The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 534, February 18, 1832. Various
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OUR LADY'S CHAPEL,
ST. SAVIOUR, SOUTHWARK
The Engraving represents the interior of the Virgin Mary's Chapel, commonly called the Lady Chapel, and appended to the ancient collegiate church of St. Saviour, Southwark. The exterior view of the Chapel will be found in No. 456 of The Mirror. About eighteen months since part of the western side of the High-street was removed for the approach to the New London Bridge, when this Chapel was opened to view; but its dilapidated appearance was rather calculated to interest antiquarian than public curiosity. The London Bridge Committee recommended the parishioners of St. Saviour to cause the Chapel to be pulled down, and their selfish suggestion would have been complied with, had not some enlightened and public-spirited individuals stepped forth to frustrate the levellers. The parishioners now became two parties. One contended for the restoration of the Chapel, as "one of the most chaste and elegant specimens of early pointed architecture of the thirteenth century of which this country can boast." The levellers, whose muckworm minds, and love of the arts is only shown in that of money-getting—maintained that the demolition of the Chapel would be "a pecuniary saving;" but theirs was a penny-wise and pound-foolish spirit; for, by removing the Chapel, a greater expense would be incurred than in its restoration. The folks could not understand plain figures, and so resolved to take the sense and nonsense of the parish, and the subject has been decided by a majority of 240 in favour of repairing the Chapel. The funds for this purpose, it should be understood, were in course of provision by public subscription, so that the blindness of party zeal threatened to reject a special advantage—the public would find the money if they would allow the Chapel to remain—whereas, had the demolition taken place, the parishioners must themselves have defrayed the consequent expenses. Historians loudly condemn the royal and noble thieves who plundered the Coliseum and the Pantheon to build palaces, yet there are men in our times, who would, if they could, take Dr. Johnson's hint to pound St. Paul's Church into atoms, and with it macadamize their roads; or fetch it away by piecemeal to build bridges with its stones, and saw up its marble monuments into chimneypieces.
The church of St. Saviour is built in the form of a cathedral, with a nave, side aisles, transepts, a choir, with its side aisles; and the chapel of St. John, which now forms the vestry, and the chapel of the Virgin Mary, or Our Lady. To the east end of the latter there has since been added a small chapel, called the Bishop's Chapel. Another chapel, (of St. Mary Magdalen,) was also connected with the south aisle of the church. The parishioners seem to have hitherto neglected the Lady Chapel, and to have shown their cupidity in ages long past. Through the influence of Dr. Gardiner, Bishop of Winchester, they were allowed to purchase the church of that wholesale sin-salesman, Henry VIII.; but after the parish had obtained the grant of the church, they let the Lady Chapel to one Wyat, a baker, who converted it into a bake-house. He stopped up the two doors which communicated with the aisles of the church, and the two which opened into the chancel, and which, though visible, still remain masoned up. 1 In 1607, Mr. Henry Wilson, tenant of the Chapel of the Holy Virgin, found himself inconvenienced by a tomb "of a certain cade," and applied to the vestry for its removal, which was very "friendly" consented to, "making the place up again in any reasonable sort." 2 In this state it continued till the year 1624, when the vestry restored it to its original condition, at an expense of two hundred pounds. "More than that sum," observes the Rev. Mr. Nightingale, "I should conceive would now be required to repair this venerable part of St. Saviour's Church in such a manner as is absolutely necessary. The pillars have in a great degree lost their perpendicular position: the mouldings and mullions of the windows are distorted in the most shameful manner; the walls are rapidly hastening to their final decay; and the whole place appears to be destined to become once more the resort of hogs and vermin of every description. That this should be the case is a great disgrace to the parish, and an insult to the diocese, in which St. Saviour's Church holds so conspicuous a character." 3
The roof of the Chapel is divided into nine groined arches, supported by six octangular pillars in two rows, having small circular columns at the four points. At the back of the altar-screen of the church 4 are some tracery compartments, probably, according to Mr. Bray, once affording through them a view of this chapel. In the east end, on the north side, are three lancet-shaped windows, forming one great window, divided by slender pillars, and having mouldings, with zig-zag ornaments. The tracery windows on the south side are masoned up, but much of the original tracery remains. At the north-east corner are remains of sharp-pointed arches; here also is an enclosure with table, desk, and elevated seat. This part is, properly speaking, the Bishop's Court; but this name is common to the whole chapel, in which the Bishop of Winchester holds his Court; and in which are held the visitations for the Deanery of Southwark.
The annexed view was taken from the north-west entrance, and shows the character of the groined roof, the supporting pillars, and the entrance to the Bishop's Chapel adjoining, by an ascent of two steps; this Chapel being named from the Tomb of Bishop Andrews, formerly standing in the centre of it. We recommend the reader to a clever paper in the Gentleman's Megazine for the present month, in which the writer proves that Our Lady's Chapel, so far from being an excrescence, as has been idly stated, "bears the same relation to the church an the head does to the body."
NIGHT-MARE
Sleeping in night-mare's thunderstorm-wove lap,
On sunless mountain high above the pole;
With ice for sheets, and lightning for a cap,
And tons of loadstones weighing on his soul;
And eye out-stretched upon some vasty map
Of uncouth worlds, which ever onward roll
To infinite—like Revelation's scroll.
Now falling headlong from his mountain bed
Down sulph'rous space, o'er dismal lakes;
Now held by hand of air—on wings of lead
He tries to rise—gasping—the hands' hold breaks,
And downward he reels through shadows of the dead,
Who cannot die though stalking in hell's flakes,
Falling, he catches his heart-string on some hook, and—wakes.
LACONICS
There is nothing to be said in favour of fashion, and yet how many are contented implicitly to obey its commands: its rules are not even dictated by the standard of taste, for it is constantly running into extremes and condemns one day what it approves the next.
There are some people so incorrigibly stupid and prosing, that wherever they are anxious of securing respect, silence would be their best policy.
As we advance in age, it is singular what a revolution takes place in our feelings. When we arrive at maturity an unkind word is more cutting and distresses us more than any bodily suffering; in our youth it was the reverse.
There is nothing so ravishing to the proud and the great (with all their resources for enjoyment) as to be thought happy by their inferiors.
Such are the casualties of life, that the presentiment of fear is far wiser than that of hope; and it would seem at all times more prudent to be providing against accident, than laying out schemes of future happiness.
The character of any particular people may be looked for with best success in their national works of talent.
There
1
Footnote 1: Stow—These have lately been re-opened.—ED. M.
2
Footnote 2: Parish Books.
3
Footnote 3: Hist. and Antiq. Paroch. Church, St. Saviour, Southwark, 4to. 1818.
4
Footnote 4: This Screen is about to be partially restored at an expense of about £800. now in course of subscription among the more respectable and intelligent parishioners.
5
Footnote 5: Where did the Sportsman's Letters come from?—ED.