be thought to regret the loss of their aristocratical forms, and too despotic government—they think only on their vanished independence. They pine away at the remembrance, and on this subject suspend for a moment their gay good humour. Venice may be said, in the words of the scripture, 'to die daily;' and so general and so apparent is the decline, as to become painful to a stranger, not reconciled to the sight of a whole nation, expiring as it were before his eyes. So artificial a creation having lost that principle which called it into life and supported its existence, must fall to pieces at once, and sink more rapidly than it rose."
Captain Medwin relates Lord Byron's detestation of Venice in unmeasured terms. He likewise tells of his Lordship performing here one of those aquatic feats in which he greatly prided himself; and the Countess Albrizzi mentions a similar incident: "He was seen, on leaving a palace situated on the grand canal, instead of entering his gondola, to throw himself, with his clothes on, into the water, and swim to his house."
The Countess, who became acquainted with his Lordship at Venice, also narrates a few particulars of the mode in which he passed his time in that city: Amongst his peculiar habits was that of never showing himself on foot. "He was never seen to walk through the streets of Venice, nor along the pleasant banks of the Brenta, where he spent some weeks of the summer; and there are some who assert that he has never seen, excepting from a window, the wonders of the Piazza di San Marco,2 so powerful in him was the desire of not showing himself to be deformed in any part of his person. I, however," continues the Countess, "believe that he often gazed on those wonders, but in the late and solitary hour, when the stupendous edifices which surrounded him, illuminated by the soft and placid light of the moon, appeared a thousand times more lovely." "During an entire winter, he went out every morning alone, to row himself to the island of the Armenians (a small island, distant from Venice about half a league), to enjoy the society of those learned and hospitable monks, and to learn their difficult language." During the summer, Lord Byron enjoyed the exercise of riding in the evening. "No sunsets," said he, "are to be compared with those of Venice—they are too gorgeous for any painter, and defy any poet."
NATURE REVIVING
The rills run free, and fetterless, and strong,
Rejoicing that their icy bonds are broke,
The breeze is burthen'd with the grateful song
Of birds innumerous: who from torpor woke,
Cleave the fine air with renovated stroke.
The teeming earth flings up its budding store
Of herbs, and flow'rs, escaping from the yoke.
That Winter's spell had cast around; and o'er
The clear and sun-lit sky, dark clouds are seen no more.
In woody dells, by shallow brooks that stand,
The modest violet, and primrose pale,
(Like youth just bursting into life,) expand,
And cast their perfumes down the dewy vale,
Till laden seems each bland, yet searching gale
That fans the cheek with odours of the Spring.
All living nature rushes to inhale:
As if this universal blossoming
Too soon would fade away, or instantly take wing.
What beauty in the swelling upland green,
On which the fleecy flock in sportive play,
And mirth, and gambol innocent, are seen.
What pleasure through the scented copse to stray,
And hear the stock dove coo its am'rous lay,
Or climb the steep hill's side, beneath whose height
Dashing afar, like drifted snow, their spray;
The waves of ocean with an angry might,
Flash in the purple dawn, majestically bright.
Yet 'midst this union of benignant tones,
How fares it with the reasonable part
Of God's created glories? Man disowns
Not to give thanks; but skilled by human art
To screen the passions of a grateful heart;
He walks encircled by philosophy, whose creed
Allows no outward semblance, to impart
One trace of joyousness that may exceed
Those coldly rigid rules on which it loves to feed.
And therefore balmy spring, with all its joys,
Its pomp of early leaves, and thrilling lays,
And ceaseless chime of song (that never cloys,
Altho' the winds be redolent of praise.)
Wakes not in man that stupor of amaze,
Bird, beast, and plant, in universal choir,
Pay to Almighty in a thousand ways,
That sterner reason's votaries would flout,
Giving their tardy homage in mistrust and doubt.
Not so with me. I never feel the spring
Come on in beauty, but my swelling soul
Seems ready in its gush of joy, to fling
All trammels off, that would in aught control
Its wild pulsation. O'er it feelings roll
Too mighty for expression; and each sense
Appears to be commingled in one whole;
Whose sum of ecstacy is so intense,
It finds no home to garner it, but in omnipotence.
POLISH PATRIOT'S APPEAL
Rise fellow men! our country yet remains
By that dread name, we wave the sword on high,
And swear with her to live—for her to die.
Have we not proved our country's worth—the country of the free?
Have we not raised the tyrant's foot—and struck for liberty—
The giant foot that on us fell, in war's tremendous fall—
The mighty weight that bore us down and held our arms in thrall?
Have we not risked our homes, our all, at Freedom's glorious shrine,
And dared the vengeance of the Russ, whose sway is yclept divine?
And have we not appealed to arms—our last and dearest right!
And is not ours a sacred cause, a just and holy fight?
Yes, on Sarmatia's bleeding form Oppression's fetters rang,
And Liberty's last dying dirge the Northern trumpet sang:
Our hopes were buried in the grave where Kosciusko lies;
There came not friendship then from earth—nor mercy from the skies!
But Heaven has roused the Polish slave and bid him rend his chains,
And now we rank among the free—"Our country yet remains:"
Again we seek our native rights by God and Nature given—
A people's right unto their soil from us unjustly riven.
We call upon the honoured brave—the free of every land—
For succour from the powerful—for aid from every strand:
We
From some passages in his Lordship's Letters, this would not appear correct.
