to a Greek!" said Cimon. and the colour mounted to his brow.
"Thinks Pausanias that the Ionian race are already his Helots?"
"Be calm," said Aristides; "Pausanias approaches. I will accost him."
"But listen still!" exclaimed Antagoras eagerly, plucking the gown of the Athenian as the latter turned away. "When Pausanias heard of the contest between my soldier and his Laconian, what said he, think you? 'Prior claim; learn henceforth that, where the Spartans are to be found, the Spartans in all matters have the prior claim.'"
"We will see to it," returned Aristides, calmly; "but keep by my side."
And now the music sounded loud and near, and suddenly, as the procession approached, the character of that music altered. The Lydian measures ceased, those who had attuned them gave way to musicians of loftier aspect and simpler garb; in whom might be recognized, not indeed the genuine Spartans, but their free, if subordinate, countrymen of Laconia; and a minstrel, who walked beside them, broke out into a song, partially adapted from the bold and lively strain of Alcaeus, the first two lines in each stanza ringing much to that chime, the two latter reduced into briefer compass, as, with allowance for the differing laws of national rhythm, we thus seek to render the verse:
Multitudes, backward! Way for the Dorian;
Way for the Lord of rocky Laconia;
Heaven to Hercules opened
Way on the earth for his son.
Steel and fate, blunted, break on his fortitude;
Two evils only never endureth he—
Death by a wound in retreating,
Life with a blot on his name.
Rocky his birthplace; rocks are immutable;
So are his laws, and so shall his glory be.
Time is the Victor of Nations,
Sparta the Victor of Time.
Watch o'er him heedful on the wide ocean,
Brothers of Helen, luminous guiding stars;
Dangerous to Truth are the fickle,
Dangerous to Sparta the seas.
Multitudes, backward! Way for the Conqueror;
Way for the footstep half the world fled before;
Nothing that Phoebus can shine on
Needs so much space as Renown.
Behind the musicians came ten Spartans, selected from the celebrated three hundred who claimed the right to be stationed around the king in battle. Tall, stalwart, sheathed in armour, their shields slung at their backs, their crests of plumage or horsehair waving over their strong and stern features, these hardy warriors betrayed to the keen eye of Aristides their sullen discontent at the part assigned to them in the luxurious procession; their brows were knit, their lips contracted, and each of them who caught the glance of the Athenians, turned his eyes, as half in shame, half in anger, to the ground.
Coming now upon the quay, opposite to the galley of Pausanias, from which was suspended a ladder of silken cords, the procession halted, and opening on either side, left space in the midst for the commander.
"He comes," whispered Antagoras to Cimon. "By Hercules! I pray you survey him well. Is it the conqueror of Mardonius, or the ghost of Mardonius himself?"
The question of the Chian seemed not extravagant to the blunt son of Miltiades, as his eyes now rested on Pausanias.
The pure Spartan race boasted, perhaps, the most superb models of masculine beauty which the land blessed by Apollo could afford. The laws that regulate marriage ensured a healthful and vigorous progeny. Gymnastic discipline from early boyhood gave ease to the limbs, iron to the muscle, grace to the whole frame. Every Spartan, being born to command, being noble by his birth, lord of the Laconians, Master of the Helots, superior in the eyes of Greece to all other Greeks, was at once a Republican and an Aristocrat. Schooled in the arts that compose the presence, and give calmness and majesty to the bearing, he combined with the mere physical advantages of activity and strength a conscious and yet natural dignity of mien. Amidst the Greeks assembled at the Olympian contests, others showed richer garments, more sumptuous chariots, rarer steeds, but no state could vie with Sparta in the thews and sinews, the aspect and the majesty of the men. Nor were the royal race, the descendants of Hercules, in external appearance unworthy of their countrymen and of their fabled origin.
Sculptor and painter would have vainly tasked their imaginative minds to invent a nobler ideal for the effigies of a hero, than that which the Victor of Plataea offered to their inspiration. As he now paused amidst the group, he towered high above them all, even above Cimon himself. But in his stature there was nothing of the cumbrous bulk and stolid heaviness, which often destroy the beauty of vast strength. Severe and early training, long habits of rigid abstemiousness, the toils of war, and, more than all, perhaps, the constant play of a restless, anxious, aspiring temper, had left, undisfigured by superfluous flesh, the grand proportions of a frame, the very spareness of which had at once the strength and the beauty of one of those hardy victors in the wrestling or boxing match, whose agility and force are modelled by discipline to the purest forms of grace. Without that exact and chiselled harmony of countenance which characterised perhaps the Ionic rather than the Doric race, the features of the royal Spartan were noble and commanding. His complexion was sunburnt, almost to oriental swarthiness, and the raven's plume had no darker gloss than that of his long hair, which (contrary to the Spartan custom), flowing on either side, mingled with the closer curls of the beard. To a scrutinizing gaze, the more dignified and prepossessing effect of this exterior would perhaps have been counterbalanced by an eye, bright indeed and penetrating, but restless and suspicious, by a certain ineffable mixture of arrogant pride and profound melancholy in the general expression of the countenance, ill according with that frank and serene aspect which best becomes the face of one who would lead mankind. About him altogether—the countenance, the form, the bearing—there was that which woke a vague, profound, and singular interest, an interest somewhat mingled with awe, but not altogether uncalculated to produce that affection which belongs to admiration, save when the sudden frown or disdainful lip repelled the gentler impulse and tended rather to excite fear, or to irritate pride, or to wound self-love.
But if the form and features of Pausanias were eminently those of the purest race of Greece, the dress which he assumed was no less characteristic of the Barbarian. He wore, not the garb of the noble Persian race, which, close and simple, was but a little less manly than that of the Greeks, but the flowing and gorgeous garments of the Mede. His long gown, which swept the earth, was covered with flowers wrought in golden tissue. Instead of the Spartan hat, the high Median cap or tiara crowned his perfumed and lustrous hair, while (what of all was most hateful to Grecian eyes) he wore, though otherwise unarmed, the curved scimitar and short dirk that were the national weapons of the Barbarian. And as it was not customary, nor indeed legitimate, for the Greeks to wear weapons on peaceful occasions and with their ordinary costume, so this departure from the common practice had not only in itself something offensive to the jealous eyes of his comrades, but was rendered yet more obnoxious by the adoption of the very arms of the East.
By the side of Pausanias was a man whose dark beard was already sown with grey. This man, named Gongylus, though a Greek—a native of Eretria, in Euboea—was in high command under the great Persian king. At the time of the barbarian invasion under Datis and Artaphernes, he had deserted the cause of Greece and had been rewarded with the lordship of four towns in Aeolis. Few among the apostate Greeks were more deeply instructed in the language and manners of the Persians; and the intimate and sudden friendship that had grown up between him and the Spartan was regarded by the Greeks with the most bitter and angry suspicion. As if to show his contempt for the natural jealousy of his countrymen, Pausanias, however, had just given to the Eretrian the government
