liberty, right of private judgment, and scorn of all thraldom, both material and mental, on the one side, and the dark powers of absolutism, repression, and irresponsible authority in church and state, on the other? How Russia, the type of brute-force, presses with crushing weight on intellectual Germany! Soon she will absorb the old kingdoms of Scandinavia,—to wit, Sweden, Norway, and Denmark. On the shores of Norway the ruler of the Sclavonic race will hang over Scotland and England, like a bird of prey about to swoop upon his victim. All despots and absolutists will array themselves under his banner or be his auxiliaries. The old hierarchies will be banded with him to crush out Protestantism, which is a plant of Teutonic growth. Old Asia, with her rancor and despotic traditions, recognizes in the Russian imperial rule a congenial rallying-point against the progressive and hated Anglo-Saxonism and Protestantism of the West. A decisive struggle is surely impending between freedom and absolutism, between the bigoted adherents of the old faiths and the nations that have cut loose from them. Perhaps this struggle may be prefigured in the old Northern myth of the Twilight of the Gods.
All the old mythic cosmogonies are strangely suggestive and full of mystic import,—that of Northern Odinism more than any other. In that dim Niflheim, for instance, with its well-springs of the waters of the upper world confusedly bubbling, and its metallic ore-veins, and dusk, vaporous atmosphere, whence issued the old Nibelungen heroes of the great Teutonic epos, there is much that is suggestive. May not one discover in this old cosmogonic myth a dim hint of the nebular hypothesis of creation, as it is called? Certainly, Niflheim, the Mistland, and Muspellheim, the Flameland, commingled together, would produce that hot, seething, nebulous fire-mist, out of which, the physicists say, was evolved, by agglomeration and centrifugal and centripetal attraction, our fair, harmonious system of worlds bounded by outermost Neptune, thus far the Ultima Thule of the solar system. Perhaps Asgard, translated from mythic into scientific language, means the Zodiacal Light, and the Bridge Bifröst, the Milky Way.
How curious, to trace in the grotesque mythic cosmogonies of India, Greece, and Scandinavia, modern geology, botany, chemistry, etc.,—the vast and brutal giants of the Eddas and other old mythic scriptures being recognized as impersonations of the forces of Nature! The old mythic cosmogonists and the modern geologists and astronomers do not differ amongst themselves so much, after all. The mythic physicists had personal agents at work, in place of our simple elemental ones; the result is the same. Take the mythic cosmogonies of ancient Greece, Scandinavia, and India, and the geologies and astronomies of the present day, and compare their pages, changing things personal into things impersonal. The expulsion and banishment of the old shapeless mundane deities by a new and more beautiful race of gods, the cosmical divinities, the powers and rulers of an ordered world, are intelligible enough when translated into our modern geological nomenclature. The leaves of the Stone Book, as the rocky layers of the earth have been called, and the blue hieroglyphic page of heaven, also, are more intelligibly read by the aid of the mythic glosses of old religion, of Saga, Rune, and Voluspa. They spell the telluric records aright in their own peculiar language. The assaults of the Typhons and Jötuns upon the celestial dynasty, and their attempts to scale the fiery citadels of the gods by making ladders of mountains, indicate clearly enough the different revolutions read by geology in the various strata and rocky layers piled upon the primitive granite of the globe, the bursting through of eruptions from the central fire, extruding and uplifting mountains, and the subsidence of the ocean from one ripple-marked sea-beach to another lower down. In those dim geologic epochs, where annals are written on Mica Slate, Clay Slate, and Silurian Systems, on Old Red Sandstones and New, on Primary and Secondary Rocks and Tertiary Chalk-beds, there were topsy-turvyings amongst the hills and gambollings and skippings of mountains, to which the piling of Pelion upon Ossa was a mere cobblestone feat. Alps and Apennines then played at leap-frog. Vast basaltic masses were oftentimes extruded into the astonished air from the very heart and core of the world. In truth, the old mythic cosmogonies of the ancient East, South, and North are not a whit too grotesque in their descriptions of the embryo earth, when it lay weltering in a sort of uterine film, assuming form and regular lineaments.
