precaution of fastening together the legs of the fallen gazelle, and then he humanely blows up into its nostrils. Gradually the natural brilliancy returns to the dimmed eyes of the gazelle, then it struggles valiantly, but vainly, to disentangle itself from its fetters.
"Pitying its efforts, the falconer throws a handkerchief over its head, and, securing this prize, claims it as his own, declaring that he will bear it home to his house in the mountains, where, after a few weeks' kind treatment and care, it will become as domesticated and affectionate as a spaniel. Meanwhile, Abou Shein gathers together the fallen booty, and, tying them securely with cords, fastens them behind his own saddle, declaring, with a triumphant laugh, that we shall return that evening to the city of Beyrout with such game as few sportsmen can boast of having carried thither in one day."
The gentle nature of the Gazelle is as proverbial as its grace and swiftness, and is well expressed in the large, soft, liquid eye, which has formed from time immemorial the stock comparison of Oriental poets when describing the eyes of beauty.
THE PYGARG, OR ADDAX
The Dishon or Dyshon—Signification of the word Pygarg—Certainty that the Dishon is an antelope, and that it must be one of a few species—Former and present range of the Addax—Description of the Addax—The Strepsiceros of Pliny.
There is a species of animal mentioned once in the Scriptures under the name of Dishon which the Jewish Bible leaves untranslated, and merely gives as Dyshon, and which is rendered in the Septuagint by Pugargos, or Pygarg, as one version gives it. Now, the meaning of the word Pygarg is white-crouped, and for that reason the Pygarg of the Scriptures is usually held to be one of the white-crouped antelopes, of which several species are known. Perhaps it may be one of them—it may possibly be neither, and it may probably refer to all of them.
But that an antelope of some kind is meant by the word Dishon is evident enough, and it is also evident that the Dishon must have been one of the antelopes which could be obtained by the Jews. Now as the species of antelope which could have furnished food for that nation are very few in number, it is clear that, even if we do not hit upon the exact species, we may be sure of selecting an animal that was closely allied to it. Moreover, as the nomenclature is exceedingly loose, it is probable that more than one species might have been included in the word Dishon.
Modern commentators have agreed that there is every probability that the Dishon of the Pentateuch was the antelope known by the name of Addax.
This handsome antelope is a native of Northern Africa. It has a very wide range, and, even at the present day, is found in the vicinity of Palestine, so that it evidently was one of the antelopes which could be killed by Jewish hunters. From its large size, and long twisted horns, it bears a strong resemblance to the Koodoo of Southern Africa. The horns, however, are not so long, nor so boldly twisted, the curve being comparatively slight, and not possessing the bold spiral shape which distinguishes those of the koodoo.
THE ADDAX, OR PYGARG OF SCRIPTURE.
"These are the beasts which ye shall eat: the ox, the sheep, … the pygarg, and the wild ox, and the chamois."—Deut. xiv. 4, 5.
The ordinary height of the Addax is three feet seven or eight inches, and the horns are almost exactly alike in the two sexes. Their length, from the head to the tips, is rather more than two feet. Its colour is mostly white, but a thick mane of dark black hair falls from the throat, a patch of similar hair grows on the forehead, and the back and shoulders are greyish brown. There is no mane on the back of the neck, as is the case with the koodoo.
The Addax is a sand-loving animal, as is shown by the wide and spreading hoofs, which afford it a firm footing on the yielding soil. In all probability, this is one of the animals which would be taken, like the wild bull, in a net, being surrounded and driven into the toils by a number of hunters. It is not, however, one of the gregarious species, and is not found in those vast herds in which some of the antelopes love to assemble.
Some writers reject the Addax as the Dishon, and are inclined to consider that the real representative of the word is to be found in the Ariel or Isabella gazelles. Of these, however, we have already treated, and enough has been said about them to show that these gazelles are in all probability comprised under the name Tsebi.
It has been suggested, in contradiction to the opinion that the Dishon is the Addax, that the word Strepsiceros, or Twisted Horn, is given to it by Pliny, who also mentions that one of the native names for the animal is Adas, or Akas, and that he distinguishes it from the Pygarg. Still, the weight of evidence is so great in favour of the identity of the Dishon and the Pygarg, that we may accept the interpretation with safety.
THE FALLOW-DEER, OR BUBALE
The word Jachmur evidently represents a species of antelope—Probability that the Jachmur is identical with the Bubale, or Bekk'r-el-Wash—Resemblance of the animal to the ox tribe—Its ox-like horns and mode of attack—Its capability of domestication—Former and present range of the Bubale—Its representation on the monuments of ancient Egypt—Delicacy of its flesh—Size and general appearance of the animal.
It has already been mentioned that in the Old Testament there occur the names of three or four animals, which clearly belong to one or other of three or four antelopes. Only one of these names now remains to be identified. This is the Jachmur, or Yachmur, a word which has been rendered in the Septuagint as Boubalos, and has been translated in our Authorized Version as Fallow Deer.
We shall presently see that the Fallow Deer is to be identified with another animal, and that the word Jachmur must find another interpretation. If we follow the Septuagint, and call it the Bubale, we shall identify it with a well-known antelope, called by the Arabs the "Bekk'r-el-Wash," and known to zoologists as the Bubale (Acronotus bubalis).
This fine antelope would scarcely be recognised as such by an unskilled observer, as in its general appearance it much more resembles the ox tribe than the antelope. Indeed, the Arabic title, "Bekk'r-el-Wash," or Wild Cow, shows how close must be the resemblance to the oxen. The Arabs, and indeed all the Orientals in whose countries it lives, believe it not to be an antelope, but one of the oxen, and class it accordingly.
How much the appearance of the Bubale justifies them in this opinion may be judged by reference to the figure on page 145. The horns are thick, short, and heavy, and are first inclined forwards, and then rather suddenly bent backwards. This formation of the horns causes the Bubale to use his weapons after the manner of the bull, thereby increasing the resemblance between them. When it attacks, the Bubale lowers its head to the ground, and as soon as its antagonist is within reach, tosses its head violently upwards, or swings it with a sidelong upward blow. In either case, the sharp curved horns, impelled by the powerful neck of the animal, and assisted by the weight of the large head, become most formidable weapons.
It is said that in some places, where the Bubales have learned to endure the presence of man, they will mix with his herds for the sake of feeding with them, and by degrees become so accustomed to the companionship of their domesticated friends, that they live with the herd as if they had belonged to it all their lives. This fact shows that the animal possesses a gentle disposition, and it is said to be as easily tamed as the gazelle itself.
Even at the present day the Bubale has a very wide range, and formerly had in all probability a much wider. It is indigenous to Barbary, and has continued to spread itself over the greater part of Northern Africa, including the borders of the Sahara, the edges of the cultivated districts, and up the Nile for no small distance. In former days it was evidently a tolerably common animal of chase in Upper Egypt, as there are representations of it on the monuments, drawn with the quaint truthfulness which distinguishes the monumental sculpture of
