whereas an emotion which can shape itself in language opens the gate for itself into the great community of human affections; for every word we speak is the medal of a dead thought or feeling, struck in the die of some human experience, worn smooth by innumerable contacts, and always transferred warm from one to another. By words we share the common consciousness of the race, which has shaped itself in these symbols. By music we reach those special states of consciousness which, being without form, cannot be shaped with the mosaics of the vocabulary. The language of the eyes runs deeper into the personal nature, but it is purely individual, and perishes in the expression. If we consider them all as growing out of the consciousness as their root, language is the leaf, music is the flower; but when the eyes meet and search each other, it is the uncovering of the blanched stem through which the whole life runs, but which has never taken color or form from the sunlight.
For three days Elsie did not return to the school. Much of the time she was among the woods and rocks. The season was now beginning to wane, and the forest to put on its autumnal glory. The dreamy haze was beginning to soften the landscape, and the most delicious days of the year were lending their attraction to the scenery of The Mountain. It was not very singular that Elsie should be lingering in her old haunts, from which the change of season must soon drive her. But Old Sophy saw clearly enough that some internal conflict was going on, and knew very well that it must have its own way and work itself out as it best could. As much as looks could tell Elsie had told her. She had said in words, to be sure, that she could not love. Something warped and thwarted the emotion which would have been love in another, no doubt; but that such an emotion was striving with her against all malign influences which interfered with it the old woman had a perfect certainty in her own mind.
Everybody who has observed the working of emotions in persons of various temperaments knows well enough that they have periods of incubation, which differ with the individual, and with the particular cause and degree of excitement, yet evidently go through a strictly self-limited series of evolutions, at the end of which, their result—an act of violence, a paroxysm of tears, a gradual subsidence into repose, or whatever it may be—declares itself, like the last stage of an attack of fever and ague. No one can observe children without noticing that there is a personal equation, to use the astronomer's language, in their tempers, so that one sulks an hour over an offence which makes another a fury for five minutes, and leaves him or her an angel when it is over.
At the end of three days, Elsie braided her long, glossy, black hair, and shot a golden arrow through it. She dressed herself with more than usual care, and came down in the morning superb in her stormy beauty. The brooding paroxysm was over, or at least her passion had changed its phase. Her father saw it with great relief; he had always many fears for her in her hours and days of gloom, but, for reasons before assigned, had felt that she must be trusted to herself, without appealing to actual restraint, or any other supervision than such as Old Sophy could exercise without offence.
She went off at the accustomed hour to the school. All the girls had their eyes on her. None so keen as these young misses to know an inward movement by an outward sign of adornment: if they have not as many signals as the ships that sail the great seas, there is not an end of ribbon or a turn of a ringlet which is not a hieroglyphic with a hidden meaning to these little cruisers over the ocean of sentiment.
The girls all looked at Elsie with a new thought; for she was more sumptuously arrayed than perhaps ever before at the school; and they said to themselves that she had come meaning to draw the young master's eyes upon her. That was it; what else could it be? The beautiful, cold girl with the diamond eyes meant to dazzle the handsome young gentleman. He would be afraid to love her; it couldn't be true, that which some people had said in the village; she wasn't the kind of young lady to make Mr. Langdon happy. Those dark people are never safe: so one of the young blondes said to herself. Elsie was not literary enough for such a scholar: so thought Miss Charlotte Ann Wood, the young poetess. She couldn't have a good temper, with those scowling eyebrows: this was the opinion of several broad-faced, smiling girls, who thought, each in her own snug little mental sanctum, that, if, etc., etc. she could make him so happy!
Elsie had none of the still, wicked light in her eyes, that morning. She looked gentle, but dreamy; played with her books; did not trouble herself with any of the exercises,—which in itself was not very remarkable, as she was always allowed, under some pretext or other, to have her own way.
The school-hours were over at length. The girls went out, but she lingered to the last. She then came up to Mr. Bernard, with a book in her hand, as if to ask a question.
"Will you walk towards my home with me to-day?" she said, in a very low voice, little more than a whisper.
Mr. Bernard was startled by the request, put in such a way. He had a presentiment of some painful scene or other. But there was nothing to be done but to assure her that it would give him great pleasure.
So they walked along together on their way toward the Dudley mansion.
"I have no friend," Elsie said, all at once. "Nothing loves me but one old woman. I cannot love anybody. They tell me there is something in my eyes that draws people to me and makes them faint. Look into them, will you?"
She turned her face toward him. It was very pale, and the diamond eyes were glittering with a film, such as beneath other lids would have rounded into a tear.
"Beautiful eyes, Elsie," he said,—"sometimes very piercing,—but soft now, and looking as if there were something beneath them that friendship might draw out. I am your friend, Elsie. Tell me what I can do to render your life happier."
"Love me!" said Elsie Venner.
What shall a man do, when a woman makes such a demand, involving such an avowal? It was the tenderest, cruellest, humblest moment of Mr. Bernard's life. He turned pale, he trembled almost, as if he had been a woman listening to her lover's declaration.
"Elsie," he said, presently, "I so long to be of some use to you, to have your confidence and sympathy, that I must not let you say or do anything to put us in false relations. I do love you, Elsie, as a suffering sister with sorrows of her own,—as one whom I would save at the risk of my happiness and life,—as one who needs a true friend more than any of all the young girls I have known. More than this you would not ask me to say. You have been through excitement and trouble lately, and it has made you feel such a need more than ever. Give me your hand, dear Elsie, and trust me that I will be as true a friend to you as if we were children of the same mother."
Elsie gave him her hand mechanically. It seemed to him that a cold aura shot from it along his arm and chilled the blood running through his heart. He pressed it gently, looked at her with a face full of grave kindness and sad interest, then softly relinquished it.
It was all over with poor Elsie. They walked almost in silence the rest of the way. Mr. Bernard left her at the gate of the mansion-house, and returned with sad forebodings. Elsie went at once to her own room, and did not come from it at the usual hours. At last Old Sophy began to be alarmed about her, went to her apartment, and, finding the door unlocked, entered cautiously. She found Elsie lying on her bed, her brows strongly contracted, her eyes dull, her whole look that of great suffering. Her first thought was that she had been doing herself a harm by some deadly means or other. But Elsie saw her fear, and reassured her.
"No," she said, "there is nothing wrong, such as you are thinking of; I am not dying. You may send for the Doctor; perhaps he can take the pain from my head. That is all I want him to do. There is no use in the pain, that I know of; if he can stop it, let him."
So they sent for the old Doctor. It was not long before the solid trot of Caustic, the old bay horse, and the crashing of the gravel under the wheels, gave notice that the physician was driving up the avenue.
The old Doctor was a model for visiting practitioners. He always
