smiled, and shook his head. "My dear young friend," said he, "it is quite right that you, who are coming into the world, should think well of it; and it is also quite right that I, who am going out of it, should console myself by trying to despise it. However, let me tell you, my young friend, that he whose opinion of mankind is not too elevated will always be the most benevolent, because the most indulgent, to those errors incidental to human imperfection to place our nature in too flattering a view is only to court disappointment, and end in misanthropy. The man who sets out with expecting to find all his fellow-creatures heroes of virtue will conclude by condemning them as monsters of vice; and, on the contrary, the least exacting judge of actions will be the most lenient. If God, in His own perfection, did not see so many frailties in us, think you He would be so gracious to our virtues?"
"And yet," said Clarence, "we remark every day examples of the highest excellence."
"Yes," replied Talbot, "of the highest but not of the most constant excellence. He knows very little of the human heart who imagines we cannot do a good action; but, alas! he knows still less of it who supposes we can be always doing good actions. In exactly the same ratio we see every day the greatest crimes are committed; but we find no wretch so depraved as to be always committing crimes. Man cannot be perfect even in guilt."
In this manner Talbot and his young visitor conversed, till Clarence, after a stay of unwarrantable length, rose to depart.
"Well," said Talbot, "if we now rightly understand each other, we shall be the best friends in the world. As we shall expect great things from each other sometimes, we will have no scruple in exacting a heroic sacrifice every now and then; for instance, I will ask you to punish yourself by an occasional tete-a-tete with an ancient gentleman; and, as we can also by the same reasoning pardon great faults in each other, if they are not often committed, so I will forgive you, with all my heart, whenever you refuse my invitations, if you do not refuse them often. And now farewell till we meet again."
It seemed singular and almost unnatural to Linden that a man like Talbot, of birth, fortune, and great fastidiousness of taste and temper, should have formed any sort of acquaintance, however slight and distant, with the facetious stock-jobber and his wife; but the fact is easily explained by a reference to the vanity which we shall see hereafter made the ruling passion of Talbot's nature. This vanity, which branching forth into a thousand eccentricities, displayed itself in the singularity of his dress, the studied yet graceful warmth of his manner, his attention to the minutiae of life, his desire, craving and insatiate, to receive from every one, however insignificant, his obolus of admiration,—this vanity, once flattered by the obsequious homage it obtained from the wonder and reverence of the Copperases, reconciled his taste to the disgust it so frequently and necessarily conceived; and, having in great measure resigned his former acquaintance and wholly outlived his friends, he was contented to purchase the applause which had become to him a necessary of life at the humble market more immediately at his command.
There is no dilemma in which Vanity cannot find an expedient to develop its form, no stream of circumstances in which its buoyant and light nature will not rise to float upon the surface. And its ingenuity is as fertile as that of the player who (his wardrobe allowing him no other method of playing the fop) could still exhibit the prevalent passion for distinction by wearing stockings of different colours.
CHAPTER XIII
Who dares Interpret then my life for me as 't were One of the undistinguishable many?
The first time Clarence had observed the young artist, he had taken a deep interest in his appearance. Pale, thin, undersized, and slightly deformed, the sanctifying mind still shed over the humble frame a spell more powerful than beauty. Absent in manner, melancholy in air, and never conversing except upon subjects on which his imagination was excited, there was yet a gentleness about him which could not fail to conciliate and prepossess; nor did Clarence omit any opportunity to soften his reserve, and wind himself into his more intimate acquaintance. Warner, the only support of an aged and infirm grandmother (who had survived her immediate children), was distantly related to Mrs. Copperas; and that lady extended to him, with ostentatious benevolence, her favour and support. It is true that she did not impoverish the young Adolphus to enrich her kinsman, but she allowed him a seat at her hospitable board, whenever it was not otherwise filled; and all that she demanded in return was a picture of herself, another of Mr. Copperas, a third of Master Adolphus, a fourth of the black cat, and from time to time sundry other lesser productions of his genius, of which, through the agency of Mr. Brown, she secretly disposed at a price that sufficiently remunerated her for whatever havoc the slender appetite of the young painter was able to effect.
By this arrangement, Clarence had many opportunities of gaining that intimacy with Warner which had become to him an object; and though the painter, constitutionally diffident and shy, was at first averse to, and even awed by, the ease, boldness, fluent speech, and confident address of a man much younger than himself, yet at last he could not resist the being decoyed into familiarity; and the youthful pair gradually advanced from companionship into friendship. There was a striking contrast between the two: Clarence was bold and frank, Warner close and timid. Both had superior abilities; but the abilities of Clarence were for action, those of Warner for art: both were ambitious; but the ambition of Clarence was that of circumstances rather than character. Compelled to carve his own fortunes without sympathy or aid, he braced his mind to the effort, though naturally too gay for the austerity, and too genial for the selfishness of ambition. But the very essence of Warner's nature was the feverish desire of fame: it poured through his veins like lava; it preyed as a worm upon his cheek; it corroded his natural sleep; it blackened the colour of his thoughts; it shut out, as with an impenetrable wall, the wholesome energies and enjoyments and objects of living men; and, taking from him all the vividness of the present, all the tenderness of the past, constrained his heart to dwell forever and forever amidst the dim and shadowy chimeras of a future he was fated never to enjoy.
But these differences of character, so far from disturbing, rather cemented their friendship; and while Warner (notwithstanding his advantage of age) paid involuntary deference to the stronger character of Clarence, he, in his turn, derived that species of pleasure by which he was most gratified, from the affectionate and unenvious interest Clarence took in his speculations of future distinction, and the unwearying admiration with which he would sit by his side, and watch the colours start from the canvas, beneath the real though uncultured genius of the youthful painter.
Hitherto, Warner had bounded his attempts to some of the lesser efforts of the art; he had now yielded to the urgent enthusiasm of his nature, and conceived the plan of an historical picture. Oh! what sleepless nights, what struggles of the teeming fancy with the dense brain, what labours of the untiring thought wearing and intense as disease itself, did it cost the ambitious artist to work out in the stillness of his soul, and from its confused and conflicting images, the design of this long meditated and idolized performance! But when it was designed; when shape upon shape grew and swelled, and glowed from the darkness of previous thought upon the painter's mind; when, shutting his eyes in the very credulity of delight, the whole work arose before him, glossy with its fresh hues, bright, completed, faultless, arrayed as it were, and decked out for immortality,—oh! then what a full and gushing moment of rapture broke like a released stream upon his soul! What a recompense for wasted years, health, and hope! What a coronal to the visions and transports of Genius: brief, it is true, but how steeped in the very halo of a light that might well be deemed the glory of heaven!
But the vision fades, the gorgeous shapes sweep on into darkness, and, waking from his revery, the artist sees before him only the dull walls of his narrow chamber; the canvas stretched a blank upon its frame; the works, maimed, crude, unfinished, of an inexperienced hand, lying idly around; and feels himself—himself,
