The General: The Classic WWI Tale of Leadership. Max Hastings
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In the pages above, I have deliberately avoided tracing the career of C.S. Forester’s Curzon, because to do so would be to deny readers of this remarkable and compelling novel the pleasure of discovering his history for themselves. My objective has been to set in context the experiences both of the writer and of the character he depicted. Cecil Forester was a friend of my parents whom I met once or twice – a lean, bony, ascetic figure with a twinkling eye which caused him to reflect in everything he wrote his consciousness that the play of human affairs is always a comedy; that we all look equally ridiculous in the bath. It is interesting that Adolf Hitler – a man lacking both cultural judgement and a significant sense of humour – relished the 1937 German edition of The General, and presented specially bound copies to favourites, including Goering and Keitel. He urged them to read the novel, which, he said, offered a penetrating study of the British military caste they would soon meet – and defeat – in battle.
No more than Sir Douglas Haig was Curzon a wicked man, as Germany’s commanders in the Second World War were indeed wicked men, because they colluded in barbarous deeds unrelated to military imperatives. The British generals of 1914–18 did the best they could for their country. They possessed virtues and vices bred into the British military caste over many centuries, but in the unprecedented circumstances of France and Flanders these qualities were tested almost to destruction. It is understandable that today the British people decline to celebrate the 1918 victory of Foch and Haig, because its human cost is deemed to have been disproportionate; but it is irrational that meanwhile they untiringly recall and applaud the 1944–45 triumphs of Eisenhower and Montgomery.
The contrast is explained, if not justified, in part by the fact that it proved necessary to fight and overcome German expansionism a second time in the course of the twentieth century. This caused many people to conclude that the earlier struggle had been a failure, the achievement of victory in 1918 annulled by subsequent events. In some measure, this was true. But a balanced perspective, such as should be attainable a century after the event, suggests that if the Kaiser’s Germany had won the First World War, Europe would have paid a terrible forfeit. It is much too simplistic to look back on the 1939–45 conflict as Britain’s ‘good’ war, and 1914–18 as its ‘bad’ one. The war poets are so often misinterpreted by modern readers, that it is necessary to remind ourselves that Wilfred Owen – to name only the foremost – went to his grave in November 1918 overwhelmed by the horror of his generation’s experience, but unwavering in his conviction that the allied cause was just, and had to be upheld in arms, a view in which some of us remain assured that Owen was right.
A twenty-first-century reader who takes up The General will discover no cause to love Curzon’s kind. But C.S. Forester recognised that his fumbling half-hero was as much a tragic figure as the men whom he led, often to their deaths. The author ends his tale as he began it, with a drollery: ‘And now Lieutenant-General Sir Herbert Curzon and his wife, Lady Emily, are frequently to be seen on the promenade at Bournemouth, he in his bathchair with a plaid rug, she in tweeds striding behind. He smiles his old-maidish smile and his friends are pleased with that distinction, although he plays such bad bridge and is a little inclined to irascibility when the east wind blows.’ A modern reader who wishes to understand something about the nature of the men who directed Britain’s Great War will learn more from the pages of Forester than from those of many modern pundits and novelists, marching doggedly through the centenary of 1914 bearing knapsacks still laden with myths and clichés.
Max Hastings
January 2014
Nowadays Lieutenant-General Sir Herbert Curzon, K.C.M.G., C.B., D.S.O., is just one of Bournemouth’s seven generals, but with the distinction of his record and his social position as a Duke’s son-in-law, he is really far more eminent than those bare words would imply. He is usually to be seen in his bath chair with Lady Emily, tall, raw-boned, tweed-skirted, striding behind. He has a large face, which looks as if it had been rough-carved from a block of wood and his white hair and moustache stuck on afterwards, but there is a kindly gleam in his prominent blue eyes when he greets his acquaintances, and he purses up his lips in the queerest old-maidish smile. He clings to the habit of the old-fashioned bathchair largely for the reason that it is easier from a bathchair to acknowledge one’s friends; he has never taught himself to walk with ease with any of the half-dozen artificial limbs he has acquired since the war, and the stump of his amputated thigh still troubles him occasionally. Besides, now that he is growing old he is a tiny bit nervous in a motor car.
Everybody is glad to have him smile to them on Bournemouth promenade, because his smile is a patent of social eminence in Bournemouth. And he wears his position with dignity, and is generous with his smiles, so that his popularity is great although he plays very bad bridge. He goes his way through the town a plaid rug over his knees, the steering-handle in his gloved hands, and on his approach newcomers are hurriedly informed by residents about his brilliant career and his life of achievement. Nowadays, when the memory of the war is fading, these verbal accounts are growing like folk legends, and public opinion in Bournemouth is inclined to give Sir Herbert Curzon more credit than he has really earned, although perhaps not more than he deserves.
The day on which Curzon first stepped over the threshold of history, the day which was to start him towards the command of a hundred thousand men, towards knighthood – and towards the bathchair on Bournemouth promenade – found him as a worried subaltern in an early South African battle. The landscape all about him was of a dull reddish brown; even the scanty grass and the scrubby bushes were brown. The arid plain was seamed with a tangle of ravines and gullies, but its monotony was relieved by the elevation in the distance of half a dozen flat-topped rocky hills, each of them like the others, and all of them like nearly every other kopje in South Africa.
Curzon was in command of his squadron of the Twenty-second Lancers, the Duke of Suffolk’s Own, an eminence to which he had been raised by the chances of war. Three officers senior to him were sick, left behind at various points on the lines of communication, and Captain the Honourable Charles Manningtree-Field, who had been in command when the squadron went into action, was lying dead at Curzon’s feet with a Mauser bullet through his head. Curzon was not thinking about Manningtree-Field. His anxiety was such that immediately after the shock of his death, and of the realization that men really can be killed by bullets, his first thought had been that now he could use the captain’s Zeiss binoculars and try and find out what was happening. He stood on the lip of the shallow depression wherein lay Manningtree-Field’s body, the two squadron trumpeters, and two or three wounded men, and he stared round him across the featureless landscape.
In a long straggling line to his right and left lay the troopers of the squadron, their forage caps fastened under their chins, firing away industriously at nothing at all, as far as Curzon could see. In a gully to the rear, he knew, were the horses and the horseholders, but beyond that Curzon began to realize that he knew extraordinarily little about the battle which was going on. The squadron was supposed to be out on the right flank of an advancing British firing line, but when they had come galloping up to this position Curzon had not been in command, and he had been so preoccupied with keeping his troop properly closed up that he had not paid sufficient attention to what Manningtree-Field had been doing.
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