Helen Ford. Alger Horatio Jr.

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will sing, if it will give you pleasure.”

      Helen commenced the song, and sang it to the end in a voice of remarkable richness and power. She was gifted with a voice of extraordinary flexibility and compass, whose natural power had evidently been improved by cultivation. Martha, who, though no singer herself, was very fond of listening to music, and could judge when it had merit, listened with unaffected astonishment and delight. She felt that she had never heard a voice of equal sweetness and power.

      “You have a beautiful voice,” she said, when Helen had finished the song. “You sang it much better than it was sung at the theatre yesterday. Some day you may become a great singer.”

      “Do you really think so?” asked Helen, her eyes sparkling with delight. “I am very glad.”

      Martha looked up in some surprise, not understanding why it was that Helen felt so much pleased. But a new thought had come to the child.

      “Is there anything else you would like to hear?” she asked.

      “I should like to hear ‘Home, Sweet Home.’”

      It was a song which Helen had often sung, and to which she could do full justice. It was not difficult to account for the feeling which led Martha Grey to make choice of this song. She was one of a large family, who had never known sorrow or separation till the death of her parents, following each other in quick succession, turned them all adrift upon the world.

      As the song proceeded, Martha called up in fancy the humble farm-house among the New Hampshire hills, with its comfortable barn and well-tilled acres around it. She recalled the broad, low kitchen, with its large fireplace and blazing back-log, around which the family was wont to gather in the cheerful winter evenings. She recalled her little sister Ruth, who was about the age of Helen when their home was broken up, but whom she had not seen since, Ruth having been placed in the family of an uncle. She recalled her happy school-days, her school companions, and, above all, her father and mother, who had never been otherwise than kind to her, and then looked about the small and desolate room which she now called home. She could not help contrasting her present lonely position with what it had been when she was at home in the midst of her family, and as the last strain died away upon Helen’s lips, she burst into tears.

      Helen looked up in surprise at this unwonted display of emotion on the part of one, usually so quiet and composed as Martha Grey.

      “Don’t mind me, Helen,” said Martha, through her tears. “It came over me, and I couldn’t help it. Some time, perhaps, I will tell you why it is that that song always makes me shed tears.”

      CHAPTER VIII.

      SUNDAY AND TRINITY CHURCH

      It was Sunday morning. To thousands of frames, wearied by exhausting labors, it brought the benediction of rest. To thousands of throbbing brains it brought grateful relaxation. The great business thoroughfares wear a Sunday look. The shops are closed, and no longer hold out, through showily-arranged windows, invitations to enter. The bells in a hundred steeples ring out in many voices the summons to worship.

      Helen tapped gently at Martha’s door.

      “Where do you attend church?” she inquired.

      “I was just going to call for you, Helen,” said the seamstress, “to ask if you and your father wouldn’t like to attend Trinity Church with me.”

      Helen hesitated a little.

      “That is the great church at the lower end of Broadway, isn’t it?” she inquired.

      “Yes.”

      “I thought it might be a fashionable church. Father and I have been to one or two of the great churches, where the sexton didn’t seem to care about giving us seats, but finally put us away back where we found it difficult to hear the service.”

      “I have had the same experience more than once,” said Martha; “but we shall have no such trouble at Trinity. Though one of the finest churches in the city, it is free to all, and the poor are as welcome as the rich.”

      “Then I shall be glad to go, and so will papa. Wait a moment, and I will tell him.”

      They were soon in the street, mingling with the well-dressed crowds, wending their way to their respective houses of worship.

      “Sunday was always pleasant to me,” said Martha, “even as a child. I remember the plain old meeting-house, where we all sat in square, high-backed pews, listening to the good old minister who is gone now to his rest and his reward. There have been great changes since then,” and she sighed sadly.

      A short walk brought them to the church portals. They were early, and obtained excellent seats. The organist was already playing. Helen’s face lit with pleasure, for she had never before heard so fine an instrument or so skilful a player. Exquisitely fitted by nature for receiving musical impressions, she felt her soul uplifted by the grandeur of the music, and her heart penetrated by its sweetness. Now there was a thunderous clang, as if the organist were seeking to evoke from the instrument a fitting tribute to the majesty and power of the Creator. It seemed as if hosts of angels were clashing their cymbals, and singing God’s high praise. Now a delicate rill of silver-voiced melody trickled forth, clear and sweet, interpreting the unfathomable love wherewith God loves his children, even the lowliest.

      Helen listened as one entranced, and when the last strain died away, and the organ was still, she turned towards Martha, and whispered, for she could not keep silence, “It lifts me up. It almost seems as if I were in heaven.”

      Unconsciously Helen expressed the same feeling which Milton has embodied in fitting lines,—

      “But let my due feet never fail

      To walk the studious cloisters pale,

      And love the high embowered roof

      With antique pillars massy proof,

      And storied windows richly dight

      Casting a dim religious light;

      There let the pealing organ blow

      To the full-voiced choir below

      In service high and anthem clear,

      As may with sweetness through mine ear

      Dissolve me into ecstasies

      And bring all heaven before mine eyes.”

      It is a mistake to suppose that the plainest and cheapest churches are good enough for the poor. Europe is far more democratic in matters of religion than America. In the great continental cathedrals I have more than once felt inexpressibly touched to behold at my side some child of poverty and misfortune bending a reverent gaze upon some imaged saint. I have pictured to myself his probable home in some filthy court or dingy alley, with the light of heaven shut out, dark, forbidding and noisome, and rejoiced to think that it was his privilege to pass from such a scene into the splendors that fitly adorn the house of God. It is something to shed a ray of sunlight upon the life of a poor man—to gratify his taste, mortified by the gloomy surroundings of his daily life, to nourish the little flower of sentiment struggling out of the rubbish that has well-nigh choked out his æsthetic nature, and help him to feel that life has a beautiful side, from which he is not utterly shut out.

      So Helen and the poor seamstress, confined through the week in poor and unattractive chambers, felt a quiet satisfaction in the grand architectural proportions and solemn beauty of the great church in which they felt themselves welcome guests. They derived new strength for the plain and humble duties of every day in the thought that one day in seven

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