The Atlantic Monthly, Volume 08, No. 46, August, 1861. Various

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The Atlantic Monthly, Volume 08, No. 46, August, 1861 - Various

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laid bundles of lavender-flowers in his tiny portmanteau till the very leather seemed to gather fragrance.

      Before long, Monsieur Leclerc was well enough to resume his classes, and return to his boarding-house; but the latter was filled, and only offered a prospect of vacancy in some three weeks after his application; so he returned home somewhat dejected, and as he sat by the little parlor-fire after tea, he said to his hostess, in a reluctant tone,—

      "Mees Lucinda, you have been of the kindest to the poor alien. I have it in my mind to relieve you of this care very rapidly, but it is not in the Fates that I do. I have gone to my house of lodgings, and they cannot to give me a chamber as yet I have fear that I must yet rely me on your goodness for some time more, if you can to entertain me so much more of time?"

      "Why, I shall like to, Sir," replied the kindly, simple-hearted old maid. "I'm sure you are not a mite of trouble, and I never can forget what you did for my pig."

      A smile flitted across the Frenchman's thin, dark face, and he watched her glittering needles a few minutes in silence before he spoke again.

      "But I have other things to say of the most unpleasant to me, Mees Lucinda. I have a great debt for the goodness and care you to me have lavished. To the angels of the good God we must submit to be debtors, but there are also of mortal obligations. I have lodged in your mansion for more of ten weeks, and to you I pay yet no silver, but it is that I have it not at present—I must ask of your goodness to wait."

      The old maid's shining black eyes grew soft as she looked at him.

      "Why!" said she, "I don't think you owe me much of anything, Mr. Leclerc. I never knew things last as they have since you came. I really think you brought a blessing. I wish you would please to think you don't owe me anything."

      The Frenchman's great brown eyes shone with suspicious dew.

      "I cannot to forget that I owe to you far more than any silver of man repays; but I should not think to forget that I also owe to you silver, or I should not be worthy of a man's name. No, Mees! I have two hands and legs. I will not let a woman most solitary spend for me her good self."

      "Well," said Miss Lucinda, "if you will be uneasy till you pay me, I would rather have another kind of pay than money. I should like to know how to dance. I never did learn, when I was a girl, and I think it would be good exercise."

      Miss Lucinda supported this pious fiction through with a simplicity that quite deceived the Frenchman. He did not think it so incongruous as it was. He had seen women of sixty, rouged, and jewelled, and furbelowed, foot it deftly in the halls of the Faubourg St. Germain in his earliest youth; and this cheery, healthy woman, with lingering blooms on either cheek, and uncapped head of curly black hair but slightly strewn with silver, seemed quite as fit a subject for the accomplishment. Besides, he was poor,—and this offered so easy a way of paying the debt he had so dreaded! Well said Solomon,—"The destruction of the poor is their poverty!" For whose moral sense, delicate sensitivenesses, generous longings, will not sometimes give way to the stringent need of food and clothing, the gall of indebtedness, and the sinking consciousness of an empty purse and threatening possibilities?

      Monsieur Leclerc's face brightened.

      "Ah! with what grand pleasure shall I teach you the dance!"

      But it fell dark again as he proceeded,—

      "Though not one, nor two, nor three, nor four quarters shall be of value sufficient to achieve my payment."

      "Then, if that troubles you, why, I should like to take some French lessons in the evening, when you don't have classes. I learned French when I was quite a girl, but not to speak it very easily; and if I could get some practice and the right way to speak, I should be glad."

      "And I shall give you the real Parisien tone, Mees Lucinda!" said he, proudly. "I shall be as if it were no more an exile when I repeat my tongue to you!"

      And so it was settled. Why Miss Lucinda should learn French any more than dancing was not a question in Monsieur Leclerc's mind. It is true, that Chaldaic would, in all probability, be as useful to our friend as French; and the flying over poles and hanging by toes and fingers, so eloquently described by the Apostle of the Body in these "Atlantic" pages, would have been as well adapted to her style and capacity as dancing;—but his own language, and his own profession! what man would not have regarded these as indispensable to improvement, particularly when they paid his board?

      During the latter three weeks of Monsieur Leclerc's stay with Miss Lucinda he made himself surprisingly useful. He listed the doors against approaching winter breezes,—he weeded in the garden,—trimmed, tied, trained, wherever either good office was needed,—mended china with an infallible cement, and rickety chairs with the skill of a cabinet-maker; and whatever hard or dirty work he did, he always presented himself at table in a state of scrupulous neatness: his long brown hands showed no trace of labor; his iron-gray hair was reduced to smoothest order; his coat speckless, if threadbare; and he ate like a gentleman, an accomplishment not always to be found in the "best society," as the phrase goes,—whether the best in fact ever lacks it is another thing. Miss Lucinda appreciated these traits,—they set her at ease; and a pleasanter home-life could scarce be painted than now enlivened the little wooden house. But three weeks pass away rapidly; and when the rusty portmanteau was gone from her spare chamber, and the well-worn boots from the kitchen-corner, and the hat from its nail, Miss Lucinda began to find herself wonderfully lonely. She missed the armfuls of wood in her wood-box, that she had to fill laboriously, two sticks at a time; she missed the other plate at her tiny round table, the other chair beside her fire; she missed that dark, thin, sensitive face, with its rare and sweet smile; she wanted her story-teller, her yarn-winder, her protector, back again. Good gracious! to think of an old lady of forty-seven entertaining such sentiments for a man!

      Presently the dancing-lessons commenced. It was thought advisable that Miss Manners should enter a class, and, in the fervency of her good intentions, she did not demur. But gratitude and respect had to strangle with persistent hands the little serpents of the ridiculous in Monsieur Leclerc's soul, when he beheld his pupil's first appearance. What reason was it, O rose of seventeen, adorning thyself with cloudy films of lace and sparks of jewelry before the mirror that reflects youth and beauty, that made Miss Lucinda array herself in a brand-new dress of yellow muslin-de-laine strewed with round green spots, and displace her customary hand-kerchief for a huge tamboured collar, on this eventful occasion? Why, oh, why did she tie up the roots of her black hair with an unconcealable scarlet string? And most of all, why was her dress so short, her slipper-strings so big and broad, her thick slippers so shapeless by reason of the corns and bunions that pertained to the feet within? The "instantaneous rush of several guardian angels" that once stood dear old Hepzibah Pynchon in good stead was wanting here,—or perhaps they stood by all-invisible, their calm eyes softened with love deeper than tears, at this spectacle so ludicrous to man, beholding in the grotesque dress and adornments only the budding of life's divinest blossom, and in the strange skips and hops of her first attempts at dancing only the buoyancy of those inner wings that goodness and generosity and pure self-devotion were shaping for a future strong and stately flight upward. However, men, women, and children do not see with angelic eyes, and the titterings of her fellow-pupils were irrepressible; one bouncing girl nearly choked herself with her hand-kerchief trying not to laugh, and two or three did not even try. Monsieur Leclerc could not blame them,—at first he could scarce control his own facial muscles; but a sense of remorse smote him, as he saw how unconscious and earnest the little woman was, and remembered how often those knotty hands and knobbed feet had waited on his need or his comfort. Presently he tapped on his violin for a few moments' respite, and approached Miss Lucinda as respectfully as if she had been a queen.

      "You are ver' tired, Mees Lucinda?" said he.

      "I am a little, Sir," said she, out of

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