Val d'Arno. Ruskin John

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of the noblesse of Venice.

      The food-producing country was for the most part still possessed by the nobles; some by the ecclesiastics; but a portion, I do not know how large, was in the hands of peasant proprietors, of whom Sismondi gives this, to my mind, completely pleasant and satisfactory, though, to his, very painful, account:—

      "They took no interest in public affairs; they had assemblies of their commune at the village in which the church of their parish was situated, and to which they retreated to defend themselves in case of war; they had also magistrates of their own choice; but all their interests appeared to them enclosed in the circle of their own commonality; they did not meddle with general politics, and held it for their point of honour to remain faithful, through all revolutions, to the State of which they formed a part, obeying, without hesitation, its chiefs, whoever they were, and by whatever title they occupied their places."

      81. Of the inferior agricultural labourers, employed on the farms of the nobles and richer ecclesiastics, I find nowhere due notice, nor does any historian seriously examine their manner of life. Liable to every form of robbery and oppression, I yet regard their state as not only morally but physically happier than that of riotous soldiery, or the lower class of artizans, and as the safeguard of every civilized nation, through all its worst vicissitudes of folly and crime. Nature has mercifully appointed that seed must be sown, and sheep folded, whatever lances break, or religions fail; and at this hour, while the streets of Florence and Verona are full of idle politicians, loud of tongue, useless of hand and treacherous of heart, there still may be seen in their market-places, standing, each by his heap of pulse or maize, the grey-haired labourers, silent, serviceable, honourable, keeping faith, untouched by change, to their country and to Heaven.17

      82. It is extremely difficult to determine in what degree the feelings or intelligence of this class influenced the architectural design of the thirteenth century;—how far afield the cathedral tower was intended to give delight, and to what simplicity of rustic conception Quercia or Ghiberti appealed by the fascination of their Scripture history. You may at least conceive, at this date, a healthy animation in all men's minds, and the children of the vineyard and sheepcote crowding the city on its festa days, and receiving impulse to busier, if not nobler, education, in its splendour.18

      83. The great class of the merchants is more difficult to define; but you may regard them generally as the examples of whatever modes of life might be consistent with peace and justice, in the economy of transfer, as opposed to the military license of pillage.

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      1

      "Armata." The proper word for a land army is "esercito."

      2

      Vol. i., p. 60, of Mrs. Foster's English translation, to which I shall always refer, in order that English students may compare the context if they wish. But the pieces of English which I give are my own direct translation, varying, it will be found, often, from Mrs. Foster's, in minute, but not unimportant, particulars.

      3

      Compare "Ariadne Floreutina," § 46.

      4

      "These several rooms were indicated by symbol

1

"Armata." The proper word for a land army is "esercito."

2

Vol. i., p. 60, of Mrs. Foster's English translation, to which I shall always refer, in order that English students may compare the context if they wish. But the pieces of English which I give are my own direct translation, varying, it will be found, often, from Mrs. Foster's, in minute, but not unimportant, particulars.

3

Compare "Ariadne Floreutina," § 46.

4

"These several rooms were indicated by symbol and device: Victory for the soldier, Hope for the exile, the Muses for the poets, Mercury for the artists, Paradise for the preacher."—(Sagacius Gazata, of the Palace of Can Grande. I translate only Sismondi's quotation.)

5

"Frederick," vol. i.

6

The present traceries are of fifteenth century work, founded on Giovanni's design.

7

I observe that Charles Dickens had the fortune denied to me. "The market-place, or great Piazza, is a large square, with a great broken-nosed fountain in it." ("Pictures from Italy.")

8

In Mr. Severn's sketch, the form of the original foundation is approximately restored.

9

Perhaps not altogether so, any more than Oliver's dear papa Carlyle. We may have to read him also, otherwise than the British populace have yet read, some day.

10

Observe Carlyle's order of sequence. Perceptive Reason is the Handmaid of Conscience, not Conscience hers. If you resolve to do right, you will soon do wisely; but resolve only to do wisely, and you will never do right.

11

I cannot go to the expense of engraving this most subtle example; but Plate IV. shows the average conditions of temper and imagination in religious ornamental work of the time.

12

I am sorry to pack my sentences together in this confused way. But I have much to say; and cannot always stop to polish or adjust it as I used to do.

13

Sismondi; French translation, Brussels, 1838; vol. ii., p. 275.

14

I find this note for expansion on the margin of my lecture, but had no time to work it out:—'This lower class should be either barefoot, or have strong shoes—wooden clogs good. Pretty Boulogne sabot with purple stockings. Waterloo Road—little girl with her hair in curlpapers,—a coral necklace round her neck—the neck bare—and her boots of thin stuff, worn out, with her toes coming through, and rags hanging from her heels,—a profoundly accurate type of English national and political life. Your hair in curlpapers—borrowing tongs from every foreign nation, to pinch you into manners. The rich ostentatiously wearing coral about the bare neck; and the poor—cold as the stones and indecent.'

15

Simondi, vol ii. chap. 10.

16

The giving of knighthood to Jacopo della Quercia for his lifelong service to Siena was not the elevation of a dexterous workman, but grace to a faithful citizen.

17

Compare "Sesame and Lilies," sec. 38, p. 58. (P. 86 of the small edition of 1882.)

18

Of detached abbeys, see note on Education of Joan of Arc

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<p>17</p>

Compare "Sesame and Lilies," sec. 38, p. 58. (P. 86 of the small edition of 1882.)

<p>18</p>

Of detached abbeys, see note on Education of Joan of Arc, "Sesame and Lilies," sec. 82, p. 106. (P. 158 of the small edition of 1882.)