-will is, I fear, rather due to business lassitude, for it is observed that men quarrel most when they are most actively engaged in acquiring each other’s property. The business habits of the Creoles were conservative and slow; they do not readily accept new ways, and in this transition time the American element is taking the lead in all enterprises. The American element itself is toned down by the climate and the contagion of the leisurely habits of the Creoles, and loses something of the sharpness and excitability exhibited by business men in all Northern cities, but it is certainly changing the social as well as the business aspect of the city. Whether these social changes will make New Orleans a more agreeable place of residence remains to be seen.
For the old civilization had many admirable qualities. With all its love of money and luxury and an easy life, it was comparatively simple. It cared less for display than the society that is supplanting it. Its rule was domesticity. I should say that it bad the virtues as well as the prejudices and the narrowness of intense family feeling, and its exclusiveness. But when it trusted, it had few reserves, and its cordiality was equal to its naivete. The Creole civilization differed totally from that in any Northern city; it looked at life, literature, wit, manners, from altogether another plane; in order to understand the society of New Orleans one needs to imagine what French society would be in a genial climate and in the freedom of a new country. Undeniably, until recently, the Creoles gave the tone to New Orleans. And it was the French culture, the French view of life, that was diffused. The young ladies mainly were educated in convents and French schools. This education had womanly agreeability and matrimony in view, and the graces of social life. It differed not much from the education of young ladies of the period elsewhere, except that it was from the French rather than the English side, but this made a world of difference. French was a study and a possession, not a fashionable accomplishment. The Creole had gayety, sentiment, spice with a certain climatic languor, sweetness of disposition, and charm of manner, and not seldom winning beauty; she was passionately fond of dancing and of music, and occasionally an adept in the latter; and she had candor, and either simplicity or the art of it. But with her tendency to domesticity and her capacity for friendship, and notwithstanding her gay temperament, she was less worldly than some of her sisters who were more gravely educated after the English manner. There was therefore in the old New Orleans life something nobler than the spirit of plutocracy. The Creole middle-class population had, and has yet, captivating naivete, friendliness, cordiality.
But the Creole influence in New Orleans is wider and deeper than this. It has affected literary sympathies and what may be called literary morals. In business the Creole is accused of being slow, conservative, in regard to improvements obstinate and reactionary, preferring to nurse a prejudice rather than run the risk of removing it by improving himself, and of having a conceit that his way of looking at life is better than the Boston way. His literary culture is derived from France, and not from England or the North. And his ideas a good deal affect the attitude of New Orleans towards English and contemporary literature. The American element of the town was for the most part commercial, and little given to literary tastes. That also is changing, but I fancy it is still true that the most solid culture is with the Creoles, and it has not been appreciated because it is French, and because its point of view for literary criticism is quite different from that prevailing elsewhere in America. It brings our American and English contemporary authors, for instance, to comparison, not with each other, but with French and other Continental writers. And this point of view considerably affects the New Orleans opinion of Northern literature. In this view it wants color, passion; it is too self-conscious and prudish, not to say Puritanically mock-modest. I do not mean to say that the Creoles as a class are a reading people, but the literary standards of their scholars and of those among them who do cultivate literature deeply are different from those at the North. We may call it provincial, or we may
