street? Would you care ve'y much what flag happened to be flying over Castle William? Listen to another warning from this stainless poet of the South." She opened the newspaper feverishly, glanced quickly down the columns, and holding it high under the chandelier, read in a hushed but distinct voice, picking out a verse here and there at random:
"Calm as that second summer which precedes
The first fall of the snow,
In the broad sunlight of heroic deeds
A city bides her foe.
"As yet, behind high ramparts stem and proud
Where bolted thunders sleep,
Dark Sumter like a battlemented cloud
Towers o'er the solemn deep.
"But still along the dim Atlantic's line
The only hostile smoke
Creeps like a harmless mist above the brine
From some frail floating oak.
"And still through streets re-echoing with trade
Walk grave and thoughtful men
Whose hands may one day wield the patriot's blade
As lightly as the pen.
"And maidens, with such eyes as would grow dim
Over a wounded hound
Seem each one to have caught the strength of him
Whose sword-knot she hath hound.
"Thus, girt without and garrisoned at home,
Day patient following day,
Old Charleston looks from roof and spire and dome
Across her tranquil bay.
"Shall the spring dawn, and she, still clad in steel,
And with an unscathed brow,
Watch o'er a sea unvexed by hostile keel
As fair and free as now?
"We know not. In the Temples of the Fates
God has inscribed her doom;
And, all untroubled in her faith she waits
Her triumph or her tomb!"
The hushed charm of their mother's voice fascinated the children. Troubled, uncertain, Ailsa rose, took a few irresolute steps toward the extension where her brother-in-law still paced to and fro in the darkness, the tip of his cigar aglow. Then she turned suddenly.
"Can't you understand, Ailsa?" asked her sister-in-law wistfully.
"Celia—dearest," she stammered, "I simply can't understand. . . . I thought the nation was greater than all–"
"The State is greater, dear. Good men will realise that when they see a sovereign people standing all alone for human truth and justice—standing with book and sword under God's favour, as sturdily as ever Israel stood in battle fo' the right!—I don't mean to be disloyal to my husband in saying this befo' my children. But you ask me, and I must tell the truth if I answer at all."
Slender, upright, transfigured with a flushed and girlish beauty wholly strange to them, she moved restlessly back and forth across the room, a slim, lovely, militant figure all aglow with inspiration, all aquiver with emotion too long and loyally suppressed.
Paige and Marye, astonished, watched her without a word. Ailsa stood with one hand resting on the mantel, a trifle pale but also silent, her startled eyes following this new incarnation wearing the familiar shape of Celia Craig.
"Ailsa!"
"Yes, dear."
"Can you think evil of a people who po' out their hearts in prayer and praise? Do traitors importune fo' blessings?"
She turned nervously to the piano and struck a ringing chord, another—and dropped to the chair, head bowed on her slim childish neck. Presently there stole through the silence a tremulous voice intoning the "Libera Nos," with its strange refrain:
"A furore Normanorum Libera nos, O Domme!" Then, head raised, the gas-light flashing on her dull-gold hair, her voice poured forth all that was swelling and swelling up in her bruised and stifled heart:
"God of our fathers! King of Kings!
Lord of the earth and sea!
With hearts repentant and sincere
We turn in need to thee."
She saw neither her children nor her husband nor Ailsa now, where they gathered silently beside her. And she sang on:
"In the name of God! Amen!
Stand for our Southern rights;
On our side. Southern men,
The God of Battles fights!
Fling the invader far—
Hurl back his work of woe—
His voice is the voice of a brother,
But his hands are the hands of a foe.
By the blood which cries to Heaven.
Crimson upon our sod
Stand, Southrons, fight and conquer
In the Name of the Living God!"
Like receding battle echoes the chords, clashing distantly, died away.
If she heard her husband turn, enter the hallway, and unbolt the door, she made no sign. Ailsa, beside her, stooped and passed one arm around her.
"You—are not crying, are you, Celia, darling?" she whispered.
Her sister-in-law, lashes wet, rose with decision.
"I think that I have made a goose of myse'f to-night. Marye, will you say to your father that it is after eleven o'clock, and that I am waiting to be well scolded and sent to bed?"
"Father went out a few moments ago," said Paige in an awed voice.
"I heard him unbolt the front door."
Ailsa turned and walked swiftly out into the hallway; the front door swung wide; Mr. Craig stood on the steps wearing his hat. He looked around as she touched his arm.
"Oh, is it you, Ailsa?" There was a moment's indecision. Through it, once more, far away in the city The Voices became audible again, distant, vague, incessant.
"I thought—if it is actually an extra—" he began carelessly and hesitated; and she said:
"Let me go with you. Wait. I'll speak to Celia."
"Say to her that I'll be gone only a moment."
When Ailsa returned she slipped her arm through his and they descended the steps and walked toward Fulton Avenue. The Voices were still distant; a few people, passing swiftly through the dusk, preceded them. Far down the vista of the lighted avenue dark figures crossed and recrossed the street, silhouetted against the gas-lights; some were running. A man called out something as they passed him. Suddenly, right ahead in the darkness, they encountered people gathered before the boarded fence of a vacant lot, a silent crowd shouldering, pushing, surging back and forth, swarming far out along the dimly lighted avenue.
"There's a bulletin posted there," whispered Ailsa. "Could you lift me in your arms?"
Her brother-in-law stooped, clasped her knees, and lifted her high up above
