a short pause, Gascoigne's escort bade him march, and the three followed through the same door.
They entered a second chamber, smaller than the first, the uses of which were at once obvious to Gascoigne, although he had never been there before. It was like a low shed or workroom, lighted from above, perfectly plain—even bald—in its decoration, but in the centre, occupying the greater part of the space, and leaving room only for a passage around, was a large flat slab of marble, something like that seen in fishmongers' shops. The similarity was maintained by the sound of water constantly flowing and falling upon the marble slab, as though to keep it and its burden always fresh and cool.
But that burden! Three corpses, stark naked but for a decent waistband, were laid out upon the marble table. One was that of a child who had been fished up from the Seine that morning; the second that of a stonemason who had fallen from a scaffolding and broken his neck and both legs; the third was the murdered man of the Hôtel Paradis, the Baron d'Enot, stripped of his well-made clothes, lying stark and stiff on his back, with the great knife-wound gaping red and festering in his breast.
"There!" cried the judge, triumphantly, leaning forward to scrutinise narrowly the effect of this hideous confrontation upon the prisoner.
To his bitter disappointment, this carefully prepared theatrical effect, so frequently practised and so often successful with French criminals, altogether failed with Gascoigne. The Englishman certainly had started at the first sight of the corpse, but it was a natural movement of horror which might have escaped any unconcerned spectator at being brought into the presence of death in such a hideous form. After betraying this first and not unnatural sign of emotion, Gascoigne remained perfectly cool, self-possessed, and unperturbed.
"You see your victim there; now will you confess?" cried the judge, almost passionately.
"Ledantec's victim, not mine," replied Gascoigne, quietly. Then, as if in apology to himself, he added, "I could not help speaking, but I shall say nothing more."
"He is very strong, extraordinarily strong!" cried the judge, his rage giving place to admiration at the obstinate fortitude of his prisoner. "In all my experience"—this was to the police and the chief custodian of the Morgue—"I have never come across a more cold-blooded, cynical wretch; but he shall not beat me; he shall not outrage and set the law at defiance; we will bend his spirit yet. Take him back to the Mousetrap; he shall stay there until he chooses to speak."
With this unfair threat, which was tantamount to a sentence of unlimited imprisonment, the judge dismissed his prisoner.
Gascoigne was marched back to the cab; the police-agents ordered him to re-enter it; one of them took his seat by his side as before, the other remounted the box. Then the cab started on its journey back to the Préfecture.
Gascoigne, silent, pre-occupied, and outwardly calm, was yet inwardly consumed with a fierce though impotent rage. He was indignant at the shameful treatment he had received. To be arraigned as a criminal prematurely, his guilt taken for granted on the testimony of unseen witnesses whose evidence he had no chance of rebutting—all this, so intolerable to the spirit of British justice, revolted him and outraged his sense of fair play.
Yet what could he do? He was without redress. They had denied him his right of appeal to his ambassador; he was forbidden to communicate with his friends. There seemed no hope for him, no chance of justice, no loophole of escape.
Stay! Escape?
As the thought flashed quickly across his brain it lingered, taking practical shape. Surely it was worth his while to make an effort, to strike one bold blow for liberty now, before it was too late!
He quickly cast up the chances for and against. The cab was following the line of quays as before, but along the northern bank of the island, that bordering the main stream. It was going at little better than a foot's pace; the door next which he sat was on the side of the river. What if he knocked his guardian senseless, striking him a couple of British blows—one, two, straight from the shoulder—then, flinging open the door, spring out, and over the parapet into the swift-flowing Seine? He was an excellent swimmer; once in the water, surely he might trust to his luck!
These were the arguments in his favour. Against him were the chances that his companion might show fight; that he might check his prisoner's exit until his comrade on the box could come to the rescue; or that some officious bystander might act on the side of the law; or that a shot might drop him as he fled; or, finally, and most probably of all, that he might be drowned in the turbulent stream.
Gascoigne was not long in coming to a decision. "Nothing venture, nothing have," was his watchword. At this moment the cab was near the end of the Quai aux Fleurs, near the Pont d'Arcole. There was no time to be lost; at any moment it might turn down from the river, taking one of the cross streets. Setting his teeth firmly, and nerving himself for a supreme effort, Gascoigne sprang suddenly upon the police-agent, twisted his hands inside the stiff stock, and, having thus nearly throttled him, felled him with two tremendous blows.
With a groan, the man fell to the bottom of the cab; the next instant Gascoigne had opened the door and dropped into the roadway.
The escape was observed by one or two passers-by; but they were evidently people who owed the police no good-will, for, although they stood still to watch the fugitive, they did not give the alarm. This came first from the policeman who had been assaulted, who, recovering quickly from the attack, roared lustily to his fellow for help. The cab stopped, the officials alighted hurriedly, and looking to right and left caught sight of Gascoigne as he stood upon the parapet and made his plunge into the river. Both rushed to the spot, pistol in hand.
Down below was the figure of their escaped prisoner battling with the rapid stream. Both fired, almost simultaneously, and one at least must have hit the mark.
Gascoigne's body turned over and then sank, leaving a small crimson stain upon the water.
Was he killed? Drowned? That is what no one could tell; but it was certain that no corpse answering the Englishman's description was ever recovered from the river; nor, on the other hand, did the police, in spite of an active pursuit, lay hands on their prisoner again alive.
CHAPTER IV.
A SPIDER'S WEB
Some half a dozen years after the occurrences just recorded there was a great gathering one night at Essendine House, a palatial mansion occupying the whole angle of a great London square. The reception-rooms upon the first floor, five of them, and all en suite, and gorgeously decorated in white and gold, were brilliantly lighted and thrown open to the best of London society. Lady Essendine was at home to her friends, and seemingly she had plenty of them, for the place was thronged.
The party was by way of being musical—that is to say, a famous pianist had been engaged to let off a lot of rockets from his finger-tips, and a buffo singer from the opera roared out his "Figaro la, Figaro quà," with all the strength of his brazen lungs; while one or two gifted amateurs sang glees in washed-out, apologetical accents, which were nearly lost in the din of the room.
But there was yet another singer, whose performance was attended with rather more display. It was preluded by a good deal of whispering and nodding of heads. Lady Essendine posed as a charitable person, always anxious to do good, and this singer was a protégée of hers—an interesting but unfortunate foreigner in very reduced circumstances, whom she had discovered by accident, and to whom she was most anxious to give a helping hand.
"A sweet creature," she had said quite audibly that evening, although the object of her remarks was at her elbow. "A most engaging person; poor thing, when I found her she was almost destitute. Wasn't it sad?"
"Quite
