contribution of the finest kind to that form of sacred literature. But princes and electors were fighting as much for the designation and establishment of their petty nationalities, which first checkered the map of Europe after the imperial Catholic power was rolled southwardly, as they were for the pure interest of Protestantism. The German intellect did eventually gain something from this political result, because it interrupted the literary absolutism which reigned at Vienna; no doubt literature grew more popular and German, but it did not very strikingly improve the great advantage, for there was at last exhaustion instead of a generously nourishing enthusiasm, and the great ideas of the period became the pieces with which diplomatists carried on their game. The Volkslied (popular song) came into vogue again, but it was not so fresh and natural as before; Opitz, one of the best poets of this period, is worth reading chiefly when he depicts his sources of consolation in the troubles of the time. Long poetical bulletins were written, in the epical form, to describe the battles and transactions of the war. They had an immense circulation, and served the place of newspapers. They were bright and characteristic enough for that; and indeed newspapers in Germany date from this time, and from the doggerel broadsides of satire and description which then supplanted minstrels of whatsoever name or guild, as they were carried by post, and read in every hamlet.1 But the best of these poems were pompous, dull, and tediously elaborated. They have met the fate of newspapers, and are now on file. The more considerable poets themselves appeared to be jealous of the war; they complained bitterly that Mars had displaced Apollo; but later readers regret the ferocious sack of Magdeburg, or the death of Gustavus Adolphus, more than the silencing of all those pens.
On the other hand, Spain, while fighting for religion and a secure nationality, had her Cervantes, Lope de Vega, and Calderon, all of whom saw service in the field, and other distinguished names, originators of literary forms and successful cultivators of established ones. They created brilliant epochs for a bigoted and cruel country. All that was noble or graceful in the Spanish spirit survives in works which that country once stimulated through all the various fortunes of popular wars. But they were not wars for the sake of the people; the country has therefore sunk away from the literature which foretold so well how great she might have become, if she had been fortunate enough to represent, or to sympathize with, a period of moral and spiritual ideas. Her literary forms do not describe growth, but arrested development.
A different period culminated in the genius of Milton, whose roots were in that golden age when England was flowering into popular freedom. He finally spoke for the true England, and expressed the vigorous thoughts which a bloody epoch cannot quench. Some of his noblest things were inspired by the exigencies of the Commonwealth, which he saw "as an eagle nursing her mighty youth, and kindling her undazzled eyes at the full mid-day beam."
The Dutch people, in their great struggle against Philip II., seemed to find a stimulus in the very exhaustions of war. The protesting ideas for which they fought drew fresh tenacity from the soil, wet with blood and tears, into which generous passion and resolution sank with every death. Here it is plain that a milder conflict, carried on by intrigue and diplomatic forms alone, for peaceable separation from the Catholic interest, would not have so quickened the intelligence which afterwards nourished so many English exiles and helped to freight the Mayflower. And we see the German mind first beginning to blossom with a language and a manifold literature during and after the Seven Years' War, which developed a powerful Protestant State and a native German feeling. Frederic's Gallic predilections did not infect the country which his arms had rendered forever anti-Gallic and anti-Austrian. The popular enthusiasm for himself, which his splendid victories mainly created, was the first instinctive form of the coming German sense of independence. The nation's fairest period coincided with the French Revolution and the aggressions of the Empire. "Hermann and Dorothea" felt the people's pulse, which soon beat so high at Jena and Leipsic with rage and hope. The hope departed with the Peace of 1815, and pamphleteering, pragmatic writing, theological investigation, historical research, followed the period of creative genius, whose flowers did not wither while the fields ran red.
A war must be the last resort of truly noble and popular ideas, if it would do more than stimulate the intelligence of a few men, who write best with draughts of glory and success. It must be the long-repressed understanding of a nation suffused with strong primitive emotions, that flies to arms to secure the precious privilege of owning and entertaining its knowledge and its national advantages. And in proportion as any war has ever been leavened with the fine excitement of religion or humanity, however imperfectly, and though tyrannized over by political selfishness, we can see that the honest feeling has done something to obliterate the traces of violence, to offer the comfort of worth in the cause to wounded lips.
