doubt that everything must be all right!—What I spoke of to poor Mitchy,” she went on to the Duchess, “is the dreadful view you take of my letting Nanda go to Tishy—and indeed of the general question of any acquaintance between young unmarried and young married females. Mr. Mitchett’s sufficiently interested in us, Jane, to make it natural of me to take him into our confidence in one of our difficulties. On the other hand we feel your solicitude, and I needn’t tell you at this time of day what weight in every respect we attach to your judgement. Therefore it WILL be a difficulty for us, cara mia, don’t you see? if we decide suddenly, under the spell of your influence, that our daughter must break off a friendship—it WILL be a difficulty for us to put the thing to Nanda herself in such a way as that she shall have some sort of notion of what suddenly possesses us. Then there’ll be the much stiffer job of putting it to poor Tishy. Yet if her house IS an impossible place what else is one to do? Carrie Donner’s to be there, and Carrie Donner’s a nature apart; but how can we ask even a little lamb like Tishy to give up her own sister?”
The question had been launched with an argumentative sharpness that made it for a moment keep possession of the air, and during this moment, before a single member of the circle could rally, Mrs. Brookenham’s effect was superseded by that of the reappearance of the butler. “I say, my dear, don’t shriek!”—Edward Brookenham had only time to sound this warning before a lady, presenting herself in the open doorway, followed close on the announcement of her name. “Mrs. Beach Donner!”—the impression was naturally marked. Every one betrayed it a little but Mrs. Brookenham, who, more than the others, appeared to have the help of seeing that by a merciful stroke her visitor had just failed to hear. This visitor, a young woman of striking, of startling appearance, who, in the manner of certain shiny house-doors and railings, instantly created a presumption of the lurking label “Fresh paint,” found herself, with an embarrassment oddly opposed to the positive pitch of her complexion, in the presence of a group in which it was yet immediately evident that every one was a friend. Every one, to show no one had been caught, said something extremely easy; so that it was after a moment only poor Mrs. Donner who, seated close to her hostess, seemed to be in any degree in the wrong. This moreover was essentially her fault, so extreme was the anomaly of her having, without the means to back it up, committed herself to a “scheme of colour” that was practically an advertisement of courage. Irregularly pretty and painfully shy, she was retouched from brow to chin like a suburban photograph—the moral of which was simply that she should either have left more to nature or taken more from art. The Duchess had quickly reached her kinsman with a smothered hiss, an “Edward dear, for God’s sake take Aggie!” and at the end of a few minutes had formed for herself in one of Mrs. Brookenham’s admirable “corners” a society consisting of Lord Petherton and Mr. Mitchett, the latter of whom regarded Mrs. Donner across the room with articulate wonder and compassion.
“It’s all right, it’s all right—she’s frightened only at herself!”
The Duchess watched her as from a box at the play, comfortably shut in, as in the old operatic days at Naples, with a pair of entertainers. “You’re the most interesting nation in the world. One never gets to the end of your hatred of the nuance. The sense of the suitable, the harmony of parts—what on earth were you doomed to do that, to be punished sufficiently in advance, you had to be deprived of it in your very cradles? Look at her little black dress—rather good, but not so good as it ought to be, and, mixed up with all the rest, see her type, her beauty, her timidity, her wickedness, her notoriety and her impudeur. It’s only in this country that a woman is both so shocking and so shaky.” The Duchess’s displeasure overflowed. “If she doesn’t know how to be good—”
“Let her at least know how to be bad? Ah,” Mitchy replied, “your irritation testifies more than anything else could do to our peculiar genius or our peculiar want of it. Our vice is intolerably clumsy—if it can possibly be a question of vice in regard to that charming child, who looks like one of the new-fashioned bill-posters, only, in the way of ‘morbid modernity,’ as Mrs. Brook would say, more extravagant and funny than any that have yet been risked. I remember,” he continued, “Mrs. Brook’s having spoken of her to me lately as ‘wild.’ Wild?—why, she’s simply tameness run to seed. Such an expression shows the state of training to which Mrs. Brook has reduced the rest of us.”
“It doesn’t prevent at any rate, Mrs. Brook’s training, some of the rest of you from being horrible,” the Duchess declared. “What did you mean just now, really, by asking me to explain before Aggie this so serious matter of Nanda’s exposure?” Then instantly taking herself up before Mr. Mitchett could answer: “What on earth do you suppose Edward’s saying to my darling?”
Brookenham had placed himself, side by side with the child, on a distant little settee, but it was impossible to make out from the countenance of either if a sound had passed between them. Aggie’s little manner was too developed to show, and her host’s not developed enough. “Oh he’s awfully careful,” Lord Petherton reassuringly observed. “If you or I or Mitchy say anything bad it’s sure to be before we know it and without particularly meaning it. But old Edward means it—”
“So much that as a general thing he doesn’t dare to say it?” the Duchess asked. “That’s a pretty picture of him, inasmuch as for the most part he never speaks. What therefore must he mean?”
“He’s an abyss—he’s magnificent!” Mr. Mitchett laughed. “I don’t know a man of an understanding more profound, and he’s equally incapable of uttering and of wincing. If by the same token I’m ‘horrible,’ as you call me,” he pursued, “it’s only because I’m in everyway so beastly superficial. All the same I do sometimes go into things, and I insist on knowing,” he again broke out, “what it exactly was you had in mind in saying to Mrs. Brook the things about Nanda and myself that she repeated to me.”
“You ‘insist,’ you silly man?”—the Duchess had veered a little to indulgence. “Pray on what ground of right, in such a connexion, do you do anything of the sort?”
Poor Mitchy showed but for a moment that he felt pulled up. “Do you mean that when a girl liked by a fellow likes him so little in return—?”
“I don’t mean anything,” said the Duchess, “that may provoke you to suppose me vulgar and odious enough to try to put you out of conceit of a most interesting and unfortunate creature; and I don’t quite as yet see—though I dare say I shall soon make out!—what our friend has in her head in tattling to you on these matters as soon as my back’s turned. Petherton will tell you—I wonder he hasn’t told you before—why Mrs. Grendon, though not perhaps herself quite the rose, is decidedly in these days too near it.”
“Oh Petherton never tells me anything!” Mitchy’s answer was brisk and impatient, but evidently quite as sincere as if the person alluded to had not been there.
The person alluded to meanwhile, fidgeting frankly in his chair, alternately stretching his legs and resting his elbows on his knees, had reckoned as small the profit he might derive from this colloquy. His bored state indeed—if he was bored—prompted in him the honest impulse to clear, as he would have perhaps considered it, the atmosphere. He indicated Mrs. Donner with a remarkable absence of precautions. “Why, what the Duchess alludes to is my poor sister Fanny’s stupid grievance—surely you know about that.” He made oddly vivid for a moment the nature of his relative’s allegation, his somewhat cynical treatment of which became peculiarly derisive in the light of the attitude and expression, at that minute, of the figure incriminated. “My brother-in-law’s too thick with her. But Cashmore’s such a fine old ass. It’s excessively unpleasant,” he added, “for affairs are just in that position in which, from one day to another, there may be something that people will get hold of. Fancy a man,” he robustly reflected while the three took in more completely the subject of Mrs. Brookenham’s attention—“fancy a man with THAT odd piece on his hands! The beauty of it is that the two women seem never to have broken off. Blest if they don’t still keep seeing each
