Mark Twain: A Biography. Volume II, Part 2: 1886-1900. Paine Albert Bigelow

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I told him to drop the conundrum system; it was not suited to the dignity of a college, which should deal in facts, not guesses and suppositions; we didn't want any more cases of if A and B stand at opposite poles of the earth's surface and C at the equator of Jupiter, at what variations of angle will the left limb of the moon appear to these different parties?—I said you just let that thing alone; it's plenty time to get in a sweat about it when it happens; as like as not it ain't going to do any harm, anyway. His reception of these instructions bordered on insubordination, insomuch that I felt obliged to take his number and report him. I found the astronomer of the University gadding around after comets and other such odds and ends—tramps and derelicts of the skies. I told him pretty plainly that we couldn't have that. I told him it was no economy to go on piling up and piling up raw material in the way of new stars and comets and asteroids that we couldn't ever have any use for till we had worked off the old stock. At bottom I don't really mind comets so much, but somehow I have always been down on asteroids. There is nothing mature about them; I wouldn't sit up nights the way that man does if I could get a basketful of them. He said it was the bast line of goods he had; he said he could trade them to Rochester for comets, and trade the comets to Harvard for nebulae, and trade the nebula to the Smithsonian for flint hatchets. I felt obliged to stop this thing on the spot; I said we couldn't have the University turned into an astronomical junk shop. And while I was at it I thought I might as well make the reform complete; the astronomer is extraordinarily mutinous, and so, with your approval, I will transfer him to the law department and put one of the law students in his place. A boy will be more biddable, more tractable, also cheaper. It is true he cannot be intrusted with important work at first, but he can comb the skies for nebulae till he gets his hand in. I have other changes in mind, but as they are in the nature of surprises I judge it politic to leave them unspecified at this time.

      Very likely it was in this new capacity, as the head of the governing body, that he wrote one morning to Clark advising him as to the misuse of a word in the Courant, though he thought it best to sign the communication with the names of certain learned friends, to give it weight with the public, as he afterward explained.

      SIR,—The word "patricide" in your issue of this morning (telegrams) was an error. You meant it to describe the slayer of a father; you should have used "parricide" instead. Patricide merely means the killing of an Irishman—any Irishman, male or female.

      Respectfully,

J. HAMMOND TRUMBULL.N. J. BURTON.J. H. TWICHELL.

      CLXVII

      NOTES AND LITERARY MATTERS

      Clemens' note-books of this time are full of the vexations of his business ventures, figures, suggestions, and a hundred imagined combinations for betterment—these things intermingled with the usual bits of philosophy and reflections, and amusing reminders.

      Aldrich's man who painted the fat toads red, and naturalist chasing and trying to catch them.

      Man who lost his false teeth over Brooklyn Bridge when he was on his way to propose to a widow.

      One believes St. Simon and Benvenuto and partly believes the Margravine of Bayreuth. There are things in the confession of Rousseau which one must believe.

      What is biography? Unadorned romance. What is romance? Adorned biography. Adorn it less and it will be better than it is.

      If God is what people say there can be none in the universe so unhappy as he; for he sees unceasingly myriads of his creatures suffering unspeakable miseries, and, besides this, foresees all they are going to suffer during the remainder of their lives. One might well say "as unhappy as God."

      In spite of the financial complexities and the drain of the enterprises already in hand he did not fail to conceive others. He was deeply interested in Bunyan's Pilgrim's Progress at the moment, and from photography and scenic effect he presaged a possibility to-day realized in the moving picture.

      Dress up some good actors as Apollyon, Greatheart, etc., & the other Bunyan characters, take them to a wild gorge and photograph them—Valley of the Shadow of Death; to other effective places & photo them along with the scenery; to Paris, in their curious costumes, place them near the Arc de l'Etoile & photo them with the crowd-Vanity Fair; to Cairo, Venice, Jerusalem, & other places (twenty interesting cities) & always make them conspicuous in the curious foreign crowds by their costume. Take them to Zululand. It would take two or three years to do the photographing & cost $10,000; but this stereopticon panorama of Bunyan's Pilgrim's Progress could be exhibited in all countries at the same time & would clear a fortune in a year. By & by I will do this.

      If in 1891 I find myself not rich enough to carry out my scheme of buying Christopher Columbus's bones & burying them under the Statue of Liberty Enlightening the World I will give the idea to somebody who is rich enough.

      Incidentally he did an occasional piece of literary work. Early in the year, with Brander Matthews, he instructed and entertained the public with a copyright controversy in the Princeton Review. Matthews would appear to have criticized the English copyright protection, or rather the lack of it, comparing it unfavorably with American conditions. Clemens, who had been amply protected in Great Britain, replied that America was in no position to criticize England; that if American authors suffered in England they had themselves to blame for not taking the proper trouble and precautions required by the English law, that is to say, "previous publication" on English soil. He declared that his own books had been as safe in England as at home since he had undertaken to comply with English requirements, and that Professor Matthews was altogether mistaken, both as to premise and conclusion.

      "You are the very wrong-headedest person in America," he said; "and you are injudicious." And of the article: "I read it to the cat—well, I never saw a cat carry on so before . . . . The American author can go to Canada, spend three days there and come home with an English and American copyright as strong as if it had been built out of railroad iron."

      Matthews replied that not every one could go to Canada, any more than to Corinth. He said:

      "It is not easy for a poor author who may chance to live in Florida or Texas, those noted homes of literature, to go to Canada."

      Clemens did not reply again; that is to say, he did not publish his reply. It was a capable bomb which he prepared, well furnished with amusing instance, sarcasm, and ridicule, but he did not use it. Perhaps he was afraid it would destroy his opponent, which would not do. In his heart he loved Matthews. He laid the deadly thing away and maintained a dignified reserve.

      Clemens often felt called upon to criticize American institutions, but he was first to come to their defense, especially when the critic was an alien. When Matthew Arnold offered some strictures on America. Clemens covered a good many quires of paper with caustic replies. He even defended American newspapers, which he had himself more than once violently assailed for misreporting him and for other journalistic shortcomings, and he bitterly denounced every shaky British institution, touched upon every weak spot in hereditary rule. He did not print—not then—[An article on the American press, probably the best of those prepared at this time, was used, in part, in The American Claimant, as the paper read before the Mechanics' Club, by "Parker," assistant editor of the 'Democrat'.]—he was writing mainly for relief—without success, however, for he only kindled the fires of his indignation. He was at Quarry Farm and he plunged into his neglected story—A Yankee in King Arthur's Court—and made his astonishing hero the mouthpiece of his doctrines. He worked with an inspiration and energy born of his ferocity. To Whitmore, near the end of the summer, he wrote:

      I've got 16 working-days left yet, and in that time I will add another 120,000 words to my book if I have luck.

      In his memoranda of this time he says:

      There

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