from the late attack of the fever, and the succeeding shock it received from Madame St. Aubert's death had produced its present infirmity. His physician now ordered him to travel; for it was perceptible that sorrow had seized upon his nerves, weakened as they had been by the preceding illness; and variety of scene, it was probable, would, by amusing his mind, restore them to their proper tone.
For some days Emily was occupied in preparations to attend him; and he, by endeavours to diminish his expences at home during the journey—a purpose which determined him at length to dismiss his domestics. Emily seldom opposed her father's wishes by questions or remonstrances, or she would now have asked why he did not take a servant, and have represented that his infirm health made one almost necessary. But when, on the eve of their departure, she found that he had dismissed Jacques, Francis, and Mary, and detained only Theresa the old housekeeper, she was extremely surprised, and ventured to ask his reason for having done so. 'To save expences, my dear,' he replied—'we are going on an expensive excursion.'
The physician had prescribed the air of Languedoc and Provence; and St. Aubert determined, therefore, to travel leisurely along the shores of the Mediterranean, towards Provence.
They retired early to their chamber on the night before their departure; but Emily had a few books and other things to collect, and the clock had struck twelve before she had finished, or had remembered that some of her drawing instruments, which she meant to take with her, were in the parlour below. As she went to fetch these, she passed her father's room, and, perceiving the door half open, concluded that he was in his study—for, since the death of Madame St. Aubert, it had been frequently his custom to rise from his restless bed, and go thither to compose his mind. When she was below stairs she looked into this room, but without finding him; and as she returned to her chamber, she tapped at his door, and receiving no answer, stepped softly in, to be certain whether he was there.
The room was dark, but a light glimmered through some panes of glass that were placed in the upper part of a closet-door. Emily believed her father to be in the closet, and, surprised that he was up at so late an hour, apprehended he was unwell, and was going to enquire; but, considering that her sudden appearance at this hour might alarm him, she removed her light to the stair-case, and then stepped softly to the closet. On looking through the panes of glass, she saw him seated at a small table, with papers before him, some of which he was reading with deep attention and interest, during which he often wept and sobbed aloud. Emily, who had come to the door to learn whether her father was ill, was now detained there by a mixture of curiosity and tenderness. She could not witness his sorrow, without being anxious to know the subject of; and she therefore continued to observe him in silence, concluding that those papers were letters of her late mother. Presently he knelt down, and with a look so solemn as she had seldom seen him assume, and which was mingled with a certain wild expression, that partook more of horror than of any other character, he prayed silently for a considerable time.
When he rose, a ghastly paleness was on his countenance. Emily was hastily retiring; but she saw him turn again to the papers, and she stopped. He took from among them a small case, and from thence a miniature picture. The rays of light fell strongly upon it, and she perceived it to be that of a lady, but not of her mother.
St. Aubert gazed earnestly and tenderly upon his portrait, put it to his lips, and then to his heart, and sighed with a convulsive force. Emily could scarcely believe what she saw to be real. She never knew till now that he had a picture of any other lady than her mother, much less that he had one which he evidently valued so highly; but having looked repeatedly, to be certain that it was not the resemblance of Madame St. Aubert, she became entirely convinced that it was designed for that of some other person.
At length St. Aubert returned the picture to its case; and Emily, recollecting that she was intruding upon his private sorrows, softly withdrew from the chamber.
CHAPTER III
O how canst thou renounce the boundless store
Of charms which nature to her vot'ry yields!
The warbling woodland, the resounding shore,
The pomp of groves, and garniture of fields;
All that the genial ray of morning gilds,
And all that echoes to the song of even;
All that the mountain's shelt'ring bosom shields,
And all the dread magnificence of heaven;
O how canst thou renounce, and hope to be forgiven!.....
These charms shall work thy soul's eternal health,
And love, and gentleness, and joy, impart.
St. Aubert, instead of taking the more direct road, that ran along the feet of the Pyrenees to Languedoc, chose one that, winding over the heights, afforded more extensive views and greater variety of romantic scenery. He turned a little out of his way to take leave of M. Barreaux, whom he found botanizing in the wood near his chateau, and who, when he was told the purpose of St. Aubert's visit, expressed a degree of concern, such as his friend had thought it was scarcely possible for him to feel on any similar occasion. They parted with mutual regret.
'If any thing could have tempted me from my retirement,' said M. Barreaux, 'it would have been the pleasure of accompanying you on this little tour. I do not often offer compliments; you may, therefore, believe me, when I say, that I shall look for your return with impatience.'
The travellers proceeded on their journey. As they ascended the heights, St. Aubert often looked back upon the chateau, in the plain below; tender images crowded to his mind; his melancholy imagination suggested that he should return no more; and though he checked this wandering thought, still he continued to look, till the haziness of distance blended his home with the general landscape, and St. Aubert seemed to
Drag at each remove a lengthening chain.
He and Emily continued sunk in musing silence for some leagues, from which melancholy reverie Emily first awoke, and her young fancy, struck with the grandeur of the objects around, gradually yielded to delightful impressions. The road now descended into glens, confined by stupendous walls of rock, grey and barren, except where shrubs fringed their summits, or patches of meagre vegetation tinted their recesses, in which the wild goat was frequently browsing. And now, the way led to the lofty cliffs, from whence the landscape was seen extending in all its magnificence.
Emily could not restrain her transport as she looked over the pine forests of the mountains upon the vast plains, that, enriched with woods, towns, blushing vines, and plantations of almonds, palms, and olives, stretched along, till their various colours melted in distance into one harmonious hue, that seemed to unite earth with heaven. Through the whole of this glorious scene the majestic Garonne wandered; descending from its source among the Pyrenees, and winding its blue waves towards the Bay of Biscay.
The ruggedness of the unfrequented road often obliged the wanderers to alight from their little carriage, but they thought themselves amply repaid for this inconvenience by the grandeur of the scenes; and, while the muleteer led his animals slowly over the broken ground, the travellers had leisure to linger amid these solitudes, and to indulge the sublime reflections, which soften, while they elevate, the heart, and fill it with the certainty of a present God! Still the enjoyment of St. Aubert was touched with that pensive melancholy, which gives to every object a mellower tint, and breathes a sacred charm over all around.
They had provided against part of the evil to be encountered from a want of convenient inns, by carrying a stock of provisions in the carriage, so that they might take refreshment on any pleasant spot, in the open air, and pass the nights wherever they should happen to meet with a comfortable cottage. For the mind, also, they had provided, by a work on botany, written by M. Barreaux, and by several of the Latin and Italian poets; while Emily's pencil enabled her to preserve some of those combinations of forms, which
