The Stones of Venice, Volume 1 (of 3). Ruskin John

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The Stones of Venice, Volume 1 (of 3) - Ruskin John

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II.) with satellite shafts eddying about its recesses and angles, in every possible relation of attraction. Among these endless conditions of change, the choice of the architect is free, this only being generally noted: that, as the whole value of such piers depends, first, upon their being wisely fitted to the weight above them, and, secondly, upon their all working together: and one not failing the rest, perhaps to the ruin of all, he must never multiply shafts without visible cause in the disposition of members superimposed:41 and in his multiplied group he should, if possible, avoid a marked separation between the large central shaft and its satellites; for if this exist, the satellites will either appear useless altogether, or else, which is worse, they will look as if they were meant to keep the central shaft together by wiring or caging it in; like iron rods set round a supple cylinder,—a fatal fault in the piers of Westminster Abbey, and, in a less degree, in the noble nave of the cathedral of Bourges.

      § XVIII. While, however, we have been thus subdividing or assembling our shafts, how far has it been possible to retain their curved or tapered outline? So long as they remain distinct and equal, however close to each other, the independent curvature may evidently be retained. But when once they come in contact, it is equally evident that a column, formed of shafts touching at the base and separate at the top, would appear as if in the very act of splitting asunder. Hence, in all the closely arranged groups, and especially those with a central shaft, the tapering is sacrificed; and with less cause for regret, because it was a provision against subsidence or distortion, which cannot now take place with the separate members of the group. Evidently, the work, if safe at all, must be executed with far greater accuracy and stability when its supports are so delicately arranged, than would be implied by such precaution. In grouping shafts, therefore, a true perpendicular line is, in nearly all cases, given to the pier; and the reader will anticipate that the two schools, which we have already found to be distinguished, the one by its perpendicular and pieced shafts, and the other by its curved and block shafts, will be found divided also in their employment of grouped shafts;—it is likely that the idea of grouping, however suggested, will be fully entertained and acted upon by the one, but hesitatingly by the other; and that we shall find, on the one hand, buildings displaying sometimes massy piers of small stones, sometimes clustered piers of rich complexity, and on the other, more or less regular succession of block shafts, each treated as entirely independent of those around it.

      § XIX. Farther, the grouping of shafts once admitted, it is probable that the complexity and richness of such arrangements would recommend them to the eye, and induce their frequent, even their unnecessary introduction; so that weight which might have been borne by a single pillar, would be in preference supported by four or five. And if the stone of the country, whose fragmentary character first occasioned the building and piecing of the large pier, were yet in beds consistent enough to supply shafts of very small diameter, the strength and simplicity of such a construction might justify it, as well as its grace. The fact, however, is that the charm which the multiplication of line possesses for the eye has always been one of the chief ends of the work in the grouped schools; and that, so far from employing the grouped piers in order to the introduction of very slender block shafts, the most common form in which such piers occur is that of a solid jointed shaft, each joint being separately cut into the contour of the group required.

      § XX. We have hitherto supposed that all grouped or clustered shafts have been the result or the expression of an actual gathering and binding together of detached shafts. This is not, however, always so: for some clustered shafts are little more than solid piers channelled on the surface, and their form appears to be merely the development of some longitudinal furrowing or striation on the original single shaft. That clustering or striation, whichever we choose to call it, is in this case a decorative feature, and to be considered under the head of decoration.

      § XXI. It must be evident to the reader at a glance, that the real serviceableness of any of these grouped arrangements must depend upon the relative shortness of the shafts, and that, when the whole pier is so lofty that its minor members become mere reeds or rods of stone, those minor members can no longer be charged with any considerable weight. And the fact is, that in the most complicated Gothic arrangements, when the pier is tall and its satellites stand clear of it, no real work is given them to do, and they might all be removed without endangering the building. They are merely the expression of a great consistent system, and are in architecture what is often found in animal anatomy,—a bone, or process of a bone, useless, under the ordained circumstances of its life, to the particular animal in which it is found, and slightly developed, but yet distinctly existent, and representing, for the sake of absolute consistency, the same bone in its appointed, and generally useful, place, either in skeletons of all animals, or in the genus to which the animal itself belongs.

      § XXII. Farther: as it is not easy to obtain pieces of stone long enough for these supplementary shafts (especially as it is always unsafe to lay a stratified stone with its beds upright) they have been frequently composed of two or more short shafts set upon each other, and to conceal the unsightly junction, a flat stone has been interposed, carved into certain mouldings, which have the appearance of a ring on the shaft. Now observe: the whole pier was the gathering of the whole wall, the base gathers into base, the veil into the shaft, and the string courses of the veil gather into these rings; and when this is clearly expressed, and the rings do indeed correspond with the string courses of the wall veil, they are perfectly admissible and even beautiful; but otherwise, and occurring, as they do in the shafts of Westminster, in the middle of continuous lines, they are but sorry make-shifts, and of late since gas has been invented, have become especially offensive from their unlucky resemblance to the joints of gas-pipes, or common water-pipes. There are two leaden ones, for instance, on the left hand as one enters the abbey at Poet’s Corner, with their solderings and funnels looking exactly like rings and capitals, and most disrespectfully mimicking the shafts of the abbey, inside.

      Thus far we have traced the probable conditions of shaft structure in pure theory; I shall now lay before the reader a brief statement of the facts of the thing in time past and present.

      § XXIII. In the earliest and grandest shaft architecture which we know, that of Egypt, we have no grouped arrangements, properly so called, but either single and smooth shafts, or richly reeded and furrowed shafts, which represent the extreme conditions of a complicated group bound together to sustain a single mass; and are indeed, without doubt, nothing else than imitations of bundles of reeds, or of clusters of lotus:42 but in these shafts there is merely the idea of a group, not the actual function or structure of a group; they are just as much solid and simple shafts as those which are smooth, and merely by the method of their decoration present to the eye the image of a richly complex arrangement.

      § XXIV. After these we have the Greek shaft, less in scale, and losing all suggestion or purpose of suggestion of complexity, its so-called flutings being, visibly as actually, an external decoration.

      § XXV. The idea of the shaft remains absolutely single in the Roman and Byzantine mind; but true grouping begins in Christian architecture by the placing of two or more separate shafts side by side, each having its own work to do; then three or four, still with separate work; then, by such steps as those above theoretically pursued, the number of the members increases, while they coagulate into a single mass; and we have finally a shaft apparently composed of thirty, forty, fifty, or more distinct members; a shaft which, in the reality of its service, is as much a single shaft as the old Egyptian one; but which differs from the Egyptian in that all its members, how many soever, have each individual work to do, and a separate rib of arch or roof to carry: and thus the great Christian truth of distinct services of the individual soul is typified in the Christian shaft; and the old Egyptian servitude of the multitudes, the servitude inseparable from the children of Ham, is typified also in that ancient shaft of the Egyptians, which in its gathered strength of the river reeds, seems, as the sands of the desert drift over its ruin, to be intended to remind us for ever of the end of the association of the wicked. “Can the rush grow up without mire, or the flag grow without water?—So are the paths of all that forget God; and the hypocrite’s hope

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<p>41</p>

How far this condition limits the system of shaft grouping we shall see presently. The reader must remember, that we at present reason respecting shafts in the abstract only.

<p>42</p>

The capitals being formed by the flowers, or by a representation of the bulging out of the reeds at the top, under the weight of the architrave.