books having thus been destroyed, the earliest remaining specimen of her verse is an epitaph, composed in her ninth year, upon an unfledged robin, killed in the attempt at rearing it. When she was eleven years of age, her father took her to see the decorations of a room in which Washington's birthday was to be celebrated. Neither the novelty nor the gaiety of what she saw attracted her attention; she thought of Washington alone, whose life she had read, and for whom she entertained the proper feelings of an American; and as soon as she returned home, she took paper, sketched a funeral urn, and wrote under it a few stanzas, which were shown to her friends. Common as the talent of versifying is, any early manifestation of it will always be regarded as extraordinary by those who possess it not themselves; and these verses, though no otherwise remarkable, were deemed so surprising for a child of her age, that an aunt of hers could not believe they were original, and hinted that they might have been copied. The child wept at this suspicion, as if her heart would break; but as soon as she recovered from that fit of indignant grief, she indited a remonstrance to her aunt, in verse, which put an end to such incredulity.
We are told that, before she was twelve years of age, she had read most of the standard English poets—a vague term, excluding, no doubt, much that is of real worth, and including more that is worth little or nothing, and yet implying a wholesome course of reading for such a mind. Much history she had also read, both sacred and profane; "the whole of Shakspeare's, Kotzebue's, and Goldsmith's dramatic works;" (oddly consorted names!) "and many of the popular novels and romances of the day:" of the latter, she threw aside at once those which at first sight appeared worthless. This girl is said to have observed every thing: "frequently she has been known to watch the storm, and the retiring clouds, and the rainbow, and the setting sun, for hours."
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