There is nothing more drear, monstrous, wild, dark, and lonely in the descriptions of the mythologic than of the scientific page. What more wild and drear is there, even in Indian cosmogonic fable, than that strange carbonigenous era of the globe, whose deposits, in the shape of petrified forests, now keep us warm and cook our food, and whose relics and souvenirs are pressed between the stone leaves of the secondary rock for preservation by the Omnipotent Herbalist? Land and water were then distinguishable,—but as yet there was no terrestrial animal, nothing organic but radiata and molluscs, holly-footed and head-footed, and other aquatic monstrosities, mailed, plated, and buckler-headed, casting the shovel-nosed shark of the present Cosmos entirely into the shade, in point of horned, toothed, and serrated horrors. These amorphous creatures glided about in the seas, and vast sea-worms, or centipedal asps, the parents of modern krakens and sea-serpents, doubtless, accompanied them. There stood that unfinished world reeking with charcoal fumes, its soft, fungous, cryptogamic vegetation efflorescing with fierce luxuriance in that ghastly carbonic atmosphere. Rudimental palms and pines of mushroom growth stood there motionless, sending forth no soft and soul-like murmurs into the lurid reek; for as yet leaves and flowers and blue skies and pure breezes were not,—nothing but whiffs of mephitic and lethal vapor ascending, as from a vast charcoal brazier. No lark or linnet or redbreast or mocking-bird could live, much less warble, in those carbonic times. The world, like a Mississippi steamer, was coaling, with an eye to the needs of its future biped passengers. The embryotic earth was then truly a Niflheim, or Mistland,—a dun, fuming region. Those were the days, perhaps, when Nox reigned, and the great mundane egg was hatching in the oven-like heat, from which the winged boy Eros leaped forth, "his back glittering with golden plumes, and swift as eddying air." We have it on good authority, that the Adirondack Mountains of New York, and the Grampian Hills of Scotland, where Norval was to feed his flocks, had already upheaved their bare backs from the boiling caldrons of the sea, thus stealing a march on the Alps and many other more famous mountains.
How opposite and remote from each other are the mythologic ages and the nineteenth century! The critical and scientific spirit of the one is in strange contrast with the credulous, blindly reverent spirit of the other. Mythology delegated the government of the world to inferior deities, the subjects of an omnipotent Fate or Necessity; while, to show how extremes meet, mere science delegates it to chemical and physiological agencies, and ends, like the mythic cosmogonies, in some irrepressible spontaneous impulse of matter to develope itself in the ever-changing forms of the visible universe. Myriads of gods were the actors in "the rushing metamorphosis" of the old myth-haunted Nature; while chemic and elemental forces perform the same parts in the masquerade of the modern Phasis. Both mythology and science, therefore, stick fast in secondary causes.
Myths are the religion of youth, and of primitive, unsophisticated nations; while science may be called the religion of the mature man, full of experience and immersed in the actual. The Positivism of Comte, like the old myth-worship, sets up for its deity human nature idealized, adorned with genius and virtue. The Positivist worships virtuous human nature, conditioned and limited as it is; while the Mythist worshipped it reflected on the outer world and endowed with supernatural attributes, clothed with mist-caps and wishing-caps that gave it dominion over space and time. The restless, glittering, whimsical sprites of fairy mythology, that were believed of old to have so large a share in shaping the course of Nature and of human life, have vanished from the precincts of the schoolmaster at least. They could not endure the clear eyebeam of Science, which has searched their subterranean abodes, withering them up and metamorphosing them into mere physiological forces. Reason and scientific investigation have no patience with the things of faith and imagination. Our poets now have to go back to the Past, to the standpoints of the old pagan bards. Tennyson lives in the land of the Lotophagi, in the Arabian Nights of the Bagdad of Caliph Haroun, and in the orchard lawns of King Arthur's Avalon. So, too, Longfellow must inhale the golden legendary air of the Past. The mere humanitarian bards, who try to make modern life trip to the music of trochees, dactyles, and spondees, fail miserably. Industrialism is not poetical. Our modern life expresses itself in machines, in mathematical formulas, in statistics and with scientific precision generally. Art and poetry are pursued in the spirit of past ages, and concern themselves with the symbols, faiths,
