his wound, rose up, tearing his hair, and then threw himself upon the bleeding carcass, crying, "Ah, Valentine! Was it for me, who have so barbarously used thee, that thou hast died? I will not Jive after thee." He was not by any means to be forced from the body, but was removed with it bleeding in his arms, and attended with tears by all their comrades, who knew their enmity. When he was brought to a tent, his wounds were dressed by force; but the next day, still calling upon Valentine, and lamenting his cruelties to him, he died in the pangs of remorse and despair.
It may be a question among men of noble sentiments, whether of these unfortunate persons had the greater soul; he that was so generous as to venture his life for his enemy, or he who could not survive the man that died, in laying upon him such an obligation?
When we see spirits like these in a people, to what heights may we not suppose their glory may arise, but (as it is excellently observed by Sallust121) it is not only to the general bent of a nation that great revolutions are owing, but to the extraordinary genios122 that lead them. On which occasion he proceeds to say that the Roman greatness was neither to be attributed to their superior policy, for in that the Carthaginians excelled; nor to their valour, for in that the French were preferable; but to particular men, who were born for the good of their country, and formed for great attempts. This he says, to introduce the characters of Cassar and Cato. It would be entering into too weighty a discourse for this place, if I attempted to show that our nation has produced as great and able men for public affairs, as any other. But I believe the reader outruns me, and fixes his imagination upon the Duke of Marlborough. It is, methinks, a pleasing reflection, to consider the dispensations of Providence in the fortune of this illustrious man, who, in the space of forty years, has passed through all the gradations of human life, till he has ascended to the character of a prince, and become the scourge of a tyrant, who sat in one of the greatest thrones of Europe, before the man who was to have the greatest part in his downfall had made one step in the world.123 But such elevations are the natural consequences of an exact prudence, a calm courage, a well-governed temper, a patient ambition, and an affable behaviour. These arts, as they are the steps to his greatness, so they are the pillars of it now it is raised. To this her glorious son, Great Britain is indebted for the happy conduct of her arms, in whom she can boast, she has produced a man formed by nature to lead a nation of heroes.
No. 6.
[STEELE.
From Thursday, April 21, to Saturday, April 23, 1709
Will's Coffee-house, April 22
I am just come from visiting Sappho,124 a fine lady, who writes verses, sings, dances and can say and do whatever she pleases, without the imputation of anything that can injure her character; for she is so well known to have no passion but self-love, or folly, but affectation; that now upon any occasion they only cry, "'Tis her way," and "That's so like her," without further reflection. As I came into the room, she cries, "O Mr. Bickerstaff, I am utterly undone! I have broke that pretty Italian fan I showed you when you were here last, wherein were so admirably drawn our first parents in Paradise asleep in each other's arms." But there is such an affinity between painting and poetry, that I have been improving the images which were raised by that picture, by reading the same representation in two of our greatest poets. Look you, here are the passages in Milton and in Dryden. All Milton's thoughts are wonderfully just and natural, in this inimitable description which Adam makes of himself in the eighth book of "Paradise Lost." But there is none of them finer than that contained in the following lines, where he tells us his thoughts when he was falling asleep a little after his creation.
While thus I called, and strayed I know not whither,
From whence I first drew air, and first beheld
This happy light; when answer none returned,
On a green shady bank, profuse of flowers,
Pensive I sate me down, there gentle sleep
First found me, and with soft oppression seized
My drowned sense, untroubled, though I thought
I then was passing to my former state,
Insensible, and forthwith to dissolve. 125
But now I can't forgive this odious thing, this Dryden, who, in his "State of Innocence," has given my great-grand-mother Eve the same apprehension of annihilation, on a very different occasion, as Adam pronounces it of himself, when he was seized with a pleasing kind of stupor and deadness, Eve fancies herself falling away, and dissolving in the hurry of a rapture. However, the verses are very good, and I don't know but it may be natural what she says. I'll read them:
When your kind eyes looked languishing on mine,
And wreathing arms did soft embraces join,
A doubtful trembling seized me first all o'er,
Then wishes, and a warmth unknown before;
What followed was all extasy and trance,
Immortal pleasures round my swimming eyes did dance,
And speechless joys, in whose sweet tumults tost,
I thought my breath and my new being lost. 126
She went on, and said a thousand good things at random, but so strangely mixed that you would be apt to say all her wit is mere good luck, and not the effect of reason and judgment. When I made my escape hither I found a gentleman playing the critic on two other great poets, even Virgil and Homer.127 He was observing, that Virgil is more judicious than the other in the epithets he gives his hero. "Homer's usual epithet," said he, "is Πόδας ὠχὺς, or Ποδάρχης, and his indiscretion has been often rallied by the critics, for mentioning the nimbleness of foot in Achilles, though he describes him standing, sitting, lying down, fighting, eating, drinking, or in any other circumstance, however foreign or repugnant to speed and activity. Virgil's common epithet to Æneas, is 'Pius' or 'Pater.' I have therefore considered," said he, "what passage there is in any of his hero's actions, where either of these appellations would have been most improper, to see if I could catch him at the same fault with Homer: and this, I think, is his meeting with Dido in the cave, where Pius Æneas would have been absurd, and Pater Æneas a burlesque: the poet has therefore wisely dropped them both for Dux Trojanus,
"Speluncam Dido dux et Trojanus eandem Devenient; 128
which he has repeated twice in Juno's speech, and his own narration: for he very well knew a loose action might be consistent enough with the usual manners of a soldier, though it became neither the chastity of a pious man, nor the gravity of the father of a people."
Grecian Coffee-house, April 22
While other parts of the town are amused with the present actions, we generally spend the evening at this table in inquiries into antiquity, and think anything news which gives us new knowledge. Thus we are making a very pleasant entertainment to ourselves, in putting the actions of Homer's "Iliad" into an exact journal.
This poem is introduced by Chryses, King of Chryseis, and priest of Apollo, who comes to re-demand his daughter, who was carried off at the taking of that city, and given to Agamemnon for his part of the booty. The refusal he received enrages Apollo, who for nine days showered down darts upon them, which occasioned the pestilence.
The tenth day Achilles assembles the council, and encourages Chalcas
"Bell. Catal.," c. 53.
"A man of a particular turn of mind" (Johnson).
In 1705, after the battle of Blenheim, Marlborough was made Prince of Mildenheim by the Emperor. Lewis XIV. succeeded to the French throne in 1643; Marlborough was born in 1650.
It has been suggested, with little or no reason, that Sappho is meant for Mrs. Manley (Author of the "New Atalantis"), or Mrs. Elizabeth Thomas (known as "Corinna"), or Mrs. Elizabeth Heywood. See No. 40.
"Paradise Lost," viii. 283.
Dryden's "State of Innocence and Fall of Man: an Opera," act iii. sc. i. In the
Addison, on reading here this remark upon Virgil, which he himself had communicated to Steele, discovered that his friend was the author of the
"Æneid," iv. 124.
