The Common Law. Chambers Robert William

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The Common Law - Chambers Robert William

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It is all my own fault."

      He smiled. "Then it's all right, now that we understand. Isn't it?"

      "Yes."

      "You make a stunning model," he said frankly.

      "Do I? Then you will let me come again?"

      "Let you!" He laughed; "I'll be more likely to beg you."

      "Oh, you won't have to," she said; "I'll come as long as you want me."

      "That is simply angelic of you. Tell me, do you wish to descend to terra firma?"

      She glanced below, doubtfully:

      "N-no, thank you. If I could only stretch my—legs—"

      "Stretch away," he said, much amused, "but don't tumble off and break into pieces. I like you better as you are than as an antique and limbless Venus."

      She cautiously and daintily extended first one leg then the other under the wool robe, then eased the cramped muscles of her back, straightening her body and flexing her arms with a little sigh of relief. As her shy sidelong gaze reverted to him she saw to her relief that he was not noticing her. A slight sense of warmth, suffused her body, and she stretched herself again, more confidently, and ventured to glance around.

      "Speaking of terms," he said in an absent way, apparently preoccupied with the palette which he was carefully scraping, "do you happen to know what is the usual recompense for a model's service?"

      She said that she had heard, and added with quick diffidence that she could not expect so much, being only a beginner.

      He polished the surface of the palette with a handful of cheese cloth:

      "Don't you think that you are worth it?"

      "How can I be until I know how to pose for you?"

      "You will never have to learn how to pose, Miss West."

      "I don't know exactly what you mean."

      "I mean that some models never learn. Some know how already—you, for example."

      She flushed slightly: "Do you really mean that?"

      "Oh, I wouldn't say so if I didn't. It's merely necessary for you to accustom yourself to holding a pose; the rest you already know instinctively."

      "What is the rest?" she ventured to ask. "I don't quite understand what you see in me—"

      "Well," he said placidly, "you are beautifully made. That is nine-tenths of the matter. Your head is set logically on your neck, and your neck is correctly placed on your spine, and your legs and arms are properly attached to your torso—your entire body, anatomically speaking, is hinged, hung, supported, developed as the ideal body should be. It's undeformed, unmarred, unspoiled, and that's partly luck, partly inheritance, and mostly decent habits and digestion."

      She was listening intently, interested, surprised, her pink lips slightly parted.

      "Another point," he continued; "you seem unable to move or rest ungracefully. Few women are so built that an ungraceful motion is impossible for them. You are one of the few. It's all a matter of anatomy."

      She remained silent, watching him curiously.

      He said: "But the final clincher to your qualifications is that you are intelligent. I have known pretty women," he added with, sarcasm, "who were not what learned men would call precisely intelligent. But you are. I showed you my sketch, indicated in a general way what I wanted, and instinctively and intelligently you assumed the proper attitude. I didn't have to take you by the chin and twist your head as though you were a lay figure; I didn't have to pull you about and flex and bend and twist you. You knew that I wanted you to look like some sort of an ethereal immortality, deliciously relaxed, adrift in sunset clouds. And you were it—somehow or other."

      She looked down, thoughtfully, nestling to the chin in the white wool folds. A smile, almost imperceptible, curved her lips.

      "You are making it very easy for me," she said.

      "You make it easy for yourself."

      "I was horribly afraid," she said thoughtfully.

      "I have no doubt of it."

      "Oh, you don't know—nobody can know—no man can understand the terror of—of the first time—"

      "It must be a ghastly experience."

      "It is!—I don't mean that you have not done everything to make it easier—but—there in the little room—my courage left me—I almost died. I'd have run away only—I was afraid you wouldn't let me—"

      He began to laugh; she tried to, but the terror of it all was as yet too recent.

      "At first," she said, "I was afraid I wouldn't do for a model—not exactly afraid of my—my appearance, but because I was a novice; and I imagined that one had to know exactly how to pose—"

      "I think," he interrupted smilingly, "that you might take the pose again if you are rested. Go on talking; I don't mind it."

      She sat erect, loosened the white wool robe and dropped it from her with less consciousness and effort than before. Very carefully she set her feet on the blocks, fitting the shapely heels to the chalked outlines; found the mark for her elbow, adjusted her slim, smooth body and looked at him, flushing.

      "All right," he said briefly; "go ahead and talk to me."

      "Do you wish me to?"

      "Yes; I'd rather."

      "I don't know exactly what to say."

      "Say anything," he returned absently, selecting a flat brush with a very long handle.

      She thought a moment, then, lifting her eyes:

      "I might ask you your name."

      "What? Don't you know it? Oh, Lord! Oh, Vanity! I thought you'd heard of me."

      She blushed, confused by her ignorance and what she feared was annoyance on his part; then perceived that he was merely amused; and her face cleared.

      "We folk who create concrete amusement for the public always imagine ourselves much better known to that public than we are, Miss West. It's our little vanity—rather harmless after all. We're a pretty decent lot, sometimes absurd, especially in our tragic moments; sometimes emotional, usually illogical, often impulsive, frequently tender-hearted as well as supersensitive.

      "Now it was a pleasant little vanity for me to take it for granted that somehow you had heard of me and had climbed twelve flights of stairs for the privilege of sitting for me."

      He laughed so frankly that the shy, responsive smile made her face enchanting; and he coolly took advantage of it, and while exciting and stimulating it, affixed it immortally on the exquisite creature he was painting.

      "So you didn't climb those twelve flights solely for the privilege of having me paint you?"

      "No," she admitted, laughingly, "I was merely going to begin at the top and apply for work all the way down until somebody took me—or nobody took me."

      "But

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