thither at present."
While the faithful fellow's tongue was thus wagging, his arms were not idle. Intimately acquainted, as became his calling, with the numerous windings and intricacies of the Venetian canals, he threaded them with unhesitating confidence; and, favoured by the darkness of the night, succeeded in getting Antonio unobserved through a back entrance of his father's palace.
The first impulse of the terrified youth on finding himself thus in at least temporary security, was to destroy the picture of the mysterious old woman, which, if found by the agents of the Inquisition, might bear false but fatal witness against him. With pallid cheek, and still trembling with alarm, he was hurrying to his chamber to execute his intention, when he encountered his father, who advanced to meet him, and, grasping his arm, fixed upon him for some moments his stern and searching gaze.
"The picture, father!" exclaimed the terror-stricken Antonio. "For the love of Heaven, stay me not! Let me destroy that fatal picture!"
Regardless of his son's agitation and terror, the Proveditore half led, half forced him to a seat in a part of the room, when the red blaze from the larch logs that were crackling on the hearth, lit up the young man's features.
"What means this, Antonio?" he said; "what has befallen during my absence at Gradiska? The familiars of the Inquisition have been seeking you here—you, the last person whose name I should expect to hear in such mouths. Alarm me it did not; for well I know that you are too scant of energy and settled purpose to be mixed up in conspiracies against the state."
Antonio was still too much preoccupied by his terror to understand, or at any rate to heed, the severity of his father's remark. Collecting his scattered thoughts, he proceeded to narrate all that had occurred to him, not only on that day, but since his first meeting with the incognita near the church of San Moyses, on the very same spot whither he had conveyed her in his gondola but a short hour ago.
"Let me destroy the painting, father!" he concluded; "it may be found, and used as testimony against me."
The Proveditore had listened with a smile, that was at once contemptuous and sorrowful, to his son's narrative, and to the confession of his weakness and disobedience to the injunctions of his aged teacher. When he had finished speaking, there was a minute's silence, broken at last by the elder Marcello.
"I have long been convinced," he said, "that Contarini would never succeed in making of you a painter fit to rank with those old and illustrious masters of whom Venice is so justly proud. But I had not thought so poorly of you, Antonio, as to believe that you would want courage to defend an object, for the attainment of which you scrupled not to disobey your venerable instructor. What the kind entreaties and remonstrances of Contarini could not induce you to abandon, you are ready to annihilate on the very first symptom of danger. Oh, Venice!" exclaimed the Proveditore, his fine countenance assuming an expression of extreme bitterness, as he gazed mournfully at the portraits of his ancestors, including more than one Doge, which were suspended round the walls of the apartment—"Venice! thou art indeed degenerate, when peril so remote can blanch the cheek of thy patrician youth."
He strode twice up and down the hall, then returning to his son, bade him fetch the picture which he was so desirous of destroying. Antonio, downcast and abashed by these reproaches, which, however, were insufficient to awaken nobler aspirations in his weak and irresolute nature, hurried to his chamber, and presently returned with a roll of canvass in his hand, which he unfolded and spread before the Proveditore—then, dreading to encounter his father's ridicule, he shrunk back out of the firelight. But the effect produced upon Marcello by the portrait of the old woman, was very different from that anticipated by his son. Scarcely had he cast his eyes upon the unearthly visage, when he started back with an exclamation of horror and astonishment.
"By all the saints, Antonio," cried he in an altered voice, "that is a fearful portrait! Alas, poor wretch! thou art long since in thy grave," continued he, addressing the picture, and with looks and tones strangely at variance with his usually stern and imperturbable deportment. "The worms have preyed on thee, and thou art as dust and ashes. Why, then, dost thou rise from the dead to fright me with that ghastly visage?"
"Is the face known to you, father?" the astonished Antonio ventured to exclaim.
"Known to me! Ay, too well! That wrinkled skin, that unearthly complexion, those deep-set eyes glowing like burning coals. Just so did she glare upon me as she swung from the tree, the blood driven into her features by the agonizing pressure of the halter. 'Tis the very look that has haunted me for years, and caused me many bitter moments of remorse; though, God knows, the deed was lawful and justifiable, done in the execution of my duty to the republic. And yet she lives," he continued musingly. "How could she have been saved? True, she had not been hanging long when we left the place. Some of her people, doubtless, were concealed hard by, and cut her down ere life had entirely fled. But, ha! 'tis a clue this to the perpetrators of to-day's outrage, for she was with them. Uzcoques, then they must have been! Said you not, Antonio, that she came from the house of the Capitano when first you saw her, and that to-day you left her there?"
"At her own special desire, father," replied Antonio.
"Then is the chain of evidence almost complete," continued the Proveditore. "It must have been herself. And now—this attack on the Malipieri palace. What was its object? A hostage?—Ay, I see it all, and our prisoner is none other than Dansowich himself. But we must have proof of that from his own confession; and this portrait may help to extort it."
Whilst uttering these broken sentences, which were totally incomprehensible to the bewildered Antonio, the Proveditore had donned his mantle, and placed his plumed cap upon his head.
"No, Antonio," said he, "we will not destroy this picture, hideous though it be. It may prove the means of rendering weighty service to the republic."
And with these words, inexplicable to his son, the Proveditore left the apartment; and, taking with him the mysterious portrait, hastened to the prison were the Uzcoque leader was immured.
The pirate chief was a man of large and athletic frame, of strong feelings, and great intellectual capabilities. His brow was large, open, and commanding; his countenance, bronzed with long exposure to the elements, and scarred with wounds, was repulsive, but by no means ignoble; his hair and beard had long been silvered over by time and calamity; but his vast bodily strength was unimpaired, and when roused into furious resentment, his manly chest emitted a volume of sound that awed every listener. Upon a larger stage, and under circumstances more favourable to the fair development of his natural powers and dispositions, the pirate Dansowich would have become one of the most distinguished and admirable men of his time. Placed by the accident of birth upon the frontiers of Christian Europe, and cherishing from early youth a belief that the highest interests of the human race were involved in the struggle between the Crescent and the Cross, he had embraced the glorious cause with that enthusiastic and fiery zeal which raises men into heroes and martyrs. Too soon, however, were these lofty aspirations checked and blighted by the anti-Christian policy of trading Venice, the bad faith of Austria towards the Uzcoque race, and the extortions of her counsellors. Cursing in the bitterness of his heart, not only Turks, Austrians, and Venetians, but all mankind, he no longer opposed the piratical tendencies of his neglected people, and eventually headed many of their marauding expeditions.
It was nearly midnight when Dansowich was awakened from a deep but troubled slumber by a grating noise at the door of his dungeon. Anxiety of mind, and still more, the effect of confinement in an impure and stifling atmosphere, upon one accustomed to the breezes of the Adriatic and the free air of the mountains, had impaired his health, and his sleep was broken by harassing and painful dreams. In that from which he now awoke, with the sweat of anguish on his brow, he had fancied himself before the tribunal
