Paul Clifford — Volume 06. Эдвард Бульвер-Литтон

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Paul Clifford — Volume 06 - Эдвард Бульвер-Литтон

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to the place beside the cart, where, we have said, lay some of the robbers' weapons; he had been anticipated,—the weapons were gone. The next moment Tomlinson had sprung up the steps.

      "Lovett! Lovett! Lovett!" shouted he.

      The captain, who had followed his comrades into the cavern, was already in the grasp of two men. From few ordinary mortals, however, could any two be selected as fearful odds against such a man as Clifford,—a man in whom a much larger share of sinews and muscle than is usually the lot even of the strong had been hardened, by perpetual exercise, into a consistency and iron firmness which linked power and activity into a union scarcely less remarkable than that immortalized in the glorious beauty of the sculptured gladiator. His right hand is upon the throat of one assailant; his left locks, as in a vice, the wrist of the other; you have scarcely time to breathe! The former is on the ground, the pistol of the latter is wrenched from his grip, Clifford is on the step; a ball —another—whizzes by him; he is by the side of the faithful Augustus!

      "Open the secret door!" whispered Clifford to his friend; "I will draw up the steps alone."

      Scarcely had he spoken, before the steps were already, but slowly, ascending beneath the desperate strength of the robber. Meanwhile Ned was struggling, as he best might, with two sturdy officers, who appeared loath to use their weapons without an absolute necessity, and who endeavoured, by main strength, to capture and detain their antagonist.

      "Look well to the door!" cried the voice of the principal officer, "and hang out more light!"

      Two or three additional lanterns were speedily brought forward; and over the whole interior of the cavern a dim but sufficient light now rapidly circled, giving to the scene and to the combatants a picturesque and wild appearance.

      The quick eye of the head-officer descried in an instant the rise of the steps, and the advantage the robbers were thereby acquiring. He and two of his men threw themselves forward, seized the ladder, if so it may be called, dragged it once more to the ground, and ascended. But Clifford, grasping with both hands the broken shaft of a cart that lay in reach, received the foremost invader with a salute that sent him prostrate and senseless back among his companions. The second shared the same fate; and the stout leader of the enemy, who, like a true general, had kept himself in the rear, paused now in the middle of the steps, dismayed alike by the reception of his friends and the athletic form towering above, with raised weapons and menacing attitude. Perhaps that moment seemed to the judicious Mr. Nabbem more favourable to parley than to conflict. He cleared his throat, and thus addressed the foe:

      "You, sir, Captain Lovett, alias Howard, alias Jackson, alias Cavendish, alias Solomons, alias Devil,—for I knows you well, and could swear to you with half an eye, in your clothes or without,—you lay down your club there, and let me come alongside of you, and you'll find me as gentle as a lamb; for I've been used to gemmen all my life, and I knows how to treat 'em when I has 'em!"

      "But if I will not let you 'come alongside of me,' what then?"

      "Why, I must send one of these here pops through your skull, that's all!"

      "Nay, Mr. Nabbem, that would be too cruel! You surely would not harm one who has such an esteem for you? Don't you remember the manner in which I brought you off from Justice Burnflat, when you were accused, you know whether justly or—"

      "You're a liar, Captain!" cried Nabbem, furiously, fearful that something not meet for the ears of his companions should transpire. "You knows you are! Come down, or let me mount; otherwise I won't be 'sponsible for the consequences!"

      Clifford cast a look over his shoulder. A gleam of the gray daylight already glimmered through a chink in the secret door, which Tomlinson had now unbarred and was about to open.

      "Listen to me, Mr. Nabbem," said he, "and perhaps I may grant what you require! What would you do with me if you had me?"

      "You speaks like a sensible man now," answered Nabbem; "and that's after my own heart. Why, you sees, Captain, your time is come, and you can't shilly-shally any longer. You have had your full swing; your years are up, and you must die like a man! But I gives you my honour as a gemman, that if you surrenders, I'll take you to the justice folks as tenderly as if you were made of cotton."

      "Give way one moment," said Clifford, "that I may plant the steps firmer for you."

      Nabbem retreated to the ground; and Clifford, who had, good-naturedly enough, been unwilling unnecessarily to damage so valuable a functionary, lost not the opportunity now afforded him. Down thundered the steps, clattering heavily among the other officers, and falling like an avalanche on the shoulder of one of the arresters of Long Ned.

      Meanwhile Clifford sprang after Tomlinson through the aperture, and found himself—in the presence of four officers, conducted by the shrewd MacGrawler. A blow from a bludgeon on the right cheek and temple of Augustus felled that hero. But Clifford bounded over his comrade's body, dodged from the stroke aimed at himself, caught the blow aimed by another assailant in his open hand, wrested the bludgeon from the officer, struck him to the ground with his own weapon, and darting onward through the labyrinth of the wood, commenced his escape with a step too fleet to allow the hope of a successful pursuit.

      CHAPTER XXIX

      "In short, Isabella, I offer you myself!"

      "Heavens!" cried Isabella, "what do I hear? You, my lord?"

Castle of Otranto.

      A novel is like a weatherglass,—where the man appears out at one time, the woman at another. Variable as the atmosphere, the changes of our story now re-present Lucy to the reader.

      That charming young person—who, it may be remarked, is (her father excepted) the only unsophisticated and unsullied character in the pages of a story in some measure designed to show, in the depravities of character, the depravities of that social state wherein characters are formed—was sitting alone in her apartment at the period in which we return to her. As time, and that innate and insensible fund of healing, which Nature has placed in the bosoms of the young in order that her great law, the passing away of the old, may not leave too lasting and keen a wound, had softened her first anguish at her father's death, the remembrance of Clifford again resumed its ancient sway in her heart. The loneliness of her life, the absence of amusement, even the sensitiveness and languor which succeed to grief, conspired to invest the image of her lover in a tenderer and more impressive guise. She recalled his words, his actions, his letters, and employed herself whole hours, whole days and nights, in endeavouring to decipher their mystery. Who that has been loved will not acknowledge the singular and mighty force with which a girl, innocent herself, clings to the belief of innocence in her lover? In breasts young and unacquainted with the world, there is so pure a credulity in the existence of unmixed good, so firm a reluctance to think that where we love there can be that which we would not esteem, or where we admire there can be that which we ought to blame, that one may almost deem it an argument in favour of our natural power to attain a greater eminence in virtue than the habits and arts of the existing world will allow us to reach. Perhaps it is not paradoxical to say that we could scarcely believe perfection in others, were not the germ of perfectibility in our own minds! When a man has lived some years among the actual contests of faction without imbibing the prejudice as well as the experience, how wonderingly be smiles at his worship of former idols, how different a colour does history wear to him, how cautious is he now to praise, how slow to admire, how prone to cavil! Human nature has become the human nature of art; and he estimates it not from what it may be, but from what, in the corruptions of a semi-civilization, it is! But in the same manner as the young student clings to the belief that the sage or the minstrel, who

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