and glorious a creature was sufficient to convince them, even yet, of the possibility of emotion. She had felt to the quick the condescending patronage of duchesses and chaperons; the oblique hint; the nice and fine distinction which, in polished circles, divides each grade from the other, and allows you to be galled without the pleasure of feeling justified in offence.
All this, which, in the flush and heyday of youth, and gaiety, and loveliness, would have been unnoticed by other women, rankled deep in the mind of Constance Vernon. The image of her dying father, his complaints, his accusations (the justice of which she never for an instant questioned), rose up before her in the brightest hours of the dance and the revel. She was not one of those women whose meek and gentle nature would fly what wounds them: Constance had resolved to conquer. Despising glitter and gaiety, and show, she burned, she thirsted for power—a power which could retaliate the insults she fancied she had received, and should turn condescension into homage. This object, which every casual word, every heedless glance from another, fixed deeper and deeper in her heart, took a sort of sanctity from the associations with which she linked it—her father’s memory and his dying breath.
At this moment in which we have portrayed her, all these restless, and sore, and haughty feelings were busy within; but they were combated, even while the more fiercely aroused, by one soft and tender thought—the image of Godolphin—of Godolphin, the spendthrift heir of a broken fortune and a fallen house. She felt too deeply that she loved him; and, ignorant of his worldlier qualities, imagined that he loved her with all the devotion of that romance, and the ardour of that genius, which appeared to her to compose his character. But this persuasion gave her now no delightful emotion. Convinced that she ought to reject him, his image only coloured with sadness those objects and that ambition which she had hitherto regarded with an exulting pride. She was not less bent on the lofty ends of her destiny; but the glory and the illusion had fallen from them. She had taken an insight into futurity, and felt, that to enjoy power was to lose happiness. Yet, with this full conviction, she forsook the happiness and clung to the power. Alas! for our best and wisest theories, our problems, our systems, our philosophy! Human beings will never cease to mistake the means for the end; and, despite the dogmas of sages, our conduct does not depend on our convictions.
Carriage after carriage had rolled beneath the windows of the room where Constance sat, and still she moved not; until at length a certain composure, as if the result of some determination, stole over her features. The brilliant and transparent hues returned to her cheek, and, as she rose and stood erect with a certain calmness and energy on her lip and forehead, perhaps her beauty had never seemed of so lofty and august a cast. In passing through the chamber, she stopped for a moment opposite the mirror that reflected her stately shape in its full height. Beauty is so truly the weapon of woman, that it is as impossible for her, even in grief, wholly to forget its effect, as it is for the flying warrior to look with indifference on the sword with which he has won his trophies or his fame. Nor was Constance that evening disposed to be indifferent to the effect she should produce. She looked on the reflection of herself with a feeling of triumph, not arising from vanity alone.
And when did mirror ever give back a form more worthy of a Pericles to worship, or an Apelles to paint? Though but little removed from the common height, the impression Constance always gave was that of a person much taller than she really was. A certain majesty in the turn of the head, the fall of the shoulders, the breadth of the brow, and the exceeding calmness of the features, invested her with an air which I have never seen equalled by any one, but which, had Pasta been a beauty, she might have possessed. But there was nothing hard or harsh in this majesty. Whatsoever of a masculine nature Constance might have inherited, nothing masculine, nothing not exquisitely feminine, was visible in her person. Her shape was rounded, and sufficiently full to show, that in middle age its beauty would be preserved by that richness and freshness which a moderate increase of the proportions always gives to the sex. Her arms and hands were, and are, even to this day, of a beauty the more striking, because it is so rare. Nothing in any European country is more uncommon than an arm really beautiful both in hue and shape. In any assembly we go to, what miserable bones, what angular elbows, what red skins, do we see under the cover of those capacious sleeves, which are only one whit less ugly. At the time I speak of, those coverings were not worn; and the white, round, dazzling arm of Constance, bare almost to the shoulder, was girded by dazzling gems, which at once set off, and were foiled by, the beauty of nature. Her hair was of the most luxuriant, and of the deepest, black; and it was worn in a fashion—then uncommon, without being bizarre—now hackneyed by the plainest faces, though suiting only the highest order of beauty—I mean that simple and classic fashion to which the French have given a name borrowed from Calypso, but which appears to me suited rather to an intellectual than a voluptuous goddess. Her long lashes, and a brow delicately but darkly pencilled, gave additional eloquence to an eye of the deepest blue, and a classic contour to a profile so slightly aquiline, that it was commonly considered Grecian. That necessary completion to all real beauty of either sex, the short and curved upper lip, terminated in the most dazzling teeth and the ripe and dewy under lip added to what was noble in her beauty that charm also which is exclusively feminine. Her complexion was capricious; now pale, now tinged with the pink of the sea-shell, or the softest shade of the rose leaf: but in either it was so transparent, that you doubted which became her the most. To these attractions, add a throat, a bust of the most dazzling whiteness, and the justest proportions; a foot, whose least beauty was its smallness, and a waist narrow—not the narrowness of tenuity or constraint;—but round, gradual, insensibly less in its compression:—and the person of Constance Vernon, in the bloom of her youth, is before you.
She passed with her quiet and stately step from her room, through one adjoining it, and which we stop to notice, because it was her customary sitting-room when not with Lady Erpingham. There had Godolphin, with the foreign but courtly freedom, the respectful and chivalric ease of his manners, often sought her; there had he lingered in order to detain her yet a moment and a moment longer from other company, seeking a sweet excuse in some remark on the books that strewed the tables, or the music in that recess, or the forest scene from those windows through which the moon of autumn now stole with its own peculiar power to soften and subdue. As these recollections came across her, her step faltered and her colour faded from its glow: she paused a moment, cast a mournful glance round the room, and then tore herself away, descended the lofty staircase, passed the stone hall, melancholy with old banners and rusted crests, and bore her beauty and her busy heart into the thickening and gay crowd.
Her eye looked once more round for the graceful form of Godolphin: but he was not visible; and she had scarcely satisfied herself of this before Lord Erpingham, the hero of the evening, approached and claimed her hand.
“I have just performed my duty,” said he, with a gallantry of speech not common to him, “now for my reward. I have danced the first dance with Lady Margaret Midgecombe: I come, according to your promise, to dance the second with you.”
There was something in these words that stung one of the morbid remembrances in Miss Vernon’s mind. Lady Margaret Midgecombe, in ordinary life, would have been thought a good-looking, vulgar girl:—she was a Duke’s daughter and she was termed a Hebe. Her little nose, and her fresh colour, and her silly but not unmalicious laugh, were called enchanting; and all irregularities of feature and faults of shape were absolutely turned into merits by that odd commendation, so common with us—“A deuced fine girl; none of your regular beauties.”
Not only in the county of –shire, but in London, had Lady Margaret Midgecombe been set up as the rival beauty of Constance Vernon. And Constance, far too lovely, too cold, too proud, not to acknowledge beauty in others, where it really existed, was nevertheless unaffectedly indignant at a comparison so unworthy; she even, at times, despised her own claims to admiration, since claims so immeasurably inferior could be put into competition with them. Added to this sore feeling for Lady Margaret, was one created by Lady Margaret’s mother. The Duchess of Winstoun was a woman of ordinary birth—the daughter of a peer of great wealth but new family. She had married, however, one of the most powerful dukes in the peerage;—a stupid, heavy, pompous man, with four castles, eight parks, a coal-mine, a tin-mine, six boroughs,
