some time the briefless barrister diligently frequented the Edinburgh courts, on the lookout for business. If he had few cases, he had excellent company in another "limb," of his own kidney, John Gibson Lockhart. These two roystering pundits, having little to do, filled up their moments mainly with much fun, keeping their faculties on the alert for whatever might turn up. The thing that soon turned up was "Blackwood."
The "Edinburgh Review"—the first in the field of the modern politico-literary periodicals—commenced its career in 1802, under the leadership of Brougham, Sydney Smith, Jeffrey, and Horner, all stanch Whigs. At first, literature had the second place, while politics occupied the chief seat; though in later years their relative positions have been reversed. Then, the one great thing in view was to have an able party-organ, the fearless champion of a certain policy in matters of State. The Whigs must be glorified, and the Tories put down, at all events, whatever else might be done. The rejoicings of the former, and the discomfiture of the latter, soon bore witness to the ability and success of this new-fledged champion. But this one-sided state of things could not continue always. The Tories, too, must have a mouth-piece to testify of their devotion to "the good old cause," and silence the clamors of their opponents. Accordingly, in 1809, appeared the "Quarterly Review," with Gifford as editor, and Scott, Southey, Croker, Canning, and others, as chief contributors. Under the conduct of such men, it became at once an organ of great power, yet still not quite what was wanted. It did not seem to meet entirely the demands of the case. It had not the wit, pungency, and facility of its rival, and failed of securing so general a popularity. Its learning and gravity made it better suited to be the oracle of scholars than the organ of a party. Compared with its adversary across the Tweed, it was like a ponderous knight, cased in complete steel, attacking an agile, light-armed Moorish cavalier; or, to use Ben Jonson's illustration, like a Spanish great galleon opposed to the facile manoeuvres of a British man-of-war. For such an enemy there were needed other weapons. Well might the Tories say,—
"Non tali auxilio, nee defensoribus istis Tempos eget."
William Blackwood, the Prince-Street publisher, thought, that, to be successful, the war should be carried into Africa,—that the enemy must be met on his own ground with his own weapons. Hogg, whose weekly paper, "The Spy," had recently fallen through, also came to the conclusion that a sprightly monthly publication, of strong Tory proclivities, could not fail to do well. So, the times being ripe, Blackwood issued, in March, 1817, the first number of his new monthly, then called "The Edinburgh Monthly Magazine." Though himself a violent Tory, he, singularly enough, chose as his editors two Whigs,—Pringle the poet, and Cleghorn. Hogg lent his aid from the beginning. Scott, too, wrote now and then; and very soon Wilson made his appearance as "Eremus," contributing prose and verse. But the new magazine did not prove to be what was hoped,—a decided success. It was, in fact, quite flat and dull, having nothing life-like and characteristic. The radical error of attempting to build on such heterogeneous foundations was soon perceived. Vigor of action could proceed only from entire unanimity of sentiment. Soon a rupture arose between editors and publisher, and the former seceded with the list of subscribers, leaving the latter his own master. He at once decided to remodel his periodical entirely,—to make it a thorough-going partisan, and to infuse a new life and vigor by means of personality and wit. How well he succeeded we all know. Thenceforward, until his death in 1834, he acted as editor, and a better one it would be difficult to find. The new management went into effect in October, 1817, with the famous No. VII. The difference was apparent at once, not only in the ability and style, but also in the title of the periodical, which was then changed to the name which it has borne ever since. In this number appeared the first really distinctive article of the magazine,—the celebrated "Translation from an Ancient Chaldee Manuscript,"—an allegorical account, in quaint Scripture phrase, of Blackwood's quarrel with his editors, and a savage onslaught on the leading Whigs of Edinburgh. So great a hubbub arose immediately on the appearance of this diatribe that it was suppressed as soon as possible; and though the editor offered an earnest apology for its insertion, he was finally mulcted in costs in a large sum for libel. But the general effect was highly favorable to the new magazine. It gave it—what had been lacking before—notoriety and a recognized position, and made its existence no longer a matter of indifference. It was known that Hogg conceived the idea, and wrote some portion of the article. But few could believe, as was claimed by some, that all the sharp touches came from his hand. Hogg, it appears, wrote the first part; Wilson and Lockhart together contributed most of the remainder, amidst side-splitting guffaws, in a session in the house of the Dowager Wilson, in Queen Street; while the philosophic Sir William Hamilton, in adding his mite, was so moved by uproarious cachinnation that he fairly tumbled out of his chair.
The power and personality which thus early characterized the magazine were its leading features in after-years. Wilson and Lockhart became at once its chief contributors,—Wilson especially writing for its columns, with the most extraordinary profusion, on all conceivable topics, in prose and verse, for more than thirty years. By these articles he became known beyond his own circle, and on these his fame must ultimately rest. His daughter points to them with pride, and unhesitatingly expresses the opinion that they in themselves are a sufficient answer to all who doubt whether the great powers of their author ever found adequate expression. We are unable to agree with her. Able and brilliant as these articles unquestionably were, we cannot think that such glimpses and fragments—or, in fact, all the relics left by their author—furnish results at all commensurate with the man. Though Maga increased his immediate reputation, we think it diminished his lasting fame, by leading him to scatter, instead of concentrating his remarkable powers on some one great work. Scott and other great authorities saw so much native genius in Wilson, that they often said that it lay in him to become the first man of his time, though they feared that his eccentricities and lack of steadiness might prove fatal to his success.
Though never really the editor of "Blackwood," Wilson was from the first its guiding spirit,—the leaven that leavened the whole lump. The way in which he threw himself into his work he described as follows:—"We love to do our work by fits and starts. We hate to keep fiddling away, an hour or two at a time, at one article for weeks. So off with our coat, and at it like a blacksmith. When we once get the way of it, hand over hip, we laugh at Vulcan and all his Cyclops. From nine of the morning till nine at night, we keep hammering away at the metal, iron or gold, till we produce a most beautiful article. A biscuit and a glass of Madeira, twice or thrice at the most,—and then to a well-won dinner. In three days, gentle reader, have We, Christopher North, often produced a whole magazine,—a most splendid number. For the next three weeks we were as idle as a desert, and as vast as an antre,—and thus on we go, alternately laboring like an ant, and relaxing in the sunny air like a dragon-fly, enamored of extremes." Of all his contributions, we think the "Noctes Ambrosianae" give by far the best idea of their author. They are perfectly characteristic throughout, though singularly various. Every mood of the man is apparent; and hardly anything is touched which is not adorned. Their pages reveal in turn the poet, the philosopher, the scholar, and the pugilist. Though continued during thirteen years, their freshness does not wither. To this day we find the series delightful reading: we can always find something to our taste, whether we crave fish, flesh, or fowl. Whether we lounge in the sanctum, or roam over the moors, we feel the spirit of Christopher always with us.
It has been attempted, on Wilson's behalf, to excuse the fierce criticism and violent personality of Maga in its early days, on the plea that his influence over that periodical was less then than afterwards,—and that, as his control increased, the bitterness decreased. This is a special plea which cannot be allowed. The magazine was moulded, from the beginning, more by Wilson than by all others. If personalities had been offensive to him, they would not have been inserted, except in a limited degree. Lockhart, it is true, was far more bitter, but his influence was less. He could never have been successful in running counter to Wilson. Besides, though Wilson's nominal power might have been greater in the control of the magazine in later years, it was virtually but little, if at all, increased. The fact is, these onslaughts were perfectly congenial to his nature at that time.
His young blood made him impetuous, passionate, and fond of extremes,—perhaps unduly so. He was a warm lover, and a strong, though not malignant, hater,—and consequently deliberately
