Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 33, December, 1873. Various

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Lippincott's Magazine of Popular Literature and Science, Volume 12, No. 33, December, 1873 - Various

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golden basket at the foot of the mausoleum, with the confident expectation that these loving missives will reach the deceased and be answered by him. These royal catafalques are costly and magnificent, being covered with plates of gold, while the silks and perfumes consumed with a single body cost thousands of dollars.

      M. de Beauvoir describes an interview with the king, surrounded by ten of his offspring, including the seventy-second child. I well remember the eldest son, the present supreme king, now in his twentieth year, looking when five years old the exact counterpart of this one—his graceful little figure, dimpled cheeks, eyes lustrous as diamonds, and the glossy, raven hair, close shaven at the back, while the foretop was coiled in a smooth knot, fastened with jeweled pins and twined with fragrant flowers. The dress was very simple—only two garments of silk or embroidered muslin—but the deficiency was more than made up by jewelry, of which, in the form of chains, rings, anklets and bracelets, he wore almost incredible quantities, while his golden girdle was studded with costly diamonds.

      Polygamy prevails in its fullest extent in Siam, especially among those of noble or royal lineage; and the higher the rank the larger the number of wives, those of the supreme king amounting ordinarily to five or six hundred. Of these, the "superior wife" holds the rank of queen: she resides within the harem proper, where are the private apartments of the king, and her children are always the legal heirs. For the other wives or concubines, their children and attendants, there is a whole circle of buildings, connected by balconies with the palace royal. All these are handsomely fitted up, but what is called "the harem" pre-eminently is more gorgeous than our dreams of fairy palaces or enchanted castles of genii. Long suites of apartments with frescoed walls, ceilings of gold and pearl, floors inlaid with exquisite mosaics of silver and ebony, and with hangings of costly lace, velvet and satin, huge waxen candles, and lamps fed with perfumed oil that are never suffered to expire, mirrors, pictures, and statuettes innumerable, with cups, basins, and even spittoons, of pure gold,—all these are but a tithe of the lavish adornments of this Oriental paradise, where birds sing, flowers bloom, and the sounds of low sweet music ever greet the ear of the favored visitor. The accompanying engraving will give some idea of the general appearance of the entrance to the harem, with its burnished roof of green and gold, its graceful turrets and mosque-like pinnacles, and its base of pure white marble, chaste and elegant. But neither language nor pictorial illustration can convey to the mind any adequate realization of its bewildering beauty; and Count de Beauvoir but echoes the language of every traveler who has visited Bangkok when he declares, in his recent work, that "its temples and palaces are the most splendid of even the gorgeous East."

FANNIE R. FEUDGE.

      LIFE AT THE NATIONAL CAPITAL

      There are few cities where life is so well put upon the stage as in Washington, so far as opportunity for satisfaction and enjoyment is considered. A certain grandeur characterizes all the approaches to the city. From the west you descend upon it by a way that leads out of cloudy mountain-chains and over chasms spanned by an awful trestle-work; from the south, passing our national Mecca, the Tomb of Washington, your highway is the picturesque Potomac, which here, nearly three hundred miles from the sea, broadly embays itself as if to mirror the magnificence of the place; from the north the track winds along the banks of the Delaware, white with its coastwise commerce, in and out among the beautiful bridges that arch the Schuylkill, across the broad Susquehanna, past blazing forges and foundries, and over the long and lonely expanses of the two Gunpowder Rivers—desert wastes of water, stretching for miles away without a sail, without a light, in the melancholy grandeur of a very dream of desolation. If it is at night that you step from the station, halfway down the distance you presently see the ray of a street-lamp throw up the façade of the Patent Office in broken light and shadow; you see before you and under the hill the twinkle of scattered groups of light; you see, far off, the long row of the Treasury columns half lost in darkness, and you will remember pictured scenes of bivouacs among the ruins of Baalbec. And if it is in the morning that you arrive, fresh from the turbulence of Broadway, from the quaint and tortuous hillside lanes of Boston, from the elegant monotony of Philadelphia, the impression made upon you is still not very different. Though you are in the heart of the place, it seems to lie before you like a city in the distance. Now the mist is stripped away from some massive marble pile; now a prospect opens of river and wood and the pillared heights of Arlington; now a lofty heaven reveals a waning moon, it may be—for every square has its horizon—the morning-star flames out, a red and yellow sunrise burns behind the silver cloud of the Capitol dome, and the whole city, in its splendor and its squalor, bared to view, gives you a suffocating sense of the pettiness of all other places before the opulence of sky, the width and height, the light and space and air, that Washington affords.

