glories of October, the other a merely trivial and treeless waste, or with only a single tree or two for suicides, and I shall be sure that in the latter will be found the most starved and bigoted religionists and the most desperate drinkers. Every wash-tub and milk-can and gravestone will be exposed. The inhabitants will disappear abruptly behind their barns and houses, like desert Arabs amid their rocks, and I shall look to see spears in their hands. They will be ready to accept the most barren and forlorn doctrine,—as that the world is speedily coming to an end, or has already got to it, or that they themselves are turned wrong side outward. They will perchance crack their dry joints at one another and call it a spiritual communication.
But to confine ourselves to the Maples. What if we were to take half as much pains in protecting them as we do in setting them out,—not stupidly tie our horses to our dahlia-stems?
What meant the fathers by establishing this perfectly living institution before the church,—this institution which needs no repairing nor repainting, which is continually enlarged and repaired by its growth? Surely they
"Wrought in a sad sincerity;
Themselves from God they could not free;
They planted better than they knew;—
The conscious trees to beauty grew."
Verily these Maples are cheap preachers, permanently settled, which preach their half-century, and century, ay, and century-and-a-half sermons, with constantly increasing unction and influence, ministering to many generations of men; and the least we can do is to supply them with suitable colleagues as they grow infirm.
THE SCARLET OAK
Belonging to a genus which is remarkable for the beautiful form of its leaves, I suspect that some Scarlet-Oak leaves surpass those of all other Oaks in the rich and wild beauty of their outlines. I judge from an acquaintance with twelve species, and from drawings which I have seen of many others.
Stand under this tree and see how finely its leaves are cut against the sky,—as it were, only a few sharp points extending from a midrib. They look like double, treble, or quadruple crosses. They are far more ethereal than the less deeply scolloped Oak-leaves. They have so little leafy terra firma that they appear melting away in the light, and scarcely obstruct our view. The leaves of very young plants are, like those of full-grown Oaks of other species, more entire, simple, and lumpish in their outlines; but these, raised high on old trees, have solved the leafy problem. Lifted higher and higher, and sublimated more and more, putting off some earthiness and cultivating more intimacy with the light each year, they have at length the least possible amount of earthy matter, and the greatest spread and grasp of skyey influences. There they dance, arm in arm with the light,—tripping it on fantastic points, fit partners in those aërial halls. So intimately mingled are they with it, that, what with their slenderness and their glossy surfaces, you can hardly tell at last what in the dance is leaf and what is light. And when no zephyr stirs, they are at most but a rich tracery to the forest-windows.
I am again struck with their beauty, when, a month later, they thickly strew the ground in the woods, piled one upon another under my feet. They are then brown above, but purple beneath. With their narrow lobes and their bold deep scollops reaching almost to the middle, they suggest that the material must be cheap, or else there has been a lavish expense in their creation, as if so much had been cut out. Or else they seem to us the remnants of the stuff out of which leaves have been cut with a die. Indeed, when they lie thus one upon another, they remind me of a pile of scrap-tin.1
Or bring one home, and study it closely at your leisure, by the fireside. It is a type, not from any Oxford font, not in the Basque nor the arrow-headed character, not found on the Rosetta Stone, but destined to be copied in sculpture one day, if they ever get to whittling stone here. What a wild and pleasing outline, a combination of graceful curves and angles! The eye rests with equal delight on what is not leaf and on what is leaf,—on the broad, free, open sinuses, and on the long, sharp, bristle-pointed lobes. A simple oval outline would include it all, if you connected the points of the leaf; but how much richer is it than that, with its half-dozen deep scollops, in which the eye and thought of the beholder are embayed! If I were a drawing-master, I would set my pupils to copying these leaves, that they might learn to draw firmly and gracefully.
Regarded as water, it is like a pond with half a dozen broad rounded promontories extending nearly to its middle, half from each side, while its watery bays extend far inland, like sharp friths, at each of whose heads several fine streams empty in,—almost a leafy archipelago.
But it oftener suggests land, and, as Dionysius and Pliny compared the form of the Morea to that of the leaf of the Oriental Plane-tree, so this leaf reminds me of some fair wild island in the ocean, whose extensive coast, alternate rounded bays with smooth strands, and sharp-pointed rocky capes, mark it as fitted for the habitation of man, and destined to become a centre of civilization at last. To the sailor's eye. It is a much-indented shore. Is it not, in fact, a shore to the aërial ocean, on which the windy surf beats? At sight of this leaf we are all mariners,—if not vikings, buccaneers, and filibusters. Both our love of repose and our spirit of adventure are addressed. In our most casual glance, perchance, we think, that, if we succeed in doubling those sharp capes, we shall find deep, smooth, and secure havens in the ample bays. How different from the White-Oak leaf, with its rounded headlands, on which no light-house need be placed! That is an England, with its long civil history, that may be read. This is some still unsettled New-found Island or Celebes. Shall we go and be rajahs there?
By the twenty-sixth of October the large Scarlet Oaks are in their prime, when other Oaks are usually withered. They have been kindling their fires for a week past, and now generally burst into a blaze. This alone of our indigenous deciduous trees (excepting the Dogwood, of which I do not know half a dozen, and they are but large bushes) is now in its glory. The two Aspens and the Sugar-Maple come nearest to it in date, but they have lost the greater part of their leaves. Of evergreens, only the Pitch-Pine is still commonly bright.
But it requires a particular alertness, if not devotion to these phenomena, to appreciate the wide-spread, but late and unexpected glory of the Scarlet Oaks. I do not speak here of the small trees and shrubs, which are commonly observed, and which are now withered, but of the large trees. Most go in and shut their doors, thinking that bleak and colorless November has already come, when some of the most brilliant and memorable colors are not yet lit.
This very perfect and vigorous one, about forty feet high, standing in an open pasture, which was quite glossy green on the twelfth, is now, the twenty-sixth, completely changed to bright dark scarlet,—every leaf, between you and the sun, as if it had been dipped into a scarlet dye. The whole tree is much like a heart in form, as well as color. Was not this worth waiting for? Little did you think, ten days ago, that that cold green tree would assume such color as this. Its leaves are still firmly attached, while those of other trees are falling around it. It seems to say,—"I am the last to blush, but I blush deeper than any of ye. I bring up the rear in my red coat. We Scarlet ones, alone of Oaks, have not given up the fight."
The sap is now, and even far into November, frequently flowing fast in these trees, as in Maples in the spring; and apparently their bright tints, now that most other Oaks are withered, are connected with this phenomenon. They are full of life. It has a pleasantly astringent, acorn-like taste, this strong Oak-wine, as I find on tapping them with my knife.
Looking across this woodland valley, a quarter of a mile wide, how rich those Scarlet Oaks, embosomed in Pines, their bright red branches intimately intermingled with them! They have their full effect there. The Pine-boughs are the green calyx to their red petals. Or, as we go along a road in the woods, the sun striking endwise through it, and lighting up the red tents of the Oaks, which on each side are mingled with the liquid green of the Pines, makes a very gorgeous scene. Indeed, without the evergreens for contrast, the autumnal tints would lose much of their
The original of the leaf copied on the next page was picked from such a pile.
