in other noblest fields of human labour. They thought greatly because they aspired greatly.
Sir Walter Raleigh was a personal friend of Edmund Spenser. They were almost of the same age, the former born in 1552, the latter in the following year. A writer of magnificent prose, itself full of religion and poetry both in thought and expression, he has not distinguished himself greatly in verse. There is, however, one remarkable poem fit for my purpose, which I can hardly doubt to be his. It is called Sir Walter Raleigh's Pilgrimage. The probability is that it was written just after his condemnation in 1603—although many years passed before his sentence was carried into execution.
Give me my scallop-shell62 of Quiet;
My staff of Faith to walk upon;
My scrip of Joy, immortal diet;
My bottle of Salvation;
My gown of Glory, hope's true gage;
And thus I'll take my pilgrimage.
Blood must be my body's balmer,—
No other balm will there be given—
Whilst my soul, like quiet palmer,
Travelleth towards the land of Heaven;
Over the silver mountains,
Where spring the nectar fountains—
There will I kiss
The bowl of Bliss,
And drink mine everlasting fill
Upon every milken hill:
My soul will be a-dry before,
But after, it will thirst no more.
Then by that happy blissful day,
More peaceful pilgrims I shall see,
That have cast off their rags of clay,
And walk apparelled fresh like me:
I'll take them first,
To quench their thirst,
And taste of nectar's suckets, sweet things—things to suck.
At those clear wells
Where sweetness dwells,
Drawn up by saints in crystal buckets.
And when our bottles and all we
Are filled with immortality,
Then the blessed paths we'll travel,
Strowed with rubies thick as gravel.
Ceilings of diamonds! sapphire floors!
High walls of coral, and pearly bowers!—
From thence to Heaven's bribeless hall,
Where no corrupted voices brawl;
No conscience molten into gold;
No forged accuser bought or sold;
No cause deferred; no vain-spent journey;
For there Christ is the King's Attorney,
Who pleads for all without degrees, irrespective of rank.
And he hath angels, but no fees.
And when the grand twelve million jury
Of our sins, with direful fury,
'Gainst our souls black verdicts give,
Christ pleads his death, and then we live.
Be thou my speaker, taintless Pleader,
Unblotted Lawyer, true Proceeder!
Thou giv'st salvation even for alms,—
Not with a bribéd lawyer's palms.
And this is my eternal plea
To him that made heaven, earth, and sea,
That, since my flesh must die so soon,
And want a head to dine next noon,—
Just at the stroke, when my veins start and spread,
Set on my soul an everlasting head:
Then am I ready, like a palmer fit,
To tread those blest paths which before I writ.
Of death and judgment, heaven and hell
Who oft doth think, must needs die well.
This poem is a somewhat strange medley, with a confusion of figure, and a repeated failure in dignity, which is very far indeed from being worthy of Raleigh's prose. But it is very remarkable how wretchedly some men will show, who, doing their own work well, attempt that for which practice has not—to use a word of the time—enabled them. There is real power in the poem, however, and the confusion is far more indicative of the pleased success of an unaccustomed hand than of incapacity for harmonious work. Some of the imagery, especially the "crystal buckets," will suggest those grotesque drawings called Emblems, which were much in use before and after this period, and, indeed, were only a putting into visible shape of such metaphors and similes as some of the most popular poets of the time, especially Doctor Donne, indulged in; while the profusion of earthly riches attributed to the heavenly paths and the places of repose on the journey, may well recall Raleigh's own descriptions of South American glories. Englishmen of that era believed in an earthly Paradise beyond the Atlantic, the wonderful reports of whose magnificence had no doubt a share in lifting the imaginations and hopes of the people to the height at which they now stood.
There may be an appearance of irreverence in the way in which he contrasts the bribeless Hall of Heaven with the proceedings at his own trial, where he was browbeaten, abused, and, from the very commencement, treated as a guilty man by Sir Edward Coke, the king's attorney. He even puns with the words angels and fees. Burning from a sense of injustice, however, and with the solemnity of death before him, he could not be guilty of conscious irreverence, at least. But there is another remark I have to make with regard to the matter, which will bear upon much of the literature of the time: even the great writers of that period had such a delight in words, and such a command over them, that like their skilful horsemen, who enjoyed making their steeds show off the fantastic paces they had taught them, they played with the words as they passed through their hands, tossing them about as a juggler might his balls. But even herein the true master of speech showed his masterdom: his play must not be by-play; it must contribute to the truth of the idea which was taking form in those words. We shall see this more plainly when we come to transcribe some of Sir Philip Sidney's work. There is no irreverence in it. Nor can I take it as any sign of hardness that Raleigh should treat the visual image of his own anticipated death with so much coolness, if the writer of a little elegy on his execution, when Raleigh was fourteen years older than at the presumed date of the foregoing verses, describes him truly when he says:
I saw in every stander-by
Pale death, life only in thy eye.
The following hymn is also attributed to Raleigh. If it has less brilliance of fancy, it has none of the faults of the preceding, and is far more artistic in construction and finish, notwithstanding a degree of irregularity.
Rise, oh my soul, with thy desires to heaven;
And with divinest contemplation use
Thy time, where time's eternity is given;
And let vain thoughts no more thy thoughts abuse,
But down in darkness let them lie:
So live thy better, let thy worse thoughts die!
And
A shell plentiful on the coast of Palestine, and worn by pilgrims to show that they had visited that country.