      The concentric labyrinth of the city's plan is indeed something altogether unique; but whether it owes its origin to the fear of the old French barricade or to a desire for grandeur and scope, the effect attained is the same one of airy magnificence—monstrous avenues crossing the right angles of the streets in diagonals radiating from the White House and the Capitol, and all tiresomeness prevented by the accommodating way which these avenues have of turning out for any edifice that fancies their situation; while to keep upon them you are so perpetually crossing one street or losing your way down another that you may almost imagine yourself a spider walking across a web.

      The designer of all this must have had a city in his mind's eye that rivaled Napoleon's Paris—buildings, monuments, marbles, fountains, trees, and everywhere great spaces and shining skies. For years, though, this visionary city has existed only among the castles of the air, and it is within a little while that the District government has begun to put in a substantial underpinning to the cloudy fabric. But although wretched thoroughfares and dilapidated dwellings, until the last decade, have characterized the place, the fine public buildings have for a long while awaited their fit surroundings—buildings mostly of the Grecian types, which, however unfit they might be for a land where damp dark heavens make all the spires that can spring up to catch the sunshine a necessity, are perfectly appropriate to a climate where the long hot summers demand the shelter of flat roofs and cool protecting porticoes. There are, then, already, the Patent Office, with its massive Doric simplicity; the Treasury, with the superb extent of its columned sides; the Post Office, with its dazzling Corinthian splendor; the Institution, with its romantic towers and turrets of dark red stone, ivy-grown and in the midst of gardens; and the Capitol, whose dome rises over the city, so pale, so perfect and so buoyant that it seems only a cloud among the clouds—a pile that by daylight looks like a white altar of liberty set on its hilltop among velvet lawns and embowering trees, and which by starlight—when you see the sentinel lamps throw out the great shadows of the arches at its foundation, see the lofty flights of steps with their exquisite gradation, see the long flying lines of the rows of columns, monoliths of marble, taking a sparkle of light and retreating into distance and darkness, and follow up the heights till your eye rests on the shadowy dome hanging in the mid-heavens with the stars themselves—seems in its vast white sublimity the shrine of nothing less than the Genius of the nation. And by and by, when the building shall be quite complete, and shrubbery shall have grown in the new grounds, when the almond and the tulip tree and that burning bush the scarlet Japan quince, shall have come to blossom there, and the giant magnolia shall lift its snowy urns of incense about the spot, imagination will be able to conjure up no image of majesty and beauty eclipsing the reality. For all this and much more is now under way: streets have been leveled and paved and parked, embankments have been terraced, boulevards have been planted with mile-long rows of lindens, blossoming gardens have been laid out, fountains have been opened, and such dwellings erected with their grass-plots and their water-jets before them, in place of the bare old barracks and shanties, that it is now a city of parks and palaces. Your carriage can roll for leagues over streets whose roadway is smooth as a floor, past squares rich in the foliage and flower of their season, enchanting pictures of river and height unveiled at every turn, and the squalor once so prominent is seen striking its tents, while only the splendor remains. There is hardly a street but down its vista some allurement is displayed: this one reaches far away, through the green of willows and the blue of distance, across the Long Bridge and into the hills of Virginia; that one ends in the Agricultural Department and its delightful grounds; down these the Institution

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