which she had waited for them, worked for them, picked them over, made them worthy of each other and the house, watched them, loved them, lived with them. He appeared to have assumed that she would settle questions with her son, that he could depend upon Owen's affection. And in truth, as poor Mrs. Gereth inquired, how could he possibly have had a prevision—he who turned his eyes instinctively from everything repulsive—of anything so abnormal as a Waterbath Brigstock? He had been in ugly houses enough, but had escaped that particular nightmare. Nothing so perverse could have been expected to happen as that the heir to the loveliest thing in England should be inspired to hand it over to a girl so exceptionally tainted. Mrs. Gereth spoke of poor Mona's taint as if to mention it were almost a violation of decency, and a person who had listened without enlightenment would have wondered of what fault the girl had been or had indeed not been guilty. But Owen had from a boy never cared, had never had the least pride or pleasure in his home.
"Well, then, if he doesn't care!"—Fleda exclaimed, with some impetuosity; stopping short, however, before she completed her sentence.
Mrs. Gereth looked at her rather hard. "If he doesn't care?"
Fleda hesitated; she had not quite had a definite idea. "Well—he'll give them up."
"Give what up?"
"Why, those beautiful things."
"Give them up to whom?" Mrs. Gereth more boldly stared.
"To you, of course—to enjoy, to keep for yourself."
"And leave his house as bare as your hand? There's nothing in it that isn't precious."
Fleda considered; her friend had taken her up with a smothered ferocity by which she was slightly disconcerted. "I don't mean of course that he should surrender everything; but he might let you pick out the things to which you're most attached."
"I think he would if he were free," said Mrs. Gereth.
"And do you mean, as it is, that she'll prevent him?" Mona Brigstock, between these ladies, was now nothing but "she."
"By every means in her power."
"But surely not because she understands and appreciates them?"
"No," Mrs. Gereth replied, "but because they belong to the house and the house belongs to Owen. If I should wish to take anything, she would simply say, with that motionless mask: 'It goes with the house.' And day after day, in the face of every argument, of every consideration of generosity, she would repeat, without winking, in that voice like the squeeze of a doll's stomach: 'It goes with the house—it goes with the house.' In that attitude they'll shut themselves up."
Fleda was struck, was even a little startled with the way Mrs. Gereth had turned this over—had faced, if indeed only to recognize its futility, the notion of a battle with her only son. These words led her to make an inquiry which she had not thought it discreet to make before; she brought out the idea of the possibility, after all, of her friend's continuing to live at Poynton. Would they really wish to proceed to extremities? Was no good-humored, graceful compromise to be imagined or brought about? Couldn't the same roof cover them? Was it so very inconceivable that a married son should, for the rest of her days, share with so charming a mother the home she had devoted more than a score of years to making beautiful for him? Mrs. Gereth hailed this question with a wan, compassionate smile; she replied that a common household, in such a case, was exactly so inconceivable that Fleda had only to glance over the fair face of the English land to see how few people had ever conceived it. It was always thought a wonder, a "mistake," a piece of overstrained sentiment; and she confessed that she was as little capable of a flight of that sort as Owen himself. Even if they both had been capable, they would still have Mona's hatred to reckon with. Fleda's breath was sometimes taken away by the great bounds and elisions which, on Mrs. Gereth's lips, the course of discussion could take. This was the first she had heard of Mona's hatred, though she certainly had not needed Mrs. Gereth to tell her that in close quarters that young lady would prove secretly mulish. Later Fleda perceived indeed that perhaps almost any girl would hate a person who should be so markedly averse to having anything to do with her. Before this, however, in conversation with her young friend, Mrs. Gereth furnished a more vivid motive for her despair by asking how she could possibly be expected to sit there with the new proprietors and accept—or call it, for a day, endure—the horrors they would perpetrate in the house. Fleda reasoned that they wouldn't after all smash things nor burn them up; and Mrs. Gereth admitted when pushed that she didn't quite suppose they would. What she meant was that they would neglect them, ignore them, leave them to clumsy servants (there wasn't an object of them all but should be handled with perfect love), and in many cases probably wish to replace them by pieces answerable to some vulgar modern notion of the convenient. Above all, she saw in advance, with dilated eyes, the abominations they would inevitably mix up with them—the maddening relics of Waterbath, the little brackets and pink vases, the sweepings of bazaars, the family photographs and illuminated texts, the "household art" and household piety of Mona's hideous home. Wasn't it enough simply to contend that Mona would approach Poynton in the spirit of a Brigstock, and that in the spirit of a Brigstock she would deal with her acquisition? Did Fleda really see her, Mrs. Gereth demanded, spending the remainder of her days with such a creature's elbow in her eye?
Fleda had to declare that she certainly didn't, and that Waterbath had been a warning it would be frivolous to overlook. At the same time she privately reflected that they were taking a great deal for granted, and that, inasmuch as to her knowledge Owen Gereth had positively denied his betrothal, the ground of their speculations was by no means firm. It seemed to our young lady that in a difficult position Owen conducted himself with some natural art; treating this domesticated confidant of his mother's wrongs with a simple civility that almost troubled her conscience, so deeply she felt that she might have had for him the air of siding with that lady against him. She wondered if he would ever know how little really she did this, and that she was there, since Mrs. Gereth had insisted, not to betray, but essentially to confirm and protect. The fact that his mother disliked Mona Brigstock might have made him dislike the object of her preference, and it was detestable to Fleda to remember that she might have appeared to him to offer herself as an exemplary contrast. It was clear enough, however, that the happy youth had no more sense for a motive than a deaf man for a tune, a limitation by which, after all, she could gain as well as lose. He came and went very freely on the business with which London abundantly furnished him, but he found time more than once to say to her, "It's awfully nice of you to look after poor Mummy." As well as his quick speech, which shyness made obscure—it was usually as desperate as a "rush" at some violent game—his child's eyes in his man's face put it to her that, you know, this really meant a good deal for him and that he hoped she would stay on. With a person in the house who, like herself, was clever, poor Mummy was conveniently occupied; and Fleda found a beauty in the candor and even in the modesty which apparently kept him from suspecting that two such wiseheads could possibly be occupied with Owen Gereth.
III
They went at last, the wiseheads, down to Poynton, where the palpitating girl had the full revelation. "Now do you know how I feel?" Mrs. Gereth asked when in the wonderful hall, three minutes after their arrival, her pretty associate dropped on a seat with a soft gasp and a roll of dilated eyes. The answer came clearly enough, and in the rapture of that first walk through the house Fleda took a prodigious span. She perfectly understood how Mrs. Gereth felt—she had understood but meagrely before; and the two women embraced with tears over the tightening of their bond—tears which on the younger one's part were the natural and usual sign of her submission to perfect beauty. It was not the first time she had cried for the joy of admiration, but it was the first time the mistress of Poynton, often as she had shown her house, had been present at such an exhibition. She exulted in it; it quickened her own tears; she assured her companion that such an occasion made the poor old place fresh to her again and more precious than ever. Yes, nobody had ever, that way, felt what she had achieved:
