A House in Bloomsbury. Маргарет Олифант

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style="font-size:15px;">      This was said with a flash of hazel eyes which gave a half-humorous contradiction at the same moment to the assertion. Gilchrist began to fold hems upon the apron with which she had just dried her tears.

      “I never said,” she murmured, with a downcast head, “a word about mysel’,—that’s no’ a woman’s part. If there’s nobody that speaks up for her she has just to keep silence, if she was the bonniest woman in the world.”

      “The auld fool! because there was once a silly lad that had nobody else to come courting to! No, Gilchrist, my woman, you were never bonnie. A white skin, I allow, to go with your red hair, and a kind of innocent look in your eyes,—nothing, nothing more! We were both plain women, you and me, not adapted to please the eyes of men.”

      “They might have waited long afore we would have tried, either the wan or the other of us,” cried Gilchrist, with a flash of self-assertion. “No’ that I would even mysel’ to you, mem,” she added in an after breath.

      “As for that, it’s a metaphysical question,” said Miss Bethune. “I will not attempt to enter into it. But try or no’, it is clear we did not succeed. And what it is that succeeds is just more than I can tell. It’s not beauty, it’s a kind of natural attraction.” She paused a moment in this deep philosophical inquiry, and then said quickly: “All this does not help us to find out what is this story about the Mannerings. Who is the woman? Is it somebody that loves the man, or somebody that loves the girl?”

      “If you would take my opinion, mem, I would say that the man—if ye call Mr. Mannering, honest gentleman, the man, that has just every air of being a well-born person, and well-bred, and not a common person at all–”

      “You haveral! The king himself, if there was a king, could be no more than a man.”

      “I would say, mem, that it was not for him—oh, no’ for him, except maybe in opposition, if you could fancy that. Supposing,” said Gilchrist, raising her arm in natural eloquence, “supposin’ such a thing as that there should be a bonnie bairn like Miss Dora between two folk that had broken with one another—and it was the man, not the woman, that had her. I could just fancy,” said the maid, her brown eyes lighting, her milky yet freckled complexion flushing over,—“I could just fancy that woman pouring out everything at the bairn’s feet—gold and silver and grand presents, and a’ the pomps of this world, partly out of an adoration for her hersel’, partly just to make the man set his teeth at her that was away—maybe, in the desert—unknown!”

      Gilchrist stood like a sibyl making this picture flash and gleam before her own inward vision with a heat and passion that seemed quite uncalled for in the circumstances. What was Hecuba to her, or she to Hecuba, that she should be so inspired by the possibilities of a mystery with which she had nothing to do? Her eloquence brought a corresponding glow, yet cloud, over the countenance of her mistress, who sat and listened with her head leaning on her hand, and for some time said nothing. She broke the silence at last with a laugh in which there was very little sound of mirth.

      “You are a limited woman,” she said—“a very limited woman. You can think of no state of affairs but one, and that so uncommon that perhaps there never was a case in the world like it. You will never be done, I know that, taking up your lesson out of it—all to learn one that has neither need to learn nor wish to learn—a thing that is impossible. Mind you what I say, and be done with this vain endeavour. Whatever may be the meaning of this Mannering business, it has no likeness to the other. And I am not a person to be schooled by the like of you, or to be taught in parables by my own woman, as if I was a person of no understanding, and her a mistress of every knowledge.”

      Miss Bethune rose hurriedly from her seat, and made a turn about the room with an air of high excitement and almost passion. Then she came and stood before the fire, leaning on the mantelpiece, looking down upon the blaze with a face that seemed to be coloured by the reflection. Finally, she put out a long arm, caught Gilchrist by the shoulders, who stood softly crying, as was her wont, within reach, and drew her close. “You’ve been with me through it all,” she said suddenly; “there’s nobody that knows me but you. Whatever you say, it’s you only that knows what is in my heart. I bear you no ill-will for any word you say, no’ for any word you say; and the Lord forgive me if maybe all this time it is you that has been right and me that has been wrong!” Only a moment, scarcely so much, Miss Bethune leant her head upon Gilchrist’s shoulder, then she suddenly pushed her away. And not a second too soon, for at that moment a knock came to the door. They both started a little; and Miss Bethune, with the speed of thought, returned to the chair shaded by a screen from the lamplight and firelight in which she had been sitting, “not in good spirits,” at the time of the interruption of Dora. “Go and see who it is,” she said, half in words, half by the action of her hand. Nothing could have been more instantaneous than this rapid change.

      When Gilchrist, scarcely less rapid though so much heavier than her mistress, opened the door, there stood before it a little man very carefully dressed, though in morning costume, in a solemn frock coat, with his hat in his hand. Though professional costume no longer exists among us, it was impossible not to feel and recognise in a moment that nothing but a medical man, a doctor to the tips of his fingers, could have appeared in just that perfect neatness of dress, so well brushed, so exactly buttoned, so gravely clothed in garments which, though free of any peculiarity of art or colour, such as that which distinguishes the garb of a clergyman, were yet so completely and seriously professional. His whiskers, for it was in the days when these ornaments were still worn, his hair, brown, with a slight crisp and upturning, like lining, of grey, the watch-chain that crossed his waistcoat, as well as the accurate chronometer of a watch to which so many eager and so many languid pulses had beat, were all in perfect keeping; even his boots—but we must not pursue too far this discussion of Dr. Roland’s personal appearance. His boots were not the polished leather of the evening; but they were the spotless boots of a man who rarely walked, and whose careful step from his carriage to a patient’s door never carried in any soil of the outside to the most delicate carpet. Why, being one of the inhabitants of this same house in Bloomsbury, he should have carried his hat in his hand when he came to the door of Miss Bethune’s drawing-room from his own sitting-room downstairs, is a mystery upon which I can throw no light.

      The ideas of a man in respect to his hat are indeed unfathomable. Whether he carries it as a protection or a shield of pretence, whether to convey to you that he is anxiously expected somewhere else, and that you are not to calculate upon anything but a short appearance upon your individual scene, whether to make it apparent by its gloss and sheen how carefully he has prepared for this interview, whether it is to keep undue familiarity at arm’s length, or provide a becoming occupation for those hands with which many persons, while in repose, do not know what to do, it is impossible to tell. Certain it is that a large number of men find consolation and support in the possession of that article of apparel; and though they may freely abuse it in other circumstances, cling to it on social occasions as to an instrument of salvation. Dr. Roland held it fast, and bowed over it with a little formality, as he came into his neighbour’s presence. They met on the stairs or in the hall sometimes three or four times in a day, but they were not the less particular in going through all the forms of civility when the doctor came to pay a call, as if they had not seen each other for a week before. He was a man of very great observation, and he did not miss a single particular of the scene. The screen drawn round the lady, defending her not only from the fire but from inspection, and a slight glistening upon the cheek of Gilchrist, which, as she did not paint or use any cosmetic, had but one explanation. That he formed a completely wrong conclusion was not Dr. Roland’s fault. He did so sometimes from lack of material on which to form his judgment, but not often. He said to himself, “There has been a row,” which, as the reader is aware, was not the case; but then he set himself to work to smooth down all agitation with a kindness and skill which the gentlest reader, knowing all about it, could not have surpassed.

      “We have just been doing a very wrong

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