do justice to every system.
"Better leave it alone then. There are always duffers enough."
"I don't want to be a duffer," Biddy said. "But I thought you encouraged me."
"So I did, my poor child. It was only to encourage myself."
"With your own work—your painting?"
"With my futile, my ill-starred endeavours. Union is strength—so that we might present a wider front, a larger surface of resistance."
Biddy for a while said nothing and they continued their tour of observation. She noticed how he passed over some things quickly, his first glance sufficing to show him if they were worth another, and then recognised in a moment the figures that made some appeal. His tone puzzled but his certainty of eye impressed her, and she felt what a difference there was yet between them—how much longer in every case she would have taken to discriminate. She was aware of how little she could judge of the value of a thing till she had looked at it ten minutes; indeed modest little Biddy was compelled privately to add "And often not even then." She was mystified, as I say—Nick was often mystifying, it was his only fault—but one thing was definite: her brother had high ability. It was the consciousness of this that made her bring out at last: "I don't so much care whether or no I please mamma, if I please you."
"Oh don't lean on me. I'm a wretched broken reed—I'm no use really!" he promptly admonished her.
"Do you mean you're a duffer?" Biddy asked in alarm.
"Frightful, frightful!"
"So that you intend to give up your work—to let it alone, as you advise me?"
"It has never been my work, all that business, Biddy. If it had it would be different. I should stick to it."
"And you won't stick to it?" the girl said, standing before him open-eyed.
Her brother looked into her eyes a moment, and she had a compunction; she feared she was indiscreet and was worrying him. "Your questions are much simpler than the elements out of which my answer should come."
"A great talent—what's simpler than that?"
"One excellent thing, dear Biddy: no talent at all!"
"Well, yours is so real you can't help it."
"We shall see, we shall see," said Nick Dormer. "Let us go look at that big group."
"We shall see if your talent's real?" Biddy went on as she accompanied him.
"No; we shall see if, as you say, I can't help it. What nonsense Paris makes one talk!" the young man added as they stopped in front of the composition. This was true perhaps, but not in a sense he could find himself tempted to deplore. The present was far from his first visit to the French capital: he had often quitted England and usually made a point of "putting in," as he called it, a few days there on the outward journey to the Continent or on the return; but at present the feelings, for the most part agreeable, attendant upon a change of air and of scene had been more punctual and more acute than for a long time before, and stronger the sense of novelty, refreshment, amusement, of the hundred appeals from that quarter of thought to which on the whole his attention was apt most frequently, though not most confessedly, to stray. He was fonder of Paris than most of his countrymen, though not so fond perhaps as some other captivated aliens: the place had always had the virtue of quickening in him sensibly the life of reflexion and observation. It was a good while since his impressions had been so favourable to the city by the Seine; a good while at all events since they had ministered so to excitement, to exhilaration, to ambition, even to a restlessness that was not prevented from being agreeable by the excess of agitation in it. Nick could have given the reason of this unwonted glow, but his preference was very much to keep it to himself. Certainly to persons not deeply knowing, or at any rate not deeply curious, in relation to the young man's history the explanation might have seemed to beg the question, consisting as it did of the simple formula that he had at last come to a crisis. Why a crisis—what was it and why had he not come to it before? The reader shall learn these things in time if he cares enough for them.
Our young man had not in any recent year failed to see the Salon, which the general voice this season pronounced not particularly good. None the less it was the present exhibition that, for some cause connected with his "crisis," made him think fast, produced that effect he had spoken of to his mother as a sense of artistic life. The precinct of the marbles and bronzes spoke to him especially to-day; the glazed garden, not florally rich, with its new productions alternating with perfunctory plants and its queer, damp smell, partly the odour of plastic clay, of the studios of sculptors, put forth the voice of old associations, of other visits, of companionships now ended—an insinuating eloquence which was at the same time somehow identical with the general sharp contagion of Paris. There was youth in the air, and a multitudinous newness, for ever reviving, and the diffusion of a hundred talents, ingenuities, experiments. The summer clouds made shadows on the roof of the great building; the white images, hard in their crudity, spotted the place with provocations; the rattle of plates at the restaurant sounded sociable in the distance, and our young man congratulated himself more than ever that he had not missed his chance. He felt how it would help him to settle something. At the moment he made this reflexion his eye fell upon a person who appeared—just in the first glimpse—to carry out the idea of help. He uttered a lively ejaculation, which, however, in its want of finish, Biddy failed to understand; so pertinent, so relevant and congruous, was the other party to this encounter.
The girl's attention followed her brother's, resting with it on a young man who faced them without seeing them, engaged as he was in imparting to two companions his ideas about one of the works exposed to view. What Biddy remarked was that this young man was fair and fat and of the middle stature; he had a round face and a short beard and on his crown a mere reminiscence of hair, as the fact that he carried his hat in his hand permitted to be observed. Bridget Dormer, who was quick, placed him immediately as a gentleman, but as a gentleman unlike any other gentleman she had ever seen. She would have taken him for very foreign but that the words proceeding from his mouth reached her ear and imposed themselves as a rare variety of English. It was not that a foreigner might not have spoken smoothly enough, nor yet that the speech of this young man was not smooth. It had in truth a conspicuous and aggressive perfection, and Biddy was sure no mere learner would have ventured to play such tricks with the tongue. He seemed to draw rich effects and wandering airs from it—to modulate and manipulate it as he would have done a musical instrument. Her view of the gentleman's companions was less operative, save for her soon making the reflexion that they were people whom in any country, from China to Peru, you would immediately have taken for natives. One of them was an old lady with a shawl; that was the most salient way in which she presented herself. The shawl was an ancient much-used fabric of embroidered cashmere, such as many ladies wore forty years ago in their walks abroad and such as no lady wears to-day. It had fallen half off the back of the wearer, but at the moment Biddy permitted herself to consider her she gave it a violent jerk and brought it up to her shoulders again, where she continued to arrange and settle it, with a good deal of jauntiness and elegance, while she listened to the talk of the gentleman. Biddy guessed that this little transaction took place very frequently, and was not unaware of its giving the old lady a droll, factitious, faded appearance, as if she were singularly out of step with the age. The other person was very much younger—she might have been a daughter—and had a pale face, a low forehead, and thick dark hair. What she chiefly had, however, Biddy rapidly discovered, was a pair of largely-gazing eyes. Our young friend was helped to the discovery by the accident of their resting at this moment for a time—it struck Biddy as very long—on her own. Both these ladies were clad in light, thin, scant gowns, giving an impression of flowered figures and odd transparencies, and in low shoes which showed a great deal of stocking and were ornamented with large rosettes. Biddy's slightly agitated perception travelled directly
