style="font-size:15px;"> was all the response.
"Why, Melindy! what makes you so cross?" inquired I, in a tone meant to be tenderly reproachful,—in the mean time attempting to possess myself of her hand; for, to be honest, Polder, I had been a little sweet to the girl before Kate drove her out of my head. The hand was snatched away. I tried indifference.
"How are the turkeys to-day. Melindy?"
Here Joe, an enfant terrible, came upon the scene suddenly.
"Them turkeys eats a lot, Mister Greene. Melindy says there's one on 'em struts jes' like you, 'n' makes as much gabble."
"Gobble! gobble! gobble!" echoed an old turkey from somewhere; I thought it was overhead, but I saw nothing. Melindy threw her apron over her face and laughed till her arms grew red. I picked up my hat and walked off. For three days I kept out of that part of the Smith demesne, I assure you! Kate began to grow mocking and derisive; she teased me from morning till night, and the more she teased me, the more I adored her. I was getting desperate, when one Sunday night Kate asked me to walk down to the farm-house with her after tea, as Mrs. Tucker was sick, and she had something to take to her. We found the old woman sitting up in the kitchen, and as full of talk as ever, though an unlucky rheumatism kept her otherwise quiet.
"How do the turkeys come on, Mrs. Tucker?" said I, by way of conversation.
"Well, I declare, you han't heerd about them turkeys, hev ye? You see they was doin' fine, and father he went off to salt for a spell, so's to see'f 'twouldn't stop a complaint he's got,—I do'no' but it's a spine in the back,—makes him kinder' faint by spells, so's he loses his conscientiousness all to once; so he left the chickens 'n' things for Melindy to boss, 'n' she got somethin' else into her head, 'n' she left the door open one night, and them ten turkeys they up and run away, I'xpect they took to the woods, 'fore Melindy brought to mind how't she hadn't shut the door. She's set out fur to hunt 'em. I shouldn't wonder'f she was out now, seein' it's arter sundown."
"She a'n't nuther!" roared the terrible Joe, from behind the door, where he had retreated at my coming. "She's settin' on a flour-barrel down by the well, an' George Bemont's a-huggin' on her"
Good gracious! what a slap Mrs. Tucker fetched that unlucky child, with a long brown towel that hung at hand! and how he howled! while Kate exploded with laughter, in spite of her struggles to keep quiet.
"He is the dre'fullest boy!" whined Mrs. Tucker. "Melindy tells how he sassed you 'tother day, Mr. Greene. I shall hev to tewtor that boy; he's got to hev the rod, I guess!"
I bade Mrs. Tucker good night, for Kate was already out of the door, and, before I knew what she was about, had taken a by-path in sight of the well; and there, to be sure, sat Melindy, on a prostrate flour-barrel that was rolled to the foot of the big apple-tree, twirling her fingers in pretty embarrassment, and held on her insecure perch by the stout arm of George Bemont, a handsome brown fellow, evidently very well content just now.
"Pretty,—isn't it?" said Kate.
"Very,—quite pastoral," sniffed I.
We were sitting round the open door an hour after, listening to a whippoorwill, and watching the slow moon rise over a hilly range just east of Centreville, when that elvish little "week! week!" piped out of the wood that lay behind the house.
"That is hopeful," said Kate; "I think Melindy and George must have tracked the turkeys to their haunt, and scared them homeward."
"George—who?" said Peggy.
"George Bemont; it seems he is—what is your Connecticut phrase?—sparkin' Melindy."
"I'm very glad; he is a clever fellow," said Peter.
"And she is such a very pretty girl," continued Peggy,—"so intelligent and graceful; don't you think so, Sam?"
"Aw, yes, well enough for a rustic," said I, languidly. "I never could endure red hair, though!"
Kate stopped on the door-sill; she had risen to go up stairs.
"Gobble! gobble! gobble!" mocked she. I had heard that once before! Peter and Peggy roared;—they knew it all;—I was sold!
"Cure me of Kate Stevens?" Of course it did. I never saw her again without wanting to fight shy, I was so sure of an allusion to turkeys. No, I took the first down train. There are more pretty girls in New York, twice over, than there are in Centreville, I console myself; but, by George! Polder, Kate Stevens was charming!—Look out there! don't meddle with the skipper's coils of rope! can't you sleep on deck without a pillow?
ROBIN HOOD
There is no one of the royal heroes of England that enjoys a more enviable reputation than the bold outlaw of Barnsdale and Sherwood. His chance for a substantial immortality is at least as good as that of stout Lion-Heart, wild Prince Hal, or merry Charles. His fame began with the yeomanry full five hundred years ago, was constantly increasing for two or three centuries, has extended to all classes of society, and, with some changes of aspect, is as great as ever. Bishops, sheriffs, and game-keepers, the only enemies he ever had, have relinquished their ancient grudges, and Englishmen would be almost as loath to surrender his exploits as any part of the national glory. His free life in the woods, his unerring eye and strong arm, his open hand and love of fair play, his never forgotten courtesy, his respect for women and devotion to Mary, form a picture eminently healthful and agreeable to the imagination, and commend him to the hearty favor of all genial minds.
But securely established as Robin Hood is in popular esteem, his historical position is by no means well ascertained, and his actual existence has been a subject of shrewd doubt and discussion. "A tale of Robin Hood" is an old proverb for the idlest of stories; yet all the materials at our command for making up an opinion on these questions are precisely of this description. They consist, that is to say, of a few ballads of unknown antiquity. These ballads, or others like them, are clearly the authority upon which the statements of the earlier chroniclers who take notice of Robin Hood are founded. They are also, to all appearance, the original source of the numerous and wide-spread traditions concerning him; which, unless the contrary can be shown, must be regarded, according to the almost universal rule in such cases, as having been suggested by the very legends to which, in the vulgar belief, they afford an irresistible confirmation.
Various periods, ranging from the time of Richard the First to near the end of the reign of Edward the Second, have been selected by different writers as the age of Robin Hood; but (excepting always the most ancient ballads, which may possibly be placed within these limits) no mention whatever is made of him in literature before the latter half of the reign of Edward the Third. "Rhymes of Robin Hood" are then spoken of by the author of "Piers Ploughman" (assigned to about 1362) as better known to idle fellows than pious songs, and from the manner of the allusion it is a just inference that such rhymes were at that time no novelties. The next notice is in Wyntown's Scottish Chronicle, written about 1420, where the following lines occur—without any connection, and in the form of an entry—under the year 1283:– "Lytil Jhon and Robyne Hude Wayth-men ware commendyd gude: In Yngil-wode and Barnysdale Thai oysyd all this tyme thare trawale."1
At last we encounter Robin Hood in what may be called history; first of all in a passage of the "Scotichronicon," often quoted, and highly curious as containing the earliest theory upon this subject. The "Scotichronicon" was written partly by Fordun, canon of Aberdeen, between 1377 and 1384, and partly by his pupil Bower, abbot of St. Columba, about 1450. Fordun has the character of a man of judgment and research, and any statement or opinion delivered by him would be entitled to respect. Of
A writer in the
