The Younger Set. Chambers Robert William

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no, no! Wait," pressing an electric button; "Watson, Captain Selwyn's luggage is to be brought here immediately from the Holland! Immediately!" And to Selwyn: "Austin will not be at home before half-past six. Come up with me now and see your quarters—a perfectly charming place for you, with your own smoking-room and dressing-closet and bath. Wait, we'll take the elevator—as long as we have one."

      Smilingly protesting, yet touched by the undisguised sincerity of his welcome, he suffered himself to be led into the elevator—a dainty white and rose rococo affair. His sister adjusted a tiny lever; the car moved smoothly upward and, presently stopped; and they emerged upon a wide landing.

      "Here," said Nina, throwing open a door. "Isn't this comfortable? Is there anything you don't fancy about it? If there is, tell me frankly."

      "Little sister," he said, imprisoning both her hands, "it is a paradise—but I don't intend to come here and squat on my relatives, and I won't!"

      "Philip! You are common!"

      "Oh, I know you and Austin think you want me."

      "Phil!"

      "All right, dear. I'll—it's awfully generous of you—so I'll pay you a visit—for a little while."

      "You'll live here, that's what you'll do—though I suppose you are dreaming and scheming to have all sorts of secret caves and queer places to yourself—horrid, grimy, smoky bachelor quarters where you can behave sans-façon."

      "I've had enough of sans-façon" he said grimly. "After shacks and bungalows and gun-boats and troopships, do you suppose this doesn't look rather heavenly?"

      "Dear fellow!" she said, looking tenderly at him; and then under her breath: "What a ghastly life you have led!"

      But he knew she did not refer to the military portion of his life.

      He threw back his coat, dug both hands into his pockets, and began to wander about the rooms, halting sometimes to examine nondescript articles of ornament or bits of furniture as though politely interested. But she knew his thoughts were steadily elsewhere.

      "'There is no reason,' she said, 'why you should not call this house home.'"

      Sauntering about, aware at moments that her troubled eyes were following him, he came back, presently, to where she sat perched upon his bed.

      "It all looks most inviting, Nina," he said cheerfully, seating himself beside her. "I—well, you can scarcely be expected to understand how this idea of a home takes hold of a man who has none."

      "Yes, I do," she said.

      "All this—" he paused, leisurely, to select his words—"all this—you—the children—that jolly nursery—" he stopped again, looking out of the window; and his sister looked at him through eyes grown misty.

      "There is no reason," she said, "why you should not call this house home."

      "N-no reason. Thank you. I will—for a few days."

      "No reason, dear," she insisted. "We are your own people; we are all you have, Phil!—the children adore you already; Austin—you know what he thinks of you; and—and I—"

      "You are very kind, Ninette." He sat partly turned from her, staring at the sunny window. Presently he slid his hand back along the bed-covers until it touched and tightened over hers. And in silence she raised it to her lips.

      They remained so for a while, he still partly turned from her, his perplexed and narrowing gaze fixed on the window, she pressing his clenched hand to her lips, thoughtful and silent.

      "Before Austin comes," he said at length, "let's get the thing over—and buried—as long as it will stay buried."

      "Yes, dear."

      "Well, then—then—" but his throat closed tight with the effort.

      "Alixe is here," she said gently; "did you know it?"

      He nodded.

      "You know, of course, that she's married Jack Ruthven?"

      He nodded again.

      "Are you on leave, Phil, or have you really resigned?"

      "Resigned."

      "I knew it," she sighed.

      He said: "As I did not defend the suit I couldn't remain in the service. There's too much said about us, anyway—about us who are appointed from civil life. And then—to have that happen!"

      "Phil?"

      "What?"

      "Will you answer me one thing?"

      "Yes, I guess so."

      "Do you still care for—her?"

      "I am sorry for her."

      After a painful silence his sister said: "Could you tell me how it began, Phil?"

      "How it began? I don't know that, either. When Bannard's command took the field I went with the scouts. Alixe remained in Manila. Ruthven was there for Fane, Harmon & Co. That's how it began, I suppose; and it's a rotten climate for morals; and that's how it began."

      "Only that?"

      "We had had differences. It's been one misunderstanding after another. If you mean was I mixed up with another woman—no! She knew that."

      "She was very young, Phil."

      He nodded: "I don't blame her."

      "Couldn't anything have been done?"

      "If it could, neither she nor I did it—or knew how to do it, I suppose. It went wrong from the beginning; it was founded on froth—she had been engaged to Harmon, and she threw him over for 'Boots' Lansing. Then I came along—Boots behaved like a thoroughbred—that is all there is to it—inexperience, romance, trouble—a quick beginning, a quick parting, and two more fools to give the lie to civilization, and justify the West Pointers in their opinions of civil appointees."

      "Try not to be so bitter, Phil; did you know she was going before she left Manila?"

      "I hadn't the remotest idea of the affair. I thought that we were trying to learn something about life and about each other. . . . Then that climax came."

      He turned and stared out of the window, dropping his sister's hand. "She couldn't stand me, she couldn't stand the life, the climate, the inconveniences, the absence of what she was accustomed to. She was dead tired of it all. I can understand that. And I—I didn't know what to do about it. . . . So we drifted; and the catastrophe came very quickly. Let me tell you something; a West Pointer, an Annapolis man, knows what sort of life he's going into and what he is to expect when he marries. Usually, too, he marries into the Army or Navy set; and the girl knows, too, what kind of a married life that means.

      "But I didn't. Neither did Alixe. And we went under; that's all—fighting each other heart and soul to the end. . . . Is she happy with Ruthven? I never knew him—and never cared to. I suppose they go about in town among the yellow set. Do they?"

      "Yes.

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