art has brought us under a weight of obligation to many of them which we can hardly expect to discharge. Some of the friends in our immediate neighborhood have sent us photographs of their own making which for clearness and purity of tone compare favorably with the best professional work. Among our more distant correspondents there are two so widely known to photographers that we need not hesitate to name them: Mr. Coleman Sellers of Philadelphia and Mr. S. Wager Hull of New York. Many beautiful specimens of photographic art have been sent us by these gentlemen,—among others, some exquisite views of Sunnyside and of the scene of Ichabod Crane's adventures. Mr. Hull has also furnished us with a full account of the dry process, as followed by him, and from which he brings out results hardly surpassed by any method.
A photographic intimacy between two persons who never saw each other's faces (that is, in Nature's original positive, the principal use of which, after all, is to furnish negatives from which portraits may be taken) is a new form of friendship. After an introduction by means of a few views of scenery or other impersonal objects, with a letter or two of explanation, the artist sends his own presentment, not in the stiff shape of a purchased carte de visite, but as seen in his own study or parlor, surrounded by the domestic accidents which so add to the individuality of the student or the artist. You see him at his desk or table with his books and stereoscopes round him; you notice the lamp by which he reads,—the objects lying about; you guess his condition, whether married or single; you divine his tastes, apart from that which he has in common with yourself. By-and-by, as he warms towards you, he sends you the picture of what lies next to his heart,—a lovely boy, for instance, such as laughs upon us in the delicious portrait on which we are now looking, or an old homestead, fragrant with all the roses of his dead summers, caught in one of Nature's loving moments, with the sunshine gilding it like the light of his own memory. And so these shadows have made him with his outer and his inner life a reality for you; and but for his voice, which you have never heard, you know him better than hundreds who call him by name, as they meet him year after year, and reckon him among their familiar acquaintances.
To all these friends of ours, those whom we have named, and not less those whom we have silently remembered, we send our grateful acknowledgments. They have never allowed the interest we have long taken in the miraculous art of photography to slacken. Though not one of them may learn anything from this simple account we have given, they will perhaps allow that it has a certain value for less instructed readers, in consequence of its numerous and rich omissions of much which, however valuable, is not at first indispensable.
THE WRAITH OF ODIN
The guests were loud, the ale was strong,
King Olaf feasted late and long;
The hoary Scalds together sang;
O'erhead the smoky rafters rang.
Dead rides Sir Morten of Fogelsang.
The door swung wide, with creak and din;
A blast of cold night-air came in,
And on the threshold shivering stood
An aged man, with cloak and hood.
Dead rides Sir Morten of Fogelsang.
The King exclaimed, "O graybeard pale,
Come warm thee with this cup of ale."
The foaming draught the old man quaffed,
The noisy guests looked on and laughed.
Dead rides Sir Morten of Fogelsang.
Then spake the King: "Be not afraid;
Sit here by me." The guest obeyed,
And, seated at the table, told
Tales of the sea, and Sagas old.
Dead rides Sir Morten of Fogelsang.
And ever, when the tale was o'er,
The King demanded yet one more;
Till Sigurd the Bishop smiling said,
"'T is late, O King, and time for bed."
Dead rides Sir Morten of Fogelsang.
The King retired; the stranger guest
Followed and entered with the rest;
The lights were out, the pages gone,
But still the garrulous guest spake on.
Dead rides Sir Morten of Fogelsang.
As one who from a volume reads,
He spake of heroes and their deeds,
Of lands and cities he had seen,
And stormy gulfs that tossed between.
Dead rides Sir Morten of Fogelsang.
Then from his lips in music rolled
The Havamal of Odin old,
With sounds mysterious as the roar
Of billows on a distant shore.
Dead rides Sir Morten of Fogelsang.
"Do we not learn from runes and rhymes
Made by the Gods in elder times,
And do not still the great Scalds teach
That silence better is than speech?"
Dead rides Sir Morten of Fogelsang.
Smiling at this, the King replied,
"Thy lore is by thy tongue belied;
For never was I so enthralled
Either by Saga-man or Scald."
Dead rides Sir Morten of Fogelsang.
The Bishop said, "Late hours we keep!
Night wanes, O King! 't is time for sleep!"
Then slept the King, and when he woke,
The guest was gone, the morning broke.
Dead rides Sir Morten of Fogelsang.
They found the doors securely barred,
They found the watch-dog in the yard,
There was no foot-print in the grass,
And none had seen the stranger pass.
Dead rides Sir Morten of Fogelsang.
King Olaf crossed himself and said,
"I know that Odin the Great is dead;
Sure is the triumph of our Faith,
The white-haired stranger was his wraith."
Dead rides Sir Morten of Fogelsang.
GALA-DAYS
II
The descent from Patmore and poetry to New York is somewhat abrupt, not to say precipitous, but we made it in safety; and so shall you, if you will be agile. New York is a pleasant little Dutch city, on a dot of island a few miles southwest of Massachusetts. For a city entirely unobtrusive and unpretending, it has really great attractions and solid merit; but the superior importance of other places will not permit me to tarry long within its hospitable walls. In fact, we only arrived late at night, and departed early the next morning; but even a six-hours' sojourn gave me a solemn and "realizing sense" of its marked worth,—for, when, tired and listless, I asked for a servant to assist me, the waiter said he would send the housekeeper. Accordingly, when, a few moments after, it knocked at the door with light, light finger, (See De la Motte Fouquè,) I drawled, "Come in," and the Queen of Sheba stood before me, clad in purple and fine linen, with rings on her fingers and bells on her toes. I stared in dismay, and perceived myself rapidly transmigrating into a ridiculus mus. My gray and dingy travelling-dress grew abject, and burned into my soul like the tunic of Nessus. I should as soon have thought of asking Queen Victoria to brush out my hair as
