boutiques in all of our hotels. There’s the new one we’re doing over in Barbados, we’re about to remodel the Torremolinos hotel, and eventually the entire chain will get a revamp. We could have a boutique in each one, and Harte’s could run them.’ Miranda sat back and searched Paula’s face for a clue to her feelings, but it was unreadable. She asked eagerly, ‘Well, what do you think?’
‘I’m not sure,’ Paula said. ‘Have you discussed this with Uncle Bryan?’
‘Yes, and Dad liked the idea. He was very gung ho actually, and told me to talk to you.’ Miranda gazed at her friend expectantly and crossed her fingers. ‘Would you be willing to go into the venture with us?’
‘I think we might be. I’d have to talk to my grandmother, of course.’ This was uttered with Paula’s usual caution, but she could not conceal the interest quickening on her face. With a small rush of excitement, she thought: It could be the perfect project for Grandy. The one I’ve been looking for, and it would certainly take the sting out of the Cross fiasco. Straightening up, Paula said in a more positive voice, ‘Give me some additional details, Merry,’ and she listened attentively as the other girl talked. Within minutes she began to recognize the endless possibilities and advantages inherent in Miranda O’Neill’s idea.
Emma sat up with an abrupt jolt.
I don’t believe it. I almost dozed off, she thought with exasperation. Only old ladies do that in the middle of the day. She began to laugh. Well, she was an old lady, even though she was loath to admit that to anyone, least of all herself.
Shifting her position on the sofa, she stretched, then straightened her skirt, and immediately became aware of the heat from the blazing fire. The room was stifling, even for her – she who had always suffered from the cold and rarely ever felt warm enough. No wonder she had become so drowsy.
With a burst of energy she propelled herself up and off the sofa, and hurried to the windows. She opened one of them and took several deep breaths, fanning herself with her hand. The crisp air felt good, and the breeze brushing against her face soon refreshed her, and she stood there for a moment or two until she was cooler, before turning away and retracing her steps.
Her pace was slower, and she looked around as she skirted the two large plump sofas in the centre of the floor. She nodded with pleasure, thinking how lovely the room appeared at this moment, washed as it was in the golden sunlight now streaming in through the many windows. But then it always did look beautiful to her, and she would rather be here than anywhere else on this earth.
Is it age, I wonder, that makes us cleave to the best-known spaces in our lives, and the well-loved and familiar things? Is it the memories of the years gone by, and of those we cared so much about, which bind us to those places and make them so special in our deepest hearts? She believed that this was true – at least for her. She felt safe, and comforted, when she was in surroundings where so many episodes of her long and colourful life had been played out.
Such a place was Pennistone Royal, this ancient, historic and rambling house on the outskirts of Ripon, which she had purchased in 1932. In particular she favoured this room – the upstairs parlour – where she had spent so many endless happy hours over the years. She had often wondered how it had come to be called the upstairs parlour, for there was nothing parlour-like about it at all. This struck her once again as her glance took in the impressive architectural details and the splendid furnishings.
By the very nature of its dimensions the room had a singular grandeur, with its high, Jacobean ceiling decorated with elaborate plasterwork, its tall leaded windows flanking the unique oriel window, and the carved fireplace of bleached oak. Yet for all its imposing detail, and despite its size, Emma had introduced a mellow charm and great comfort, plus a subtle understated elegance that had taken time, much patience, superb taste and a vast amount of money to create.
Being confident of her original choices, Emma had never felt it necessary to change anything, so the room had remained the same for over thirty years. She knew, for instance, that no other paintings could ever surpass the fine portraits of a young nobleman and his wife by Sir Joshua Reynolds, or the priceless Turner landscape. The three oils were in perfect harmony with her graceful Georgian antiques, collected so lovingly and with infinite care. And such things as the Savonnerie carpet, faded now to a delicate beauty, and her Rose Medallion china in the Chippendale cabinet, were matchless touches that added to the room’s graciousness and style. Even the walls were always repainted in their original primrose, for to her discerning eye this pale and delicate colour made the most restful backdrop for the art and the rich patinas of the dark woods, and it introduced the cheerful sunny aspect she preferred.
This morning, the springlike mood of the setting, created by the airy colour scheme and the brightly-patterned chintz on the sofas, was reinforced by porcelain bowls brimming with jonquils, tulips and hyacinth, which spilled their lively yellows, reds, pinks and mauves on to some of the darkly-gleaming surfaces, and their fragrant scents were aromatic on the still and gentle air.
Emma moved forward, then paused again in front of the fireplace. She never tired of looking at the Turner which hung above the mantelpiece, dominating the soaring chimney wall with its misty greens and blues. The landscape was bucolic, evocative, and a superb example of Turner’s poetic and visionary interpretations of the pastoral scene.
It’s definitely the light, she decided for the hundredth time, as always fascinated by the luminous sky in the painting. In Emma’s opinion, no one had ever been able to capture light on canvas in quite the same manner as Turner. The clear cool light in this masterpiece was forever associated in her mind with the Northern skies under which she had grown up, and had lived for most of her life, and which she would love always. She believed them to be unique because of their clarity, and a radiance that seemed unearthly at times.
Her eye now caught the carriage clock on the mantelpiece. It was almost one. She had better pull herself together, and very smartly, since Emily was due momentarily, and everyone had to be on their toes when the volatile, whirlwind Emily was around. Most especially old ladies, she added inwardly, chuckling softly again.
Hurrying briskly into the adjoining bedroom, she sat down at her dressing table. After dabbing her nose with powder, she renewed her pink lipstick and ran a comb through her hair. There, that does it. Passable, she added under her breath, peering into the glass. No, more than passable. I really do look pretty nifty today, as Alexander said.
She swung her head and stared at Paul’s photograph standing on one corner of the dressing table, and she began to speak to him in her mind. This was an old habit of hers and one which had become something of a ritual.
I wonder what you would think of me, if you could see me now? Would you recognize your glorious Emma, as you used to call me? Would you think that I have grown old gracefully, as I believe I have?
Picking up the photograph, she sat holding it with both hands, gazing down into his face. After all these years she still remembered every facet of him, and with a poignant vividness, as if she had seen him only yesterday. She blew a mote of dust off the glass. How handsome he looked in his white tie and tails. This was the last picture taken of him. In New York. On 3 February 1939. She recalled the date so easily. It had been his fifty-ninth birthday, and she had invited a group of their friends for drinks at their lavish Fifth Avenue apartment, and then they had gone to the Metropolitan Opera to hear Risë Stevens and Ezio Pinza sing Mignon. Afterwards, Paul had taken them to Delmonico’s for his birthday dinner, and it had been a wonderful evening, marred only at its outset by Daniel Nelson’s talk of impending war, and Paul’s equally bleak assessment
