The Last Days of Pompeii. Эдвард Бульвер-Литтон

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but for my part I find every woman a witch; and at Pompeii, by Venus! the very air seems to have taken a love-philtre, so handsome does every face without a beard seem in my eyes.'

      'And lo! one of the handsomest in Pompeii, old Diomed's daughter, the rich Julia!' said Clodius, as a young lady, her face covered by her veil, and attended by two female slaves, approached them, in her way to the baths.

      'Fair Julia, we salute thee!' said Clodius.

      Julia partly raised her veil, so as with some coquetry to display a bold Roman profile, a full dark bright eye, and a cheek over whose natural olive art shed a fairer and softer rose.

      'And Glaucus, too, is returned!' said she, glancing meaningly at the Athenian. 'Has he forgotten,' she added, in a half-whisper, 'his friends of the last year?'

      'Beautiful Julia! even Lethe itself, if it disappear in one part of the earth, rises again in another. Jupiter does not allow us ever to forget for more than a moment: but Venus, more harsh still, vouchsafes not even a moment's oblivion.'

      'Glaucus is never at a loss for fair words.'

      'Who is, when the object of them is so fair?'

      'We shall see you both at my father's villa soon,' said Julia, turning to Clodius.

      'We will mark the day in which we visit you with a white stone,' answered the gamester.

      Julia dropped her veil, but slowly, so that her last glance rested on the Athenian with affected timidity and real boldness; the glance bespoke tenderness and reproach.

      The friends passed on.

      'Julia is certainly handsome,' said Glaucus.

      'And last year you would have made that confession in a warmer tone.'

      'True; I was dazzled at the first sight, and mistook for a gem that which was but an artful imitation.'

      'Nay,' returned Clodius, 'all women are the same at heart. Happy he who weds a handsome face and a large dower. What more can he desire?'

      Glaucus sighed.

      They were now in a street less crowded than the rest, at the end of which they beheld that broad and most lovely sea, which upon those delicious coasts seems to have renounced its prerogative of terror—so soft are the crisping winds that hover around its bosom, so glowing and so various are the hues which it takes from the rosy clouds, so fragrant are the perfumes which the breezes from the land scatter over its depths. From such a sea might you well believe that Aphrodite rose to take the empire of the earth.

      'It is still early for the bath,' said the Greek, who was the creature of every poetical impulse; 'let us wander from the crowded city, and look upon the sea while the noon yet laughs along its billows.'

      'With all my heart,' said Clodius; 'and the bay, too, is always the most animated part of the city.'

      Pompeii was the miniature of the civilization of that age. Within the narrow compass of its walls was contained, as it were, a specimen of every gift which luxury offered to power. In its minute but glittering shops, its tiny palaces, its baths, its forum, its theatre, its circus—in the energy yet corruption, in the refinement yet the vice, of its people, you beheld a model of the whole empire. It was a toy, a plaything, a showbox, in which the gods seemed pleased to keep the representation of the great monarchy of earth, and which they afterwards hid from time, to give to the wonder of posterity—the moral of the maxim, that under the sun there is nothing new.

      Crowded in the glassy bay were the vessels of commerce and the gilded galleys for the pleasures of the rich citizens. The boats of the fishermen glided rapidly to and fro; and afar off you saw the tall masts of the fleet under the command of Pliny. Upon the shore sat a Sicilian who, with vehement gestures and flexile features, was narrating to a group of fishermen and peasants a strange tale of shipwrecked mariners and friendly dolphins—just as at this day, in the modern neighborhood, you may hear upon the Mole of Naples.

      Drawing his comrade from the crowd, the Greek bent his steps towards a solitary part of the beach, and the two friends, seated on a small crag which rose amidst the smooth pebbles, inhaled the voluptuous and cooling breeze, which dancing over the waters, kept music with its invisible feet. There was, perhaps, something in the scene that invited them to silence and reverie. Clodius, shading his eyes from the burning sky, was calculating the gains of the last week; and the Greek, leaning upon his hand, and shrinking not from that sun—his nation's tutelary deity—with whose fluent light of poesy, and joy, and love, his own veins were filled, gazed upon the broad expanse, and envied, perhaps, every wind that bent its pinions towards the shores of Greece.

      'Tell me, Clodius,' said the Greek at last, 'hast thou ever been in love?'

      'Yes, very often.'

      'He who has loved often,' answered Glaucus, 'has loved never. There is but one Eros, though there are many counterfeits of him.'

      'The counterfeits are not bad little gods, upon the whole,' answered Clodius.

      'I agree with you,' returned the Greek. 'I adore even the shadow of Love; but I adore himself yet more.'

      'Art thou, then, soberly and honestly in love? Hast thou that feeling which the poets describe—a feeling that makes us neglect our suppers, forswear the theatre, and write elegies? I should never have thought it. You dissemble well.'

      'I am not far gone enough for that,' returned Glaucus, smiling, 'or rather I say with Tibullus—

      He whom love rules, where'er his path may be, Walks safe and sacred.

      In fact, I am not in love; but I could be if there were but occasion to see the object. Eros would light his torch, but the priests have given him no oil.'

      'Shall I guess the object?—Is it not Diomed's daughter? She adores you, and does not affect to conceal it; and, by Hercules, I say again and again, she is both handsome and rich. She will bind the door-posts of her husband with golden fillets.'

      'No, I do not desire to sell myself. Diomed's daughter is handsome, I grant: and at one time, had she not been the grandchild of a freedman, I might have… Yet no—she carries all her beauty in her face; her manners are not maiden-like, and her mind knows no culture save that of pleasure.'

      'You are ungrateful. Tell me, then, who is the fortunate virgin?'

      'You shall hear, my Clodius. Several months ago I was sojourning at Neapolis, a city utterly to my own heart, for it still retains the manners and stamp of its Grecian origin—and it yet merits the name of Parthenope, from its delicious air and its beautiful shores. One day I entered the temple of Minerva, to offer up my prayers, not for myself more than for the city on which Pallas smiles no longer. The temple was empty and deserted. The recollections of Athens crowded fast and meltingly upon me: imagining myself still alone in the temple, and absorbed in the earnestness of my devotion, my prayer gushed from my heart to my lips, and I wept as I prayed. I was startled in the midst of my devotions, however, by a deep sigh; I turned suddenly round, and just behind me was a female. She had raised her veil also in prayer: and when our eyes met, methought a celestial ray shot from those dark and smiling orbs at once into my soul. Never, my Clodius, have I seen mortal face more exquisitely molded: a certain melancholy softened and yet elevated its expression: that unutterable something, which springs from the soul, and which our sculptors have imparted to the aspect of Psyche, gave her beauty I know not what of divine and noble; tears were rolling down her eyes. I guessed at once that she was also of Athenian lineage; and that in my prayer for Athens her heart had responded to mine. I spoke to

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