When the people themselves take to fighting, not for dynastic objects, to secure the succession of an Infant to the throne, to fix a Pope in his chair, or to horse a runaway monarch around their necks, not to extort some commercial advantage, or to resist a tampering with the traditional balance of power, but to drive back the billows of Huns or Turks from fields where cities and a middle class must rise, to oppose citizen-right to feudal-right, and inoculate with the lance-head Society with the popular element, to assert the industrial against the baronial interest, or to expel the invader who forages among their rights to sweep them clean and to plant a system which the ground cannot receive, then we find that the intense conviction, which has been long gathering and brooding in the soul, thunders and lightens through the whole brain, and quickens the germs of Art, Beauty and Knowledge. Then war is only a process of development, which threatens terribly and shakes the locks upon its aegis in the face of the brutes which infest its path. Minerva is aware that wisdom and common sense will have to fight for recognition and a world: she fends blows from her tranquil forehead with the lowering crest; the shield is not always by her side, nor the sword-point resting on the ground. What is so vital as this armed and conscious intelligence? The pen, thus tempered to a sword, becomes a pen again, but flows with more iron than before.
But the original intellectual life begins while the pen is becoming tempered in the fires of a great national controversy, before it is hard enough to draw blood. Magnetic streams attract each slender point to a centre of prophesying thought long before the blood-red aurora stains suddenly the midnight sky and betrays the influence which has been none the less mighty because it has been colorless. Sometimes a people says all that it has in its mind to say, during that comfortless period while the storm is in the air and has not yet precipitated its cutting crystals. The most sensitive minds are goaded to express emphatically their moral feeling and expectation in such a rude climate, which stimulates rather than depresses, but which is apt to fall away into languor and content. This only shows that the people have no commanding place in history, but are only bent upon relieving themselves from sundry annoyances, or are talking about great principles which they are not in a position, from ethnical or political disability, to develop. Such is all the Panslavic literature which is not Russian.2 But sometimes a people whose intellect passes through a noble pre-revolutionary period, illustrating it by impetuous eloquence, indignant lyrics, and the stern lines which a protesting conscience makes upon the faces of the men who are lifted above the crowd, finds that its ideas reach beyond the crisis in its life into a century of power and beauty, during which its emancipated tendency springs forward, with graceful gestures, to seize every spiritual advantage. Its movements were grand and impressive while it struggled for the opportunity to make known the divine intent that inspired it; but when the fetters burst, and every limb enjoys the victory and the release, the movements become unbounded, yet rhythmical, like Nature's, and smite, or flow, or penetrate, like hers. To such a people war comes as the disturbance of the earth's crust which helps it to a habitable surface and lifts fair slopes to ripen wine and grain.
After all, then, we must carefully discover what a war was about, before we can trace it, either for good or for evil, into the subsequent life of a nation. There can be no such thing as exhaustion or deterioration, if the eternal laws have won the laurel of a fight; for they are fountains of youth, from which new blood comes rushing through the depleted veins. And it soon mantles on the surface, to mend the financial and industrial distress. Its blush of pride and victory announces no heady passion. It is the signal which
Newspapers proper appeared as early as 1615 in Germany. But these rhymed gazettes were very numerous. They were more or less bulky pamphlets, with pithy sarcastic programmes for titles, and sometimes a wood or copper cut prefixed. A few of them were of Catholic origin, and one, entitled
Some cultivated Bohemians who can recall the glories of Ziska and his chiefs, and who comprehend the value of the tendency which they strove to represent, think that there would have grown a Bohemian people, a great centre of Protestant and Slavonic influence, if it had not been for the Battle of Weissenberg in 1620, when the Catholic Imperialists defeated their King Frederic. A verse of a popular song,
If there had been a Bohemian people, preserving a real vital tendency, the Battle of the White Mountain would have resulted differently, even had it been a defeat.
Other patriots, cultivated enough to be Panslavists, indulge a more cheerful vein. They see a good time coming, and raise the cry of
This is nothing but a frontier feeling. The true Slavonic centre is at St. Petersburg; thence will roll a people and a language over all kindred ground.
