am calling you out of courtesy. We are going back there to dig. And we are going to tape it and show it on television. If anything is discovered out there, we are going to have to trace it back to tip-offs you likely gave to Jack Gardiner.”
“Please, I am not that person anymore,” I said. “I have a family and children. I go to church. I sing in the choir. I teach autistic children, for heaven’s sake. My children don’t know anything about my past.”
“That is why I am giving you a heads up,” he said coolly. “I know you were not a killer, but you were part of something bigger than you are. And it is news and it is history. I think we are going to find things out there that are going to be gruesome. It is up to you how you want to handle this with your family.”
“Can’t you just keep me out of this?”
“I am sorry, Dianne, but from what I have read, you became a part of it the second you got on that bus with Charles Manson.”
That night I told my husband about the call. We both knew this day would come—it had to. It was a terrible secret to keep from my children, but I knew that I couldn’t bring myself to tell them any other way; I’d buried the past too carefully. Nothing about their upbringing would suggest what I’d hidden. For most of my children’s lives, I enjoyed the privilege of being home with them, taking care of them. We lived modestly but well, and I made sure the house was clean, dinner was on the table, and I was in the front row at their every school function. My children never spent a day thinking I was not there for them. But now the front was going to collapse under the weight of my former life and the shame I’d concealed for years. Now I would have to tell my children what had really happened during those two treacherous years in California.
But first I myself would have to face the truth. Memories fade, but trauma remembers. It is stored in your body, your senses, your synapses and cells. It would take strength to tell my story, but more importantly, it would take strength to tell myself, and to remember.
This is how my real story begins. Not with sunny southern california, hippies, and drugs, but as white-bread and middle class as it gets: 1950s Minnesota.
Born in 1953, I was my parents’ first child. My father, Clarence, was a sturdy man with a wide, crooked smile. He’d followed his father’s footsteps into the house painting trade to put the food on the table, but art was his passion. He began art school after his marriage, using painting as an outlet for his creativity—house painter by day, artist by night. My mom, Shirley, was a housewife who made every effort to look her best each day and keep a lovely home. As a little girl, I would follow her around the house and try to imitate everything she did. If she was washing a dish in the sink, I would beg to be picked up. “I do it!” I would squeal until she gave me my own sponge to wash with. I was her little shadow and became a “mini momma” when my brother, Danny, and then later my sister, Kathy, were born.
When I was in first grade, my parents must have felt prosperous enough to buy a sizable house outside Minneapolis with a huge backyard. Our neighbors had a greenhouse, in which they grew all kinds of fragrant flowers. When you opened the door, you were greeted with the smell of potted perennials, herbs, and colorful annual flowers for every season. I kept an eye on my younger brother and sister while my father worked and my mother took care of the house. Kathy was a baby, so I would wheel her in her stroller across the lawn or carry her in my arms so she could smell the blooms.
My mother continued to let me help around the house, and in many ways, the housework was exciting to me. There were new household gadgets available and we had a top-of-the-line Hoover Constellation, a round, space-age-looking vacuum that was supposed to float on its own exhaust. You almost wanted to throw dirt on the floor just so you could see how it worked. Our home was always clean, but sometimes I vacuumed just to have something to do.
My mom taught me how to sew on the toy sewing machine I got one year for Christmas, setting me up at a table next to her Singer sewing machine, showing me how to thread the needle and guide the fabric to make the stitches stay straight. In the weeks that followed, she gave me scraps of fabric so I could create outfits for my dolls and little quilts. Eventually I got so good at this that she got me a pattern so I could sew clothes for myself.
From the outside, ours was a traditional family, but there was a restlessness beneath the surface. Before I was born, my father had served in the Korean conflict, and although I wouldn’t have known the difference, my mother always said it had changed him. A father’s dissatisfaction is not always expressed out loud, but it is certainly felt. Over time I came to understand how the currents of his behavior affected our family life. After coming home from work, he would disappear into the corner of the living room that he had set aside for painting, and we weren’t allowed to go near him when he was working. We had our own playroom, and whenever Danny and Kathy tried to bother him, I would catch them so he wouldn’t be disturbed. Even at that age, I understood that he needed room to create.
Even young as I was, I sensed that there was a distance to him, a detachment that made him different. When he smiled, the sun would shine, and my earliest memories are of him laughing and playing with me. But when he was depressed, it was as if the air had been sucked out of the room; he was sullen unless he was working on a project. On those sad days, he would sit quietly in a dark room staring off into space smoking cigarette after cigarette, the smoke thick in the air around him.
I must have taken my cues from my mother because she largely allowed him the space to indulge his whims. Despite his moodiness, he could do no wrong in her eyes. She interacted with him in a manner that bordered on worship and defined much of our domestic lives. She watched him closely, gauging his expressions before she would interact with him. When he got home from work she would wait until he settled in before beginning any conversation. She wouldn’t present him with our misdeeds the minute he walked in the door. Instead we were instructed to greet him cheerfully. He was the stoic king of our castle and we learned to wait until he addressed us before sharing too much with him. I wanted him to notice me, and if he did, I held on to the moment in my heart and in my memory. My remembrances of the times he would grumble and tease me about something that would make me feel bad or tell me “I’ll give you something to cry about” would be countered by his moments of playfulness even if they were not directed at me.
Perhaps because of my father’s unpredictability, my mother controlled the money in the house, as she was the more responsible person. At the end of the week my father handed her whatever money he’d earned painting houses, and I would watch as she paid all the bills. Each month my mom would make sure that the mortgage on the house was paid along with every other bill, spreading the envelopes on the table, writing out checks, and asking me to lick the stamps. Then she would take them to the post office in town to mail them.
Each week she would give my father an allowance in cash and set aside our money for our food. She did all the shopping for us and prepared all our meals. She would pack his lunch in the morning, sometimes putting a little note in his brown bag. She also made dinner every night. Though my dad always seemed busy, he did take time to have dinner with us. This was my favorite time of day because he led the discussion and included me just as if I were a grown-up.
“Dianne, what are you learning in school?” he’d ask me.
“Be right back,” I’d reply, running off to gather a stack of papers. “Look, Daddy, I got good grades on these.” I’d
