the great Mother," said Dea Flavia coldly, "will no one here rid me of this screaming vixen?"
But even before she had spoken, the angry murmurs around had swollen to loud protestations. Before the praefect's lictors could intervene the crowd had pushed forward; the men rushed and surrounded the impious creature who had dared to raise her voice against one of the divinities of Rome: Augusta the goddess.
One of Dea Flavia's gigantic Ethiopians had seized Menecreta by the shoulder, another pulled her head back by the hair and struck her roughly on the mouth, but she, with the strength of the vanquished, brought down to her knees, frenzied with despair, continued her agonised cry:
"A curse upon thee, Dea Flavia, a curse spoken by the dying lips of the mother whom thou hast scorned!"
How she contrived momentarily to free herself from the angry crowd of lictors and of slaves it were impossible to say; perhaps at this moment something in Menecreta's wild ravings had awed their spirit and paralysed their hands. Certain it is that for one moment the freedwoman managed to struggle to her feet and to drag herself along on her knees until her hands clutched convulsively the embroidered tunic of Dea Flavia.
"And this is the curse which I pronounce on thee," she murmured in a hoarse whisper, which, rising and rising to higher tones, finally ended in shrieks which reached to the outermost precincts of the Forum. "Dea Flavia, daughter of Octavius Claudius thou art accursed. May thine every deed of mercy be turned to sorrow and to humiliation, thine every act of pity prove a curse to him who receives it, until thou on thy knees, art left to sue for pity to a heart that knoweth it not and findest a deaf ear turned to thy cry. Hear me, ye gods—hear me!… Magna Mater, hear me!… Mother of the stars—hear me!"
Superstition, deeply rooted in every Roman heart, held the crowd enthralled even whilst Menecreta's trembling voice echoed against the marble walls of the temples of the gods whom she invoked. No one attempted to stop her. Dea Flavia's slaves dared not lay a hand on her. It seemed as if Magna Mater herself, the great Mother, had thrown an invisible mantle over the humble freedwoman, shielding her with god-like power.
"Menecreta, raise thyself and come away," said a harsh voice in tones of command. The praefect had at last with the vigorous help of his lictors managed to push his way through the crowd. It was he now who attempted to raise the woman from her knees. He sharply bade his own men to silence the woman and to take her away.
Dea Flavia had remained silent and still. She had not attempted to interrupt the frenzied woman who called this awful curse upon her; only once, when Menecreta invoked the gods, did a shudder pass through the delicate body, and her heavy lids fell over her blue eyes, as if they were trying to shut out some awful vision which the woman's ravings had conjured up.
Then in a sudden her mood seemed to change, her serenity returned, and when the praefect interposed she put out a restraining hand, warning the lictors not to approach.
She bent to Menecreta and called her by name, her mellow voice vibrating with tender tones like the chords of the harp that are touched by a master hand, and her blue eyes, veiled with tears, looked down with infinite tenderness on the prostrate figure at her feet.
"Menecreta," she said gently, "thy sorrow hath made thee harsh. The gods, believe me, still hold much happiness in store for thee and for thy daughter. See how they refuse to register thy curse which had been impious were it not the dictate of thy poor frenzied mind. See, Menecreta, how thou didst misjudge me; what I did, I did because I wished to test thy love for thy child. I wished to test its true selflessness. But now I am satisfied and Nola need no longer choose, for she shall have the luxury for which her young heart doth pine, but she shall never by me be deprived of her mother's love."
Even while she spoke, Menecreta struggled to her knees. Her wide-open eyes, over which a mysterious veil seemed to be slowly descending, were fixed on the radiant vision above her. But comprehension had not yet reached her mind. Her spirit had not yet been dragged from the hell of despair to this glorious sight of heaven.
"Menecreta," continued the gentle voice, "thou shalt come to my house. A free woman, thou shalt be my friend and thy daughter shall be thy happy bondswoman. I'll give thee a little home in which thou shalt dwell with her and draw thy last breath in her arms; there shall be a garden there which she will plant with roses. Thy days and hers will be one continuous joy. Come to me now, Menecreta! Take thy daughter by the hand and come and dwell with her in the little house which my slaves shall prepare for thee."
Her face now was almost on a level with that of Menecreta, whose hollow eyes gazed upwards with a look of ecstatic wonder.
"Who art thou?" murmured the freedwoman; "there is a film over my eyes—I cannot see—art thou a goddess?"
"Nay!" replied Dea Flavia gently, "only a lonely maiden who has no friends e'en in the midst of all her riches. A lonely maid whom thou didst try to curse, asking the gods that her every act of mercy be turned to bitter sorrow. See, she takes thee to her heart and gives thee back thy daughter, a home and happiness."
"My daughter?" murmured Menecreta.
"She shall dwell with thee in the house which shall be thine."
"A home?" and the trembling voice grew weaker, the hollow eyes more dim.
"Aye! in the midst of a garden, with roses and violets all around."
"And happiness?" sighed Menecreta.
And her head fell back against Dea Flavia's arm; her eyes, now veiled by the film of death gazed, sightless, up at the dome of blue.
"Menecreta!" cried Dea Flavia, horror-stricken as she felt the feeble body stiffening against her with the approaching rigidity of death.
"Mother!" echoed Nola, striving to smother her terror as she threw herself on her knees.
"The woman is dead," said the praefect quietly.
CHAPTER VI
"I am Alpha and Omega, the beginning and the end, the first and the last."—Revelations xxii. 13.
And after that silence and peace.
Silence save for the moanings of the child Nola, who in a passionate outburst of grief had thrown herself on the body of her mother.
Dea Flavia stood there still and calm, her young face scarce less white than the clinging folds of her tunic, her unfathomable eyes fixed upon the pathetic group at her feet: the weeping girl and the dead woman.
She seemed almost dazed—like one who does not understand and a quaint puzzled frown appeared upon the whiteness of her brow.
Once she raised her eyes to the praefect and encountered his gaze—strangely contemptuous and wrathful—fixed upon her own, and anon she shuddered when a pitiable moan from Nola echoed from end to end along the marble walls around.
And the crowd of idlers began slowly to disperse. In groups of twos and threes they went, their sandalled feet making a soft rustling noise against the flagstones of the Forum, and their cloaks of thin woollen stuff floating out behind them as they walked.
The young patricians were the first to go. The scene had ceased to be amusing and Dea Flavia was not like to bestow another smile. They thought it best to retire to their luxurious homes, for they vaguely resented the majesty of death which clung round the dead freedwoman and the young living slave. They hoped to forget in the course of the noonday sleep, and the subsequent delights of the table, the painful events which had so unpleasantly stirred their shallow hearts.
