finally rested on a black beach.
Maui for some reason left his brothers, charging them not to attempt to cut up this great fish. But the unwise brothers thought they would fill the canoe with part of this strange thing which they had caught. They began to cut up the back and put huge slices into their canoe. But the great fish—the island—shook under the blows and with mighty earthquake shocks tossed the boat of the brothers, and their canoe was destroyed. As they were struggling in the waters, the great fish devoured them. The island came up more and more from the waters—but the deep gashes made by Maui's brothers did not heal—they became the mountains and valleys stretching from sea to sea.
White of New Zealand says that Maui went down into the underworld to meet his great ancestress, who was one side dead and one side alive. From the dead side he took the jaw bone, made a magic hook, and went fishing. When he let the hook down into the sea, he called:
"Take my bait. O Depths!
Confused you are.
O Depths!And coming upward."
Thus he pulled up Ao-tea-roa—one of the large islands of New Zealand. On it were houses, with people around them. Fires were burning. Maui walked over the island, saw with wonder the strange men and the mysterious fire. He took fire in his hands and was burned. He leaped into the sea, dived deep, came up with the other large island on his shoulders. This island he set on fire and left it always burning. It is said that the name for New Zealand given to Captain Cook was Te ika o Maui, "The fish of Maui." Some New Zealand natives say that he fished up the island on which dwelt "Great Hina of the Night," who finally destroyed Maui while he was seeking immortality.
One legend says that Maui fished up apparently from New Zealand the large island of the Tongas. He used this chant:
"O Tonga-nui!
Why art Thou
Sulkily biting, biting below?
Beneath the earth
The power is felt,
The foam is seen,
Coming.
O thou loved grandchild
Of Tangaroa-meha."
This is an excellent poetical description of the great fish delaying the quick hard bite. Then the island comes to the surface and Maui, the beloved grandchild of the Polynesian god Kanaloa, is praised.
It was part of one of the legends that Maui changed himself into a bird and from the heavens let down a line with which he drew up land, but the line broke, leaving islands rather than a mainland. About two hundred lesser gods went to the new islands in a large canoe. The greater gods punished them by making them mortal.
Turner, in his book on Samoa, says there were three Mauis, all brothers. They went out fishing from Rarotonga. One of the brothers begged the "goddess of the deep rocks" to let his hooks catch land. Then the island Manahiki was drawn up. A great wave washed two of the Mauis away. The other Maui found a great house in which eight hundred gods lived. Here he made his home until a chief from Rarotonga drove him away. He fled into the sky, but as he leaped he separated the land into two islands.
Other legends of Samoa say that Tangaroa, the great god, rolled stones from heaven. One became the island Savaii, the other became Upolu. A god is sometimes represented as passing over the ocean with a bag of sand. Wherever he dropped a little sand islands sprang up.
Payton, the earnest and honored missionary of the New Hebrides Islands, evidently did not know the name Mauitikitiki, so he spells the name of the fisherman Ma-tshi-ktshi-ki, and gives the myth of the fishing up of the various islands. The natives said that Maui left footprints on the coral reefs of each island where he stood straining and lifting in his endeavors to pull up each other island. He threw his line around a large island intending to draw it up and unite it with the one on which he stood, but his line broke. Then he became angry and divided into two parts the island on which he stood. This same Maui is recorded by Mr. Payton as being in a flood which put out one volcano—Maui seized another, sailed across to a neighboring island and piled it upon the top of the volcano there, so the fire was placed out of reach of the flood.
In the Hervey Group of the Tahitian or Society Islands the same story prevails and the natives point out the place where the hook caught and a print was made by the foot in the coral reef. But they add some very mythical details. Maui's magic fish hook is thrown into the skies, where it continuously hangs, the curved tail of the constellation which we call Scorpio. Then one of the gods becoming angry with Maui seized him and threw him also among the stars. There he stays looking down upon his people. He has become a fixed part of the scorpion itself.
The Hawaiian myths sometimes represent Maui as trying to draw the islands together while fishing them out of the sea. When they had pulled up the island of Kauai they looked back and were frightened. They evidently tried to rush away from the new monster and thus broke the line. Maui tore a side out of the small crater Kaula when trying to draw it to one of the other islands. Three aumakuas, three fishes supposed to be spirit-gods, guarded Kaula and defeated his purpose. At Hawaii Cocoanut Island broke off because Maui pulled too hard. Another place near Hilo on the large island of Hawaii where the hook was said to have caught is in the Wailuku river below Rainbow Falls.
Maui went out from his home at Kauiki, fishing with his brothers. After they had caught some fine fish the brothers desired to return, but Maui persuaded them to go out farther. Then when they became tired and determined to go back, he made the seas stretch out and the shores recede until they could see no land. Then drawing the magic hook, he baited it with the Alae or sacred mud hen belonging to his Mother Hina. Queen Liliuokalani's family chant has the following reference to this myth:
"Maui longed for fish for Hina-akeahi (Hina of the fire, his mother),
Go hence to your father,
There you will find line and hook.
Manaiakalani is the hook.
Where the islands are caught,
The ancient seas are connected.
The great bird Alae is taken,
The sister bird,
Of that one of the hidden fire of Maui."
Maui evidently had no scruples against using anything which would help him carry out his schemes. He indiscriminately robbed his friends and the gods alike.
Down in the deep sea sank the hook with its struggling bait, until it was seized by "the land under the water."
But Hina the mother saw the struggle of her sacred bird and hastened to the rescue. She caught a wing of the bird, but could not pull the Alae from the sacred hook. The wing was torn off. Then the fish gathered around the bait and tore it in pieces. If the bait could have been kept entire, then the land would have come up in a continent rather than as an island. Then the Hawaiian group would have been unbroken. But the bait broke—and the islands came as fragments from the under world.
Maui's hook and canoe are frequently mentioned in the legends. The Hawaiians have a long rock in the Wailuku river at Hilo which they call Maui's canoe. Different names were given to Maui's canoe by the Maoris of New Zealand. "Vine of Heaven," "Prepare for the North," "Land of the Receding Sea." His fish hook bore the name "Plume of Beauty."
On the southern end of Hawke's Bay, New Zealand, there is a curved ledge of rocks extending out from the coast. This is still called by the Maoris "Maui's fish-hook," as if the magic hook had been so firmly caught in the jaws of the island that Maui could not disentangle it, but had been compelled to cut it off from his line.
There is a large stone on the sea coast of North Kohala on the island of Hawaii which the Hawaiians point out as the place where Maui's magic hook caught the island and pulled it through the sea.
