for Amos was one who clung to all the material links between his mind and the past. His imagination was not vivid, and required the stimulus of actual perception.
It roused some bitter feeling, too, to think that Mr. Carpe's wish to reside at Shepperton was merely a pretext for removing Mr. Barton, in order that he might ultimately give the curacy of Shepperton to his own brother-in-law, who was known to be wanting a new position.
Still, it must be borne; and the painful business of seeking another curacy must be set about without loss of time. After the lapse of some months, Amos was obliged to renounce the hope of getting one at all near Shepperton, and he at length resigned himself to accepting one in a distant county. The parish was in a large manufacturing town, where his walks would lie among noisy streets and dingy alleys, and where the children would have no garden to play in, no pleasant farm-houses to visit.
It was another blow inflicted on the bruised man.
Chapter 10
At length the dreaded week was come, when Amos and his children must leave Shepperton. There was general regret among the parishioners at his departure: not that any one of them thought his spiritual gifts pre-eminent, or was conscious of great edification from his ministry. But his recent troubles had called out their better sympathies, and that is always a source of love. Amos failed to touch the spring of goodness by his sermons, but he touched it effectually by his sorrows; and there was now a real bond between him and his flock.
'My heart aches for them poor motherless children,' said Mrs. Hackit to her husband, 'a-going among strangers, and into a nasty town, where there's no good victuals to be had, and you must pay dear to get bad uns.'
Mrs. Hackit had a vague notion of a town life as a combination of dirty backyards, measly pork, and dingy linen.
The same sort of sympathy was strong among the poorer class of parishioners. Old stiff-jointed Mr. Tozer, who was still able to earn a little by gardening 'jobs', stopped Mrs. Cramp, the charwoman, on her way home from the Vicarage, where she had been helping Nanny to pack up the day before the departure, and inquired very particularly into Mr. Barton's prospects.
'Ah, poor mon,' he was heard to say, 'I'm sorry for un. He hedn't much here, but he'll be wuss off theer. Half a loaf's better nor ne'er un.'
The sad good-byes had all been said before that last evening; and after all the packing was done and all the arrangements were made, Amos felt the oppression of that blank interval in which one has nothing left to think of but the dreary future—the separation from the loved and familiar, and the chilling entrance on the new and strange. In every parting there is an image of death.
Soon after ten o'clock, when he had sent Nanny to bed, that she might have a good night's rest before the fatigues of the morrow, he stole softly out to pay a last visit to Milly's grave. It was a moonless night, but the sky was thick with stars, and their light was enough to show that the grass had grown long on the grave, and that there was a tombstone telling in bright letters, on a dark ground, that beneath were deposited the remains of Amelia, the beloved wife of Amos Barton, who died in the thirty-fifth year of her age, leaving a husband and six children to lament her loss. The final words of the inscription were, 'Thy will be done.'
The husband was now advancing towards the dear mound from which he was so soon to be parted, perhaps for ever. He stood a few minutes reading over and over again the words on the tombstone, as if to assure himself that all the happy and unhappy past was a reality. For love is frightened at the intervals of insensibility and callousness that encroach by little and little on the dominion of grief, and it makes efforts to recall the keenness of the first anguish.
Gradually, as his eye dwelt on the words, 'Amelia, the beloved wife,' the waves of feeling swelled within his soul, and he threw himself on the grave, clasping it with his arms, and kissing the cold turf.
'Milly, Milly, dost thou hear me? I didn't love thee enough—I wasn't tender enough to thee—but I think of it all now.'
The sobs came and choked his utterance, and the warm tears fell.
CONCLUSION
Only once again in his life has Amos Barton visited Milly's grave. It was in the calm and softened light of an autumnal afternoon, and he was not alone. He held on his arm a young woman, with a sweet, grave face, which strongly recalled the expression of Mrs. Barton's, but was less lovely in form and colour. She was about thirty, but there were some premature lines round her mouth and eyes, which told of early anxiety.
Amos himself was much changed. His thin circlet of hair was nearly white, and his walk was no longer firm and upright. But his glance was calm, and even cheerful, and his neat linen told of a woman's care. Milly did not take all her love from the earth when she died. She had left some of it in Patty's heart.
All the other children were now grown up, and had gone their several ways. Dickey, you will be glad to hear, had shown remarkable talents as an engineer. His cheeks are still ruddy, in spite of mixed mathematics, and his eyes are still large and blue; but in other respects his person would present no marks of identification for his friend Mrs. Hackit, if she were to see him; especially now that her eyes must be grown very dim, with the wear of more than twenty additional years. He is nearly six feet high, and has a proportionately broad chest; he wears spectacles, and rubs his large white hands through a mass of shaggy brown hair. But I am sure you have no doubt that Mr. Richard Barton is a thoroughly good fellow, as well as a man of talent, and you will be glad any day to shake hands with him, for his own sake as well as his mother's.
Patty alone remains by her father's side, and makes the evening sunshine of his life.
MR. GILFIL'S LOVE STORY
Chapter 1
When old Mr. Gilfil died, thirty years ago, there was general sorrow in Shepperton; and if black cloth had not been hung round the pulpit and reading-desk, by order of his nephew and principal legatee, the parishioners would certainly have subscribed the necessary sum out of their own pockets, rather than allow such a tribute of respect to be wanting. All the farmers' wives brought out their black bombasines; and Mrs. Jennings, at the Wharf, by appearing the first Sunday after Mr. Gilfil's death in her salmon-coloured ribbons and green shawl, excited the severest remark. To be sure, Mrs. Jennings was a new-comer, and town-bred, so that she could hardly be expected to have very clear notions of what was proper; but, as Mrs. Higgins observed in an undertone to Mrs. Parrot when they were coming out of church, 'Her husband, who'd been born i' the parish, might ha' told her better.' An unreadiness to put on black on all available occasions, or too great an alacrity in putting it off, argued, in Mrs. Higgins's opinion, a dangerous levity of character, and an unnatural insensibility to the essential fitness of things.
'Some folks can't a-bear to put off their colours,' she remarked; 'but that was never the way i' my family. Why, Mrs. Parrot, from the time I was married, till Mr. Higgins died, nine years ago come Candlemas, I niver was out o' black two year together!'
'Ah,' said Mrs. Parrot, who was conscious of inferiority in this respect, 'there isn't many families as have had so many deaths as yours, Mrs. Higgins.'
Mrs. Higgins, who was an elderly widow, 'well left', reflected with complacency that Mrs. Parrot's observation was no more than just, and that Mrs. Jennings very likely belonged to a family which had had no funerals to speak of.
Even dirty Dame Fripp, who was a very rare church-goer, had been to Mrs. Hackit to beg a bit of old crape, and with this sign of grief pinned on her little coal-scuttle bonnet, was seen dropping her curtsy opposite the reading-desk. This manifestation of respect towards Mr. Gilfil's memory on the part of Dame Fripp had no theological bearing
