Dean Koontz 2-Book Thriller Collection: Innocence, The City. Dean Koontz
Чтение книги онлайн.
Читать онлайн книгу Dean Koontz 2-Book Thriller Collection: Innocence, The City - Dean Koontz страница 29

As we approached that place, gunshots tunneled through the white noise of the rain, and a pane in one of the ground-floor windows shattered. A door flew open, and a man came through the door into the storm, but his hair didn’t even have a chance to get wet before he was shot in the back and folded down onto the sidewalk as if he had no more substance than the suit that he wore.
Inside the building, rapid gunfire from at least two weapons continued for much the lesser part of a minute, and after the last shot, the silence in there sounded as final as the hush in a casket under six feet of freshly spaded earth. The door stood open, but no one stepped outside either to help or to finish off the back-shot man, who was lying on his side and weeping.
The street remained empty of traffic. No light suddenly bloomed in the windows of the surrounding buildings. Nothing moved except the silver skeins of rain and the wind tearing through them.
We were hooded and masked, but we could be known by our eyes alone. Although our genuine concern would surely be met with fear and disgust, we could do nothing but attend the weeping victim.
Father first went to the open door, dared to look inside, stepped out of sight, but returned quickly. When he knelt with me beside the wounded man, he said, “Five men in there, all dead.”
We were in the pooled darkness between streetlamps, but if we had been in light, the man still would not have known us by our eyes or perhaps not even if we revealed our faces. In his delirium, he saw not what lay before him but what he wished to see. He allowed my father to lift his left hand from the pavement to check his pulse, but he didn’t realize that he was in the company of strangers.
To my father, he said, “Papa Gino, where’d you come from? Ain’t seen you a long time.” Weariness and bewilderment marked his voice. Death would settle on him soon. Father asked the man for his name, so that he might say a prayer for him. “Don’t you recognize me, Papa Gino? It’s me, your own Jimmy. All grown up and done real good for myself.” Jimmy coughed, and a little blood, black in the poor light, spilled between his lips. Perhaps because my father was holding Jimmy’s left wrist, the dying man said, “See my watch, Papa? Bitchin’ Rolex, solid gold. You take it. I ain’t never given you a damn thing. I wished I could of, now I can. Take it, Papa.” When my father did not at once accept the watch, Jimmy began to sob wretchedly and asked to be forgiven, for what we could not know, and his anguish seemed greater than his pain. Twice he spat blood between his words as he said, “Please take it, Papa Gino, it’s something I can do, it’s a little something.” My father took the watch from the wrist and passed it to me, because just the previous week my secondhand thrift-shop Timex had failed. Father thanked Jimmy for the watch and called him son and said it meant a lot to him to have it. He held Jimmy’s hand in both his hands and said a prayer for him, and I said one, too, but silently.
In life, Jimmy’s face was flat planes and hard edges, but when he didn’t live in it anymore, the face changed and became soft and almost kind. His fixed eyes were dark and empty, and the rain washed the tears out of them.
It was a terrible thing when death first entered the world, and even now when it’s the way of nature, it’s terrible beyond words. Whether it comes for your mother by her own hand or for a stranger who can say nothing in defense of himself except that his watch is solid gold, standing witness to a death leaves you desolate.
We left the dead for others to find and bury, and we went away into the storm, the wind throwing shatters of rain at everything and the sky like a sea above and the whole world drowned in it. We went home from there, to our three windowless rooms, and we didn’t speak of dead Jimmy again, as if the gold watch had materialized around my wrist by the working of a magic lamp that I had rubbed.
I didn’t sleep at all that night, though Father did or pretended that he did. I worried that he might die, and I wondered how I could go on alone without him. I hoped that I might die before him, selfish though that hope might be, but as you know, it didn’t work out that way.
THE POND IN RIVERSIDE COMMONS WAS ONLY minutes from Gwyneth’s apartment, but apparently she needed an hour to get there, which left me with time to do something useful. After turning on the lights and closing the bedroom window that I had left open, I began work in the living room, picking up the books that Ryan Telford had thrown on the floor. I smoothed rumpled dust jackets and returned the volumes to the shelves in alphabetical order by the authors’ names.
When that task was completed, I intended to gather up the broken plates and glasses in the kitchen. Instead I went to the window at which Gwyneth must have been standing when she saw Telford get out of his car.
The snow had not yet begun to fall. On the farther side of the street, Riverside Commons looked darker from here than it had seemed when I’d been within its boundaries, the low path lights now mostly screened by trees. It wasn’t the biggest park in the city or even the second biggest, but at that moment the Commons looked like a place in which you could easily become lost, wandering into territory that had never before presented itself to park visitors, where the trees were mutant and the grass as gray as an old man’s hair.
One summer morning two and a half years earlier, they had found a woman floating dead and naked in the pond, pale and facedown among the koi, her clothes scattered carelessly on the shore as though, in the grip of some pagan impulse, she had undressed there for a swim. She proved to have been a nurse, a wife, a mother of two, and she lived close enough to the hospital to walk home from work in the early evening. Before long they found the three young men—Orcott, Clerkman, and Sabbateau—who used her like a toy, broke her, and threw her away in a quickly and ineptly staged fake drowning. Orcott had a doting uncle, Benton Orcott, who owned three flower shops and from whom they had borrowed a delivery van. They put an old mattress in the back and called the van their pussy wagon. The crimes were committed on the move, while they took turns driving and riding shotgun, one of them always with the woman. The wife of Benton Orcott, Verbina, despised her nephew, whom she regarded as a useless, depraved doper. Certain that he would damage the van, she inspected it the next morning. Although Verbina was unable to find a dent or scratch, she discovered a nurse’s cap under the front passenger seat and in the cap a pair of panties, which one of the rapists had kept for a souvenir but had forgotten to retrieve. She called the police. Two days later, they found the mattress stored for future use in an abandoned building across the street from the nephew’s apartment house. The three were high-school graduates who had been unable to find employment in the perpetually bad economy. Their defense attorney lamented that society had failed them. The nurse’s name was Claire. The name comes from the Latin clarus, which means “clear, bright, shining.” In his confession, Sabbateau said that they had chosen her because she “was so pretty that she seemed to shine.”
I had not come to the window to wait for the snow or to dwell upon the more depressing moments of the park’s history. I disengaged the latch, raised the lower sash, and discovered upon the sill the same Greek-like letters, printed with a felt-tip marker, that were on the sill of the bedroom window. No doubt they were at every window in the apartment. As a cur of cold wind snuffled and licked at my hands, I closed the sash and engaged the latch.
In the small vestibule, I peered through the fish-eye lens to be sure that no one lurked on the fourth-floor landing. When I opened the door, the felt-tip inscription graced the threshold. I closed the door, locked it, and stood there for a moment, wondering.
Those symbols—or most likely words—seemed to be meant to ward off some enemy. They had not stopped Ryan Telford; and they would not have kept out